Can-Can (film)

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Can Can.jpeg
theatrical release poster
Directed by Walter Lang
Produced by Jack Cummings
Saul Chaplin
Written by Dorothy Kingsley
Charles Lederer
Based on Abe Burrows
(stage musical)
Starring Frank Sinatra
Shirley MacLaine
Maurice Chevalier
Louis Jourdan
Music by Cole Porter
Cinematography William H. Daniels
Edited by Robert L. Simpson
Distributed by Twentieth Century-Fox
Release dates
  • March 9, 1960 (1960-03-09) (US)
Running time
131 minutes
Country United States
Language English
Budget $4,995,000[1]
Box office $4.2 million (US/ Canada rentals) [2]

Can-Can is a 1960 musical film made by Suffolk-Cummings productions and distributed by 20th Century Fox. It was directed by Walter Lang, produced by Jack Cummings and Saul Chaplin, from a screenplay by Dorothy Kingsley and Charles Lederer, loosely based on the musical play by Abe Burrows with music and lyrics by Cole Porter, with some songs replaced by songs from earlier Porter musicals. Art direction was by Jack Martin Smith and Lyle R. Wheeler, costume design by Irene Sharaff and dance staging by Hermes Pan. The film was photographed in Todd-AO. It was, after Ben-Hur, the top grossing film of 1960, although it was a box office disappointment failing to make back its production costs.

The film stars Frank Sinatra, Shirley MacLaine, Maurice Chevalier and Louis Jourdan, and introduced Juliet Prowse in her first film role. Sinatra, who was paid $200,000 along with a percentage of the film's profits, acted in the film under a contractual obligation required by 20th Century Fox after walking off the set of Carousel in 1955.

Musical score[edit]

The film contains what critics now consider some of Cole Porter's most enduring songs, including "I Love Paris", "It's All Right With Me", and "C'est Magnifique." At the time of the show's premiere in 1953 however, many critics complained that Porter was now turning out material far below his usual standard. Some of the songs from the original Broadway musical were replaced by other, more famous Porter songs, including "Let's Do It", "Just One of Those Things" and "You Do Something to Me." "I Love Paris" is sung by the chorus over the opening credits, instead of being sung in the actual story by MacLaine. A version by Sinatra and Chevalier, however, was featured on the movie soundtrack album.

Sinatra and Chevalier filmed the song "I Love Paris" but it was cut in previews when the studio realized it slowed the film down. A photo of the sequence can be found in a New York Times Magazine article from Feb 21,1960. The song takes place shortly after Act Two opens in the scene where Chevalier visits Sinatra in a nightclub.

Plot alterations[edit]

The plot of the musical was also revised. In the stage version, the judge was the leading character. In the film, it is the lover (Sinatra) of the nightclub owner (Shirley MacLaine) who is the lead, and the judge (played by Louis Jourdan) forms the other half of a love triangle not found in the play. The character of Paul Barriere, a non-singing supporting part on stage, was plumped up and given two songs for Maurice Chevalier .

International controversy[edit]

During the filming, Soviet premier Nikita Khrushchev famously visited the 20th Century Fox studios[3] and was allegedly shocked by the goings-on. He took the opportunity to make propagandistic use of his visit and described the dance, and by extension American culture, as "depraved" and "pornographic."[4]

Awards and nominations[edit]

Academy Awards, 1961:

Golden Globe Awards, 1961:

  • Nominated – Best Motion Picture, Musical

Grammy Awards, 1961:

  • Winner – Best Motion Picture Soundtrack



  1. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p252
  2. ^ "All-Time Top Grossers", Variety, 8 January 1964 p 69
  3. ^ Time Staff (September 21 1959). "National Affairs: Can-Can Without Pants?" TIME Magazine
  4. ^ Linnell, Greg. "'Applauding the Good and Condemning the Bad': The Christian Herald and Varieties of Protestant Response to Hollywood in the 1950s" Journal of Religion and Popular Culture Vol. 12: Spring 2006

External links[edit]