The tune has been covered by a number of jazz performers beginning in the 1960s.
Wes Montgomery (guitar) recorded the piece with small combo. The recording features his signature octave melodic technique.
Danny Gatton (guitar) playing with Buddy Emmons (pedal steel) produced a funky version of the tune that fit appropriately with the "Redneck Jazz" sound they developed (jazz played on instruments normally relegated to country music)
George Shearing (piano) recorded the piece with his quintet along with an orchestral arrangement of his writing.