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Canadian literature is literature originating from Canada. Some criticism of Canadian literature has focused on nationalistic and regional themes, although this is only a small portion of Canadian Literary criticism. Critics against such thematic criticism in Canadian literature, such as Frank Davey, had argued that a focus on theme diminishes the appreciation of complexity of the literature produced in the country, and creates the impression that Canadian literature is sociologically-oriented. While Canadian literature, like the literature of every nation state, is influenced by its socio-political contexts, Canadian writers have produced a variety of genres. Influences on Canadian writers are broad, both geographically and historically.
After the colonization of Canada, the dominant European cultures were originally English, French, and Gaelic. After Prime Minister Pierre Trudeau's "Announcement of Implementation of Policy of Multiculturalism within Bilingual Framework," in 1971, Canadian critics and academics gradually began to recognize that there existed a more diverse population of readers and writers. The country's literature has been strongly influenced by international immigration, particularly in recent decades. In the past critics thought that Canada’s literature often reflected the Canadian perspective on: (1) nature, (2) frontier life, and (3) Canada’s position in the world, all three of which tie into the garrison mentality. Since the 1980s Canada's ethnic and cultural diversity have been openly reflected in its literature, with many of its most prominent writers focusing on ethnic minority identity, duality and cultural differences; themes which are in contrast to environmental readings, as Joseph Pivato argues in his critique of Atwood's Survival.However, Canadians have been less willing to acknowledge the diverse languages of Canada, besides English and French, and give equal consideration to works in such languages.
|Early modern by century|
|Mid-modern by century|
Because of its size and breadth, Canadian literature is often divided into sub-categories.
- The most common is to categorize it by region such as the prairie novel or by province such as Quebec theatre province.
- Another way is to categorize it by author. For instance, the literature of Canadian women, Acadians, Aboriginal peoples in Canada, and Irish Canadians, as well as Italian-Canadians and South-Asian-Canadians have been anthologized as bodies of work.
- A third is to divide it by literary period, such as "The Confederation Poets", "Canadian postmoderns" or "Canadian Poets Between the Wars."
Traits common to works of Canadian literature include:
- Failure as a theme: Failure and futility feature heavily as themes in many notable works; for instance, Not Wanted on the Voyage by Timothy Findley or Kamouraska by Anne Hebert.
- Humour: Serious subject matter is often laced with humour. See also: Canadian humour.
- Mild anti-Americanism
- Multiculturalism: Since World War Two, multiculturalism has been an important theme. Writers using this theme include Mordecai Richler (author of The Apprenticeship of Duddy Kravitz), Margaret Laurence (author of The Stone Angel), Rohinton Mistry, F.G. Paci, Michael Ondaatje (author of The English Patient) M.G. Vassanji and Chinese Canadian writer Wayson Choy.
- Nature (and a "human vs. nature" tension): Reference to nature is common in Canada's literature. Nature is sometimes portrayed like an enemy, and sometimes like a divine force.
- Satire and irony: Satire is probably one of the main elements of Canadian literature.
- Self-deprecation: Another common theme in Canadian literature.
- Self-evaluation by the reader
- Search for Self-Identity: Some Canadian novels revolve around the theme of the search for one's identity and the need to justify one's existence. Good examples are F.G. Paci's Black Madonna, Caterina Edwards' The Lion's Mouth, Robertson Davies's Fifth Business, in which the main character Dunstan Ramsay searches for a new identity.
- Southern Ontario Gothic: A subgenre which critiques the stereotypical Protestant mentality of Southern Ontario; many of Canada's most internationally famous authors write in this style.
- The underdog hero: The most common hero of Canadian literature, an ordinary person who must overcome challenges from a large corporation, a bank, a rich tycoon, a government, a natural disaster, and so on.
- Urban vs. rural: A variant of the underdog theme which involves a conflict between urban culture and rural culture, usually portraying the rural characters as morally superior. Often, as in Stephen Leacock's Sunshine Sketches of a Little Town or Alistair MacLeod's No Great Mischief, the simplicity of rural living is lost in the city.
In 1802, the Lower Canada legislative library was founded, being one of the first in Occident, the first in the Canadas. For comparison, the library of the British house of commons was founded sixteen years later. It should be noted the library had some rare titles about geography, natural science and letters. All books it contained were moved to the Canadian parliament in Montreal when the two Canadas, lower and upper, were united. On April 25, 1849, a dramatic event occurred: the Canadian parliament was burned by furious people along with thousands of French Canadian books and a few hundred of English books. This is why some people still affirm today, falsely, that from the early settlements until the 1820s, Quebec had virtually no literature. Though historians, journalists, and learned priests published, overall the total output that remain from this period and that had been kept out of the burned parliament is small.
It was the rise of Quebec patriotism and the 1837 [Lower Canada Rebellion], in addition to a modern system of primary school education, which led to the rise of French-Canadian fiction. [L'influence d'un livre] by [Philippe-Ignace-Francois Aubert de Gaspé] is widely regarded as the first French-Canadian novel. The genres which first became popular were the rural novel and the historical novel. French authors were influential, especially authors like [Balzac].
In 1866, Father Henri-Raymond Casgrain became one of Quebec's first literary theorists. He argued that literature's goal should be to project an image of proper Catholic morality. However, a few authors like Louis-Honoré Fréchette and Arthur Buies broke the conventions to write more interesting works.
This pattern continued until the 1930s with a new group of authors educated at the Université Laval and the Université de Montréal. Novels with psychological and sociological foundations became the norm. Gabrielle Roy and Anne Hébert even began to earn international acclaim, which had not happened to French-Canadian literature before. During this period, Quebec theatre, which had previously been melodramas and comedies, became far more involved.
French-Canadian literature began to greatly expand with the turmoil of the Second World War, the beginnings of industrialization in the 1950s, and most especially the Quiet Revolution in the 1960s. French-Canadian literature also began to attract a great deal of attention globally, with Acadian novelist Antonine Maillet winning the Prix Goncourt. An experimental branch of Québécois literature also developed; for instance the poet Nicole Brossard wrote in a formalist style. In 1979, Roch Carrier wrote the story The Hockey Sweater, which highlighted the cultural and social tensions between English and French speaking Canada.
Contemporary Canadian literature: late 20th to 21st century
Following World War II, writers such as Mavis Gallant, Mordecai Richler, Norman Levine, Margaret Laurence and Irving Layton added to the Modernist influence to Canadian literature previously introduced by F. R. Scott, A. J. M. Smith and others associated with the McGill Fortnightly. This influence, at first, was not broadly appreciated. Norman Levine's Canada Made Me, a travelogue that presented a sour interpretation of the country in 1958, for example, was widely rejected.
After 1967, the country's centennial year, the national government increased funding to publishers and numerous small presses began operating throughout the country.
In the late 1970s, science fiction fan and scholar of Canadian literature Susan Wood helped pioneer the study of feminist science fiction, and (along with immigrant editor Judith Merril) brought new respectability to the study of Canadian science fiction, paving the way for the rise of such phenomena as the French-Canadian science fiction magazine Solaris.
By the 1990s, Canadian literature was viewed as some of the world's best.
Canadian authors have won international awards:
- In 1992, Michael Ondaatje became the first Canadian to win the Booker Prize for The English Patient.
- Margaret Atwood won the Booker in 2000 for The Blind Assassin and Yann Martel won it in 2002 for Life of Pi.
- Alistair MacLeod won the 2001 IMPAC Award for No Great Mischief and Rawi Hage won it in 2008 for De Niro's Game.
- Carol Shields's The Stone Diaries won the 1995 Pulitzer Prize for Fiction, and in 1998 her novel Larry's Party won the Orange Prize.
- Lawrence Hill's Book of Negroes won the 2008 Commonwealth Writers' Prize Overall Best Book Award.
- Alice Munro became the first Canadian to win the Nobel Prize in Literature in 2013. Munro also received the Man Booker International Prize in 2009.
Because Canada only officially became a country on July 1, 1867, it has been argued that literature written before this time was colonial. For example, Susanna Moodie and Catherine Parr Traill, English sisters who adopted the country as their own, moved to Upper Canada in 1832. They recorded their experiences as pioneers in Parr Traill's The Backwoods of Canada (1836) and Canadian Crusoes (1852), and Moodie's Roughing It in the Bush (1852) and Life in the Clearings (1853). However, both women wrote until their deaths, placing them in the country for more than 50 years and certainly well past Confederation. Moreover, their books often dealt with survival and the rugged Canadian environment; these themes re-appear in other Canadian works, including Margaret Atwood's Survival. Moodie and Parr Traill's sister, Agnes Strickland, remained in England and wrote elegant royal biographies, creating a stark contrast between Canadian and English literatures.
However, one of the earliest "Canadian" writers virtually always included in Canadian literary anthologies is Thomas Chandler Haliburton (1796–1865), who died just two years before Canada's official birth. He is remembered for his comic character, Sam Slick, who appeared in The Clockmaker and other humorous works throughout Haliburton's life.
Arguably, the best-known living Canadian writer internationally (especially since the deaths of Robertson Davies and Mordecai Richler) is Margaret Atwood, a prolific novelist, poet, and literary critic. Some great 20th-century Canadian authors include Margaret Laurence, Gabrielle Roy, and Carol Shields.
This group, along with Nobel Laureate Alice Munro, who has been called the best living writer of short stories in English, were the first to elevate Canadian Literature to the world stage. During the post-war decades only a handful of books of any literary merit were published each year in Canada, and Canadian literature was viewed as an appendage to British and American writing.
Much of what was produced dealt with extremely typical Canadiana such as the outdoors and animals, or events in Canadian history.
A reaction against this tradition, poet Leonard Cohen's novel Beautiful Losers (1966), was labelled by one reviewer "the most revolting book ever written in Canada". However, Cohen is perhaps best known as a folk singer and songwriter, with an international following.
Histories of Canadian literature
There are numerous histories of Canadian literature, written in different languages. The vast majority of these deal exclusively with literature in a single language. Reingard M. Nischik (ed.)'s History of Literature in Canada: English-Canadian and French-Canadian. Rochester, NY: Camden House, 2008 is an exception as his book addresses both English and French-language literature.
In 2016, Michael Newton published Seanchaidh na Coille / The Memory-Keeper of the Forest: Anthology of Scottish-Gaelic Literature of Canada. This is the first literature history which has addressed Scottish Gaelic literature in Canada.
There are a number of notable Canadian awards for literature:
- The Atlantic Writers Competition highlights talent across the Atlantic Provinces.
- Books in Canada First Novel Award for the best first novel of the year
- Canadian Authors Association Awards for Adult Literature, honouring works by Canadian writers that achieve excellence without sacrificing popular appeal since 1975
- CBC Literary Awards
- Canada Council Molson Prize for distinguished contributions to Canada's cultural and intellectual heritage
- Dayne Ogilvie Prize for an emerging writer in the lesbian, gay, bisexual or transgender communities
- Floyd S. Chalmers Canadian Play Awards for best Canadian play staged by a Canadian theatre company
- Hilary Weston Writers' Trust Prize for Nonfiction for best work of nonfiction
- Marian Engel Award for female writers in mid-career
- Matt Cohen Award to honour a Canadian writer for a lifetime of distinguished achievement
- Shaughnessy Cohen Award for Political Writing
- Gerald Lampert Award for the best new poet
- Lieutenant-Governor's Award for High Achievement in the Literary Arts
- Giller Prize for the best Canadian novel or book of short stories in English
- Governor General's Literary Awards from the Canada Council for the Arts for the best Canadian fiction, poetry, non-fiction, drama, young people's literature (text), young people's literature (illustration) and translation, in both English and French
- Griffin Poetry Prize for the best book of poetry, one award each for a Canadian poet and an international poet
- Milton Acorn Poetry Awards for an outstanding "people's poet"
- National Business Book Award
- Pat Lowther Award for poetry written by a woman
- Prix Aurora Awards for Canadian science fiction and fantasy, in English and French
- Prix Athanase-David for a Quebec writer
- Prix Gilles-Corbeil for a Quebec writer in honour of his or her lifetime body of work (presented every three years)
- Prix Trillium for the best work by a Franco-Ontarian writer
- Quebec Writers' Federation Awards for the best fiction, poetry, non-fiction, children's and young adult literature, first book by English Quebec writers, and the best translation (English and French alternate years)
- RBC Bronwen Wallace Award for Emerging Writers
- Rogers Writers' Trust Fiction Prize for the best work of fiction
- Stephen Leacock Award For Humour
- Trillium Book Award for the best work by an Ontario writer
- W.O. Mitchell Literary Prize for a writer who has made a distinguished lifetime contribution both to Canadian literature and to mentoring new writers
- Room of One's Own Annual Award for poetry and literature
- 3-Day Novel Contest annual literary marathon, born in Canada
- Danuta Gleed Literary Award for a first collection of short fiction by a Canadian author writing in English
- Ethel Wilson Fiction Prize for the best novel or collection of short stories by a resident of British Columbia
- Dorothy Livesay Poetry Prize for the best collection of poetry by a resident of British Columbia
- The Doug Wright Awards for graphic literature and novels
- Writers' Trust Engel/Findley Award for a distinguished writer in mid-career
- Writers’ Trust / McClelland & Stewart Journey Prize
Awards For Children's and Young Adult Literature:
- Young Adult Novel Prize of the Atlantic Writers Competition
- R.Ross Annett Award for Children's Literature
- Geoffrey Bilson Award for Historical Fiction
- Ann Connor Brimer Award
- Governor-General's Awards for Children's Literature
- Canadian Library Association Book of the Year Award for Children
- CLA Young Adult Canadian Book Award
- Sheila A. Egoff Children's Literature Prize
- Elizabeth Mrazik-Cleaver Canadian Picture Book Award
- Floyd S. Chalmers Award for Theatre for Young Adults
- Amelia Frances Howard-Gibbon Illustrator's Award
- Information Book of the Year
- I0DE Book Award
- Manitoba Young Reader's Choice Award
- Max and Greta Ebel Memorial Award for Children's Writing
- Norma Fleck Award for children's non-fiction
- Governor General's Awards for the best Canadian fiction, poetry, non-fiction, drama, children's literature (text), children's literature (illustration) and translation, in both English and French
- QWF Prize for Children's and Young Adult Literature
- Vicky Metcalf Award for Children's Literature
- Canadian poetry
- Canadian science fiction
- List of Canadian writers
- List of Canadian short story writers
- The Canadian Centenary Series
- Canada Reads
- List of fiction set in Toronto
- Canadian content
- Nature writing
- Newton, Michael (2015). Seanchaidh na Coille / The Memory-Keeper of the Forest. Cape Breton University Press.
- Rankin, Effie. "A shared song lasts long". Comhairle na Gàidhlig. Gaelic Council of Nova Scotia. Retrieved 14 January 2017.
- Robert Fulford's column about the international success of Canadian literature
- "For a long time Alice Munro has been compared with Chekhov; John Updike would add Tolstoy, and AS Byatt would say Guy de Maupassant and Flaubert. Munro is often called the best living writer of short stories in English; the words "short story" are frequently dropped." Riches of a Double Life, Ada Edemariam, Guardian Online, retrieved 11 October 2006.
- Who held a gun to Leonard Cohen's head? Tim de Lisle, Guardian Online, retrieved 11October 2006.
- Newton, Michael (2015). Seanchaidh na Coille / The Memory-Keeper of the Forest. Cape Breton University Press.
- Hammill, Faye (2007), Canadian literature, Edinburgh Univ. Press, ISBN 978-0-7486-2162-0
- Heath, Jeffrey M (1991), Profiles in Canadian Literature, Volume 7, Dundurn Press, ISBN 1-55002-145-1
- K, Balachand (2007), Canadian literature: an overview, Sarup & Sons, ISBN 81-7625-753-2
- New, William H (1990), Native writers and Canadian writing, UBC Press, ISBN 0-7748-0370-3
- New, William H (2003), A history of Canadian literature, McGill-Queen's University Press, ISBN 0-7735-2597-1
- New, William H (2002), Encyclopedia of literature in Canada, University of Toronto Press, ISBN 0-8020-0761-9
- Nischik, Reingard M (2008), History of literature in Canada: English-Canadian and French-Canadian, Camden House, ISBN 9781571133595
- Pivato, Joseph. Echo: Essays on Other Literatures. Guernica Editions, 1994 and 2003, ISBN 1-55071-176-8
- Stouck, David (1988), Major Canadian authors : a critical introduction to Canadian literature in English (2nd ed.), University of Nebraska Press, ISBN 0-8032-4119-4
- Sugars, Cynthia, and Eleanor Ty, eds. Canadian Literature and Cultural Memory (Oxford University Press; 2015) 493pp Scholarly essays on how cultural memory is reflected in Canadian fiction, poetry, drama, films, etc.
- Waterston, Elizabeth (1973), Survey; a short history of Canadian literature, Methuen, ISBN 0-458-90930-0
canadian-writers.athabascau.ca Resource for Canadian authors publishing in English or French - Athabasca University, Alberta.
- Introduction - Canadian Writers - Library and Archives Canada
- Canadian Literature - CanLit
- Canadian Literature - Historica - The Canadian Encyclopedia Library
- Studies in Canadian Literature / Études en littérature canadienne - University of New Brunswick