Candi of Indonesia
Candi (pronounced [tʃandi]) are the Hindu and Buddhist temples and sanctuaries of Indonesia, mostly built during the 8th to 15th centuries. However, ancient non-religious structures such as gates, urban ruins, and pool and bathing places are often also called "candi".
- 1 Terminology
- 2 Architecture
- 3 Motif and decoration
- 4 Style
- 5 Candi of Central Java
- 6 Candi of West Java
- 7 Candi of East Java
- 8 Candi of Bali
- 9 Candi of Sumatra
- 10 Candi of Kalimantan
- 11 Gallery
- 12 See also
- 13 References
- 14 Further reading
- 15 External links
Candi refers to a structure based on the Indian type of single-celled shrine, with a pyramidal tower above it, and a portico. The term Candi is given as a prefix to the many temple-mountains in Indonesia, built as a representation of the Cosmic Mount Meru, an epitome of the universe. However, the term also applied to many non-religious structures dated from the same period, such as gopura (gates), petirtaan (pools) and some of habitation complexes. Examples of non-temple candis are the Bajang Ratu and Wringin Lawang gates of Majapahit. The Candi Tikus bathing pool in Trowulan and Jalatunda in Penanggungan slopes, as well as the remnants of non-religious habitation and urban structures such as Ratu Boko and some of Trowulan city ruins, are also considered candi.
The term "candi" itself derived from Candika one of the manifestations of the goddess Durga as the goddess of death. This suggests that in ancient Indonesia the "candi" had mortuary functions as well as connections with the afterlife. The association of the name "candi", candika or durga with Hindu-Buddhist temples is unknown in India and other parts of Southeast Asia outside of Indonesia, such as Cambodia, Thailand, or Burma. Historians suggest that the temples of ancient Java were also used to store the ashes of cremated deceased kings or royalty. This is in line with Buddhist concept of stupas as structures to store Buddhist relics, including the ashes and remains of holy Buddhist priests or the Buddhist king, patrons of Buddhism. The statue of god stored inside the garbhagriha (main chamber) of the temple is often modeled after the deceased king and considered to be the deified person of the king portrayed as Vishnu or Shiva according to the concept of devaraja. The example is the statue of king Airlangga from Belahan temple portrayed as Vishnu riding Garuda.
The candi architecture follows the typical Hindu architecture traditions based on Vastu Shastra. The temple layout, especially in central Java period, incorporated mandala temple plan arrangements and also the typical high towering spires of Hindu temples. The candi was designed to mimic Meru, the holy mountain the abode of gods. The whole temple is a model of Hindu universe according to Hindu cosmology and the layers of Loka.
The candi structure and layout recognize the hierarchy of the zones, spanned from the less holy to the holiest realms. Each Hindu and Buddhist concepts has their own terms, but the concept's essentials is identical. Either the compound site plan (horizontally) or the temple structure (vertically) are consists of three zones:
- Bhurloka (in Buddhism: Kāmadhātu), the lowest realm of common mortals; humans, animals also demons. Where humans still bound by their lust, desire and unholly way of life. The outer courtyard and the foot (base) part of each temples is symbolized the realm of bhurloka.
- Bhuvarloka (in Buddhism: Rupadhatu), the middle realm of holy people, rishis, ascetics, and lesser gods. People here began to see the light of truth. The middle courtyard and the body of each temples is symbolized the realm of bhuvarloka.
- Svarloka (in Buddhism: Arupadhatu), the highest and holiest realm of gods, also known as svargaloka. The inner cortyard and the roof of each temples is symbolized the realm of svarloka. The roof of Hindu structure usually crowned with ratna (sanskrit: jewel) or vajra, or in eastern Java period, crowned by cube structure. While stupa or dagoba cylindrical structure served as the pinnacle of Buddhist ones.
Motif and decoration
The candis of ancient Java is notable with the application of kala-makara as both decorative and symbolic elements of temple architecture. Kala is the giant symbolize time, by making kala's head as temple portals element, it symbolize that time consumes everything. Kala is also a protective figure, with fierce giant face it scare away malevolent spirits. Makara is a mythical sea monster the vahana of sea god Varuna. It has been depicted typically as half mammal and half fish. In many temples, the depiction is in the form of half fish or seal with head of an elephant. It is also shown with head and jaws of a crocodile, an elephant trunk, the tusks and ears of a wild boar, the darting eyes of a monkey, the scales and the flexible body of a fish, and the swirling tailing feathers of a peacock. Both kala and makara is applied as the protective figures of the temple's entrance.
Kala is the giant head, often took place on the top of the entrance with makaras projected on either sides of kala's head flanking the portal or projecting on top corner as antefixes. Kala-makara theme also can be found on stairs railings on either sides. On upper part of stairs, the mouth of kala's head projecting makara downward. The intricate stone carving of twin makaras flanking the lower level of stairs with its bodies forming the stair's railings. Other than makaras, kala's head might also projecting its tongue as stair's railings. These types if stairs decorations can be observed in Borobudur and Prambanan. Makara's trunks are often describes as handling gold ornaments or spouting jewels, while in its mouth often projected Gana dwarf figures or animals such as lions or parrots.
Most of larger temple compound in ancient Java were guarded by a pair of Dvarapala statues, as gate guardians. The twin giants usually placed flanked the entrance in front of the temple, or in four cardinal points. Dvarapala took form of two fierce giants or demons that ward off evil and malevolent spirits from entering the sacred temple compounds. In Central Javanese art, Dvarapala is mostly portrayed as a stout and rather chubby giant, with fierce face of glaring round goggle eyes, protruding fangs, curly hairs and moustaches, with fat and round belly. The giant usually depicted as holding gada and sometimes knives as weapon.
In East Javanese art and Balinese version however, the dvarapala usually depicted rather slender, with the exception of gigantic dvarapala of Singhasari near Malang, East Java that measures 3.7 metres tall. The most notable dvarapala statues are those of candi Sewu, each pair guarding four cardinal points of the grand temple complex, making them a total eight large dvarapala statues in perfect condition. The dvarapalas of Sewu temple has become the prototype of Gupolo guardian in later Javanese art, copied as guardians in Javanese keratons of Yogyakarta and Surakarta. Another fine example is two pairs of dvarapala guarding the twin temples of Plaosan.
Stupa and ratna pinnacles
The religions dedicated in the temples of ancient Java can be easily distinguished mainly from its pinnacles on top of the roof. Bell-shaped stupa can be found on the Buddhist temples' roof, while ratna, the pinnacle ornaments symbolize gem, mostly founds in Hindu temples. In Prambanan, the stylized vajra replaced ratna as the temple's pinnacles. In later periods, the false lingga-yoni, or cube can be found in Hindu temple's roof, while cylindrical dagoba on top of Buddhist counterparts.
Soekmono, an Indonesian archaeologist, has classified the candi styles into two main groups: a central Java style, which predominantly date from before 1,000 CE, and an eastern Java style, which date from after 1,000 CE. He groups the temples of Sumatra and Bali into the eastern Java style.
|Parts of the temple||Central Java Style||Eastern Java Style|
|Shape of the structure||Tends to be bulky||Tends to be slender and tall|
|Roof||Clearly shows stepped roof sections, usually consist of 3 parts||The multiple parts of stepped sections formed a combined roof structure smoothly|
|Pinacle||Stupa (Buddhist temples), Ratna or Vajra (Hindu temples)||Cube (mostly Hindu temples), sometimes Dagoba cylindrical structures (Buddhist temples)|
|Portal and niches adornment||Kala-Makara style; Kala head without lower jaw opening its mouth located on top of the portal, connected with double Makara on each side of the portal||Only Kala head sneering with the mouth complete with lower jaw located on top of the portal, Makara is absent|
|Relief||Projected rather high from the background, the images was done in naturalistic style||Projected rather flat from the background, the images was done in stylized style similar to Balinese wayang image|
|Layout and location of the main temple||Concentric mandala, symmetric, formal; with main temple located in the center of the complex surrounded by smaller perwara temples in regular rows||Linear, asymmetric, followed topography of the site; with main temple located in the back or furthermost from the entrance, often located in the highest ground of the complex, perwara temples is located in front of the main temple|
|Direction||Mostly faced east||Mostly faced west|
|Materials||Mostly andesite stone||Mostly red brick|
There are material, form, and location exceptions to these general design traits. While the Penataran, Jawi, Jago, Kidal and Singhasari temples, for example, belong to the eastern Java group, they use andesite stone similar to the central Java temple material. Temple ruins in Trowulan, such as Brahu, Jabung and Pari temples use red brick. Also the Prambanan temple is tall and slender similar to the east Java style, yet the roof design is central Javan in style. The location also do not always correlate with the temple styles, for example Candi Badut is located in Malang, East Java, yet the period and style belongs to older 8th century central Javanese style.
The earlier northern central Java complexes, such as the Dieng temples, are smaller and contain only several temples which exhibit simpler carving, whereas the later southern complexes, such as Sewu temple, are grander, with a richer elaboration of carving, and concentric layout of the temple complex.
The Majapahit period saw the revival of Austronesian megalithic design elements, such stepped pyramids (punden berundak). These design cues are seen in the Sukuh and Cetho temples in Mount Lawu in eastern Central Java, and in stepped sanctuary structures on the Mount Penanggungan slopes that are similar to meso-American stepped pyramids.
Candi of Central Java
Borobudur and Kedu Plain
- Borobudur. 9th-century Buddhist monument, reportedly the world's largest. Seven terraces to the top represent the steps from the earthly realm to Nirvana. Reliefs of the birth, enlightenment and death of the Buddha. A UNESCO World Heritage Site.
- Pawon. 8th-century Buddhist temple.
- Mendut. 8th-century Mahayana Buddhist temple.
- Ngawen. Five aligned sanctuaries, one decorated with finely sculpted lions. 8th-century Buddhist temple located east from Mendut temple. The name linked to Venuvana, "the temple of bamboo forest".
- Banon. 8th-century Hindu temple located north from Pawon temple. The few remains make it impossible to reconstruct the temple. The Hindu god statue from this temple is now located at the National Museum in Jakarta.
- Umbul, a 9th-century bathing complex in Grabag, Magelang
East of Borobudur
- Gunung Sari. Ruins of three secondary temples and the foot of the main temple remain.
- Gunung Wukir. One of the oldest inscriptions on Java, written in 732 CE, found here. Only the bases remain of the main sanctuary and three secondary temples.
Slopes of Gunung Merapi
- Sengi complex. Three temples, Candi Asu, Candi Pendem and Candi Lumbung, Sengi, on the side of Mount Merapi. 8th and 9th century. The base of the temple has a climbing plant motif.
- Candi Sambisari. 10th century underground Hindu temple buried by eruptions from Mount Merapi for a century. Discovered in 1966 by a farmer plowing his field.
- Candi Kadisoka, uncompleted 8th-century temple buried by eruptions from Merapi. Thought to have been Hindu temple, discovered in 2000.
The Hindu temple compound located in Dieng Plateau, near Wonosobo, Central Java. Eight small Hindu temples from the 7th and 8th centuries, the oldest in Central Java. Surrounded by craters of boiling mud, colored lakes, caves, sulphur outlets, hot water sources and underground channels. The temples are:
- Arjuna temple
- Semar temple
- Srikandi temple
- Puntadewa temple
- Sembadra temple
- Dwarawati temple
- Gatotkaca temple
- Bima temple
South-west of Semarang, Central Java
Five temples constructed in 8th and 9th centuries. The site highlights how, in Hinduism, location of temples was as important as the structures themselves. The site has panoramas of three volcanoes and Dieng Plateau.
East of Yogyakarta, Central Java
- Candi Merak. Two 10th century Hindu temples, rich in reliefs and decorations, in the middle of a village.
- Candi Karangnongko. Difficult to date because remains are few.
Near Surakarta, Central Java
- Candi Cetho. On the slopes of Mount Lawu. A 15th-century Hindu temple 1470m above sea level.
- Candi Sukuh. On the slopes of Mount Lawu. 15th-century Hindu complex resembling a Mayan temple. Reliefs illustrate life before birth and sex education.
East of Yogyakarta
- Roro Jonggrang, the main Prambanan complex. 9th century Hindu temple called the "Slender Maiden". Main temple dedicated to Shiva flanked by temples to Visnu and Brahma. Reliefs depict Ramayana stories.
North of main Prambanan complex
- Sewu. Buddhist temple complex, older than Roro Jonggrang. A main sanctuary surrounded by many smaller temples. Well preserved guardian statues, replicas of which stand in the central courtyard at the Jogja Kraton.
- Candi Lumbung. Buddhist temple ruin located south from Sewu temple, consisting of one main temple surrounded by 16 smaller ones.
- Candi Gana. Buddhist temple ruin rich in statues, bas-reliefs and sculpted stones. Frequent representations of children or dwarfs with raised hands. Located east from Sewu complex in the middle of housing complex. Under restoration since 1997.
- Plaosan. Buddhist temple compound located few kilometers east from Sewu temple, probably 9th century. Thought to have been built by a Hindu king for his Buddhist queen. Two main temples with reliefs of a man and a woman. Slender stupa.
South of main Prambanan complex
- Arca Bugisan. Seven Buddha and bodhisattva statues, some collapsed, representing different poses and expressions.
- Sajiwan. Buddhist temple decorated with reliefs concerning education. The base and staircase are decorated with animal fables.
West of main Prambanan complex
- Candi Sari. Once a sanctuary for Buddhist priests. 8th century. Nine stupas at the top with two rooms beneath, each believed to be places for priests to meditate.
- Candi Kalasan. 8th-century Buddhist temple built in commemoration of the marriage of a king and his princess bride, ornamented with finely carved reliefs.
- Candi Kedulan. Discovered in 1994 by sand diggers, 4m deep. Square base of main temple visible. Secondary temples not yet fully excavated.
Ratu Boko and surrounds
- Ratu Boko Built between 8th and 9th centuries. Mixed Buddhist and Hindu style. Partially restored palace auditorium. Ruins of the royal garden with a bathing pool inside.
South of Ratu Boko
- Arca Gopolo. A group of seven statues in a circle, as if in assembly. Flower decoration on the clothes of the largest are still visible.
- Banyunibo. A small 9th-century Buddhist complex. A main temple surrounded by six smaller ones forming a stupa. Restoration completed in 1978.
- Candi Barong. Two almost identical temples on terraces. Believed to be 9th century Hindu and part of a sacred complex, of which they were the crown.
- Dawangsari. Perhaps the site of a destroyed Buddhist stupa, now reduced to an array of andesite stones.
- Candi Ijo. A complex of three-tiered temples, but only one has been renovated. A main sanctuary and three secondary shrines with statues. Still under reconstruction.
- Watugudig. A group of pole sittings in the shape of a Javanese gong. About 40 have been discovered, but others may remain buried. Locals believe this to be the resting place of King Boko.
South-west of Ratu Boko
- Candi Abang. Actually a well that looks like a pyramid with very tall walls. In some aspects looks like Borobudur. Unique atmosphere.
- Candi Gampingan. Ruins 1.5m underground of a temple and stairs. Reliefs of animals at the foot of the temple are believed to be a fable.
- Sentono. At the base of Abang temple. Perhaps younger than other regional temples. Complex of caves with two mouths. Statue and bas-relief in left chamber.
- Situs Payak. The best preserved bathing place in Central Java. 5m below ground. Thought to be Hindu.
Candi of West Java
- Candi Cangkuang, the only one of the few surviving West Java's Hindu temple at Leles, Garut, West Java. Located on an island in the middle of a lake covered by water lilies. Unlike other Javanese temple characteristics by grand architecture, Cangkuang temple is more modest with only one structure still standing. Shiva statue faces east toward the sunrise. Date uncertain.
- Batujaya, a compound of Buddhist Stupa made from red brick and mortar located at Batu Jaya, Karawang, West Java. Probably dated back to Tarumanagara kingdom in the 6th century AD.
- Bojongmenje, ruins of Hindu temple in Bandung Regency.
Candi of East Java
Malang, East Java
- Candi Badut. Small Shivaite temple dating from the 8th century.
- Candi Songgoriti. Very similar to Candi Sembrada at Dieng, this Hindu temple is located in a valley between mount Arjuna and Mount Kawi, East Java
- Candi Jago. Late 13th century. Terraces decorated with reliefs in the distinctive (Javanese shadow puppet) style with scenes from the Mahabharata epic and underworld demons.
- Candi Singosari. Dedicated to the kings of the Singosari Dynasty (1222 to 1292 AD), the precursors of the Majapahit Kingdom, it was built in 1304.
- Arca Dwarapala.Dedicated to the kings of the Singosari Dynasty (1222 to 1292 AD).
- Candi Kidal.
- Candi Singosari.
- Candi Sumberawan.
- Candi Rambut Monte.
- Candi Selakelir.
- Candi Penataran. East Java's only sizable temple complex, with a series of shrines and pavilions. Constructed 12th through 15th centuries. Believed to be the state temple of the Majapahit Empire.
- Candi Bacem
- Candi Boro
- Candi Kalicilik
- Candi Kotes
- Candi Wringin Branjang
- Candi Sawentar
- Candi Sumbernanas
- Candi Sumberjati or Candi Simping
- Candi Gambar Wetan
- Candi Plumbangan
- Candi Tepas
- Candi Surowono is a small temple, of the Majapahit Kingdom, located in the Canggu Village of the Kediri (near Pare) district in Java, Indonesia. It was believed to have been built in 1390 AD as a memorial to Wijayarajasa, the Prince of Wengker.
- Candi Tegowangi
- Arca Totok Kerot
- Arca Mbah Budho
- Candi Dorok
- Candi Tondowongso
- Gua Selomangleng
- Gua Selobale
- Calon Arang Site is a site who inspired Leak dance in Bali Indonesia
- Babadan or SumberCangkring Site
- Prasasti Pohsarang
- Candi Setono Gedong and today a mosque
Sidoarjo, Tretes and Probolinggo areas
- Candi Pari, in Sidoarjo. Dated from 1293 Saka (1371 CE), this Majapahit red brick temple bear similarity with Champa architecture.
- Candi Sumur, in Sidoarjo. Located just a hundred meters from Candi Pari, probably built in the same era.
- Candi Jawi, Tretes. A 13th-century funerary temple. Slender Shiva-Buddhist shrine completed around 1300.
- Penanggungan sites, Mount Penanggungan, which has terraced sanctuaries, meditation grottoes and sacred pools, about 80 sites in all including Candi Belahan believed to be the burial site of King Airlangga, who died in 1049.
- Candi Jabung, east of Probolinggo, near Kraksaan. According to the inscription on the top of the temple portal, Jabung dates from 1276 saka (1354 CE).
- Candi Tikus, Trowulan. Trowulan was once the capital of the Majapahit kingdom, the controller of most of the important ports of the day. Survived thanks to a sophisticated irrigation system. Tikus held run-off water from Mount Penanggungan for sanctification rites. Site also contains parts of the palace gate, entryway and water system.
- Candi Brahu, Trowulan. Location the temple front of Bubat Area in Majapahit Palace environment (7°32'33.85"S, 112°22'28.01"E). Brahu Temple is a budhis temple, built at 15 a.c and restored during 1990 and was finished during 1995. There was no accurate note the function of the temple.
- Candi Gentong, Trowulan. Location the temple 350m east of Brahu temple(7°32'38.05"S, 112°22'40.65"E). Many Ceramic from Ming and Yuan Dynasty founded in this temple area. There was no accurate note the function of the temple.
- Candi Muteran, Trowulan. Location the temple north of Brahu temple ( 7°32'27.72"S, 112°22'29.41"E). There was no accurate note the function of the temple.
- Kolam Segaran, Trowulan. Segaran pond is Majapahit Heritage (7°33'29.55"S,112°22'57.54"E) The Pond was found during 1926 by Ir.Maclain Pont. First restoration was 1966, finished at 1984. The function of this pond was as the place of recreation and to greet the foreign guest. This was the biggest ancient pond founded in Indonesia.
- Gapura Bajang Ratu, Trowulan.
- Gerbang Wringin Lawang, Trowulan.
Candi of Bali
- Candi Gunung Kawi. Located in Sebatu village, Tampak Siring area, Gianyar regency. It is one of the oldest temple in Bali dated from 989 CE, the five temples is carved on the stone slopes forming grottoes.
- Candi Kalibukbuk. Located in Kalibukbuk village, Buleleng regency. It is one of the few Buddhist temple in Hindu dominated Bali. The temple is thought to be dated from the 8th century.
Candi of Sumatra
Candi of Kalimantan
- Candi Agung, North Hulu Sungai, South Kalimantan, a Hindu Candi. South Kalimantan was a base of Hindu Kingdom of Negara Dipa, which then inherited by Negara Daha.
- Candi Laras, Tapin, South Kalimantan, a Buddhist Candi. Buddhist Kingdom in South Kalimantan was represented by the kingdom of Tanjung Puri.
Borobudur the largest Buddhist monument in the world
Mendut temple near Borobudur
Pawon temple between Borobudur and Mendut
Prambanan, the largest Hindu Temple in Indonesia
Kalasan temple near Prambanan
- Architecture of Indonesia
- Ancient temples of Java
- Hindu temple architecture
- Buddhist architecture
- Wat, temples in Cambodia, Thailand, and Laos
- Philip Rawson: The Art of Southeast Asia
- Soekmono, R. "Candi:Symbol of the Universe", pp.58-59 in Miksic, John, ed. Ancient History Volume 1 of Indonesian Heritage Series Archipelago Press, Singapore (1996) ISBN 978-981-3018-26-6
- Soekmono, Dr R. (1973). Pengantar Sejarah Kebudayaan Indonesia 2. Yogyakarta, Indonesia: Penerbit Kanisius. p. 81. ISBN 979-413-290-X.
- Konservasi Borobudur (in Indonesian)
- Soekmono, Dr R. (1973). Pengantar Sejarah Kebudayaan Indonesia 2. Yogyakarta, Indonesia: Penerbit Kanisius. p. 86. ISBN 979-413-290-X.
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