Carlos Baca-Flor

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Self-portrait

Carlos Baca-Flor Soberón (jun 11, 1869 – February 20, 1941) was a Peruvian painter known for his portraits.

Biography[edit]

Baca-Flor was born in the port of Islay, Arequipa, in the south of Peru. After his first birthday, his family moved to Santiago, Chile. In Santiago, Baca-Flor did his first studies, showing a talent for art which was encouraged by his parents. When Baca-Flor was 13 years old, his father died; he was placed under the care of his cultured and generous mother Julia. Every Friday, she invited 12 poor children to their house and personally looked after them. Their life was hard, and they spent days without eating for lack of money. To earn a living, his mother taught piano to children in wealthy Santiago.

In Chile, Baca-Flor was extremely close to his friends and teachers. When he was in the Academia de Artes de Santiago he was just a teenager, impetuous and full of ideas. Students in years above him called him "the critical" (el crítico) because he found the defects in their work. Always excelling, he won the gold medal in painting, sculpture, and drawing every year.

At the end of his studies, he received the Rome Prize, a special award for having won the last three contests in a row. On the podium the day of the awards, the rector of the Academia de Artes offered to naturalize him, since being Chilean was a requirement for the award. Baca-Flor declined the offer, saying he could not betray his homeland, and left the ceremony immediately.

He arrived in Paris in 1890 with the help of the Peruvian government. There he met the Spanish master Francisco Pradilla, who directed the Academia Española de Bellas Artes of Roma, and he was a close friend of the Catalan young painter Hermen Anglada Camarasa.

In 1907, he won first place in the annual salon of French artists; sixty critics unanimously declared him the winner. His work was exhibited in the "Salon of Honor". The next year, he met John Pierpont Morgan, the American banking magnate. That year, Morgan had been visiting the clothes designer for his family, the famed Mr. Worth. Entering the tailor's workshop, he saw on the back wall a painted portrait of Worth, and exclaimed, "Incredible... I should meet him; I never thought I would find a painter who could paint my portrait" (Increíble... Debo conocerlo, jamás pensé encontrar a un pintor que pudiera retratarme).

Morgan visited Baca-Flor accompanied by Count León Molk, a friend of Baca-Flor and relative of Morgan. Morgan introduced himself to Baca-Flor and requested that Baca-Flor paint his portrait. For nearly two years, Baca-Flor traveled to the United States to paint Morgan; over time, they became friends.

Baca-Flor's life ended with fame and professional success. He died in France in summer 1941. A good collection of his works is conserved at the Museu de Terrassa, an old town near Barcelona.

Partial list of portraits[edit]

In Peru, a few examples of his work are held by the Museum of Art. The largest collection of his work is held by the heirs of the magnates he painted.

References[edit]

  • Cuya Vera, Ricardo (2008). Carlos Baca-Flor. Lima: Revista Voces Nº 33 Año 9 - Perú.
  • Canyameres, Ferrán (1980). Carlos Baca-Flor. España.
  • Patronato, de las Artes (1955). Exposición Baca-Flor. Lima: Museo de reproducciones pictóricas de la UNMSM.
  • Jochamowitz, Díaz, Pezet., Alberto, Federico, Víctor. (1950). Carlos Baca-Flor. París: Societe Nationale des Entreprises de Presse.
  • Delboy, Emilio (1941). Dos crónicas y una charla. Lima: Ed. SanMarti y Cía. SA.
  • Jochamowitz, Alberto (1941). Baca-Flor Hombre singular. Lima: Imprenta Torres Aguirre.