Carlos Torres Ríos
Carlos Torres Ríos (born 1898, Buenos Aires, Argentina – died 1956, Buenos Aires, Argentina) was an Argentine cinematographer, film director, screenwriter, film editor and film producer of the classic era.
He worked as a cinematographer in films beginning with Palomas rubias (1920), La Gaucha (1921) and Buenos Aires, ciudad de ensueño (1922) and films such as Adiós Buenos Aires (1938) and Al marido hay que seguirlo (1948). He later worked with his brother Leopoldo Torres Ríos in films of the 1940s and 1950s, a highly influential pair in Argentine cinema.
- Un hombre bueno (1941)
- La luna en el pozo (1942)
- Fuego en la montaña (1943)
- Santos Vega Returns (1947)
- Con los mismos colores (1949)
- Mary tuvo la culpa (1950)
- Bólidos de acero (1950)
- Rhythm, Salt and Pepper (1951)
- Tierra extraña (1951)
- La niña de fuego (1952)
- Somos todos inquilinos (1954)
|This article about an Argentine film director is a stub. You can help Wikipedia by expanding it.|
|This article about a cinematographer is a stub. You can help Wikipedia by expanding it.|