Carson McCullers

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Carson McCullers
McCullers, photographed by
Carl Van Vechten, 1959
Born Lula Carson Smith
(1917-02-19)February 19, 1917
Columbus, Georgia, U.S.
Died September 29, 1967(1967-09-29) (aged 50)
Nyack, New York, U.S.
Occupation Novelist
Genre Southern Gothic
Notable works Novels: The Heart Is a Lonely Hunter
The Ballad of the Sad Café
The Member of the Wedding


Carson McCullers (February 19, 1917 – September 29, 1967) was an American novelist, short story writer, playwright, essayist, and poet. Her first novel, The Heart Is a Lonely Hunter, explores the spiritual isolation of misfits and outcasts in a small town of the U.S. South. Her other novels have similar themes and most are set in the deep South.

McCullers’ oeuvre is often described as Southern Gothic and indicative of her southern roots. However, McCullers penned all of her work after leaving the South, and critics also describe her writing and eccentric characters as universal in scope. Her stories have been adapted to stage and film. A stagework of her novel The Member of the Wedding (1946), which captures a young girl's feelings at her brother's wedding, made a successful Broadway run in 1950–51.

Early life[edit]

She was born Lula Carson Smith in Columbus, Georgia in 1917. Her mother’s grandfather was a planter and Confederate war hero. Her father was a watchmaker and jeweler of French Huguenot descent. From the age of ten she took piano lessons; when she was fifteen her father gave her a typewriter to encourage her story writing.

Smith graduated from Columbus High School. In September 1934, at age 17, she left home on a steamship bound for New York City, planning to study piano at the Juilliard School of Music. After falling ill with rheumatic fever she returned to Columbus to recuperate, and she changed her mind about studying music.[1] Returning to New York she worked in menial jobs while pursuing a writing career; she attended night classes at Columbia University and studied creative writing under the Texas writer Dorothy Scarborough and with Sylvia Chatfield Bates at Washington Square College of New York University. In 1936 she published her first work. "Wunderkind", an autobiographical piece that Bates admired, depicted a music prodigy's adolescent insecurity and losses. It first appeared in Story magazine and is collected in The Ballad of the Sad Cafe.[2]


From 1935 to 1937, as her studies and health dictated, she divided her time between Columbus and New York. In September 1937 she married an ex-soldier and aspiring writer, Reeves McCullers. They began their married life in Charlotte, North Carolina, where Reeves had found work.


Maxim Lieber was her literary agent in 1938 and intermittently thereafter. In 1940, at the age of 23, and writing in the Southern Gothic or perhaps Southern realist traditions McCullers completed her first novel, The Heart Is a Lonely Hunter.[3][4] (The title was suggested by McCullers' editor and was taken from a Fiona MacLeod poem called "The Lonely Hunter"). At the time the novel was thought to suggest an anti-Fascist message.[citation needed]

McCullers published eight books; the best known are The Heart Is a Lonely Hunter (1940), Reflections in a Golden Eye (1941) and The Member of the Wedding (1946). The novella The Ballad of the Sad Café (1951) depicts loneliness and the pain of unrequited love; at the time of its writing, McCullers was a resident at Yaddo, the artists' colony in Saratoga, New York.

Many know her works largely by their film adaptations. The Heart Is a Lonely Hunter was adapted as a film with the same title in 1968 with Alan Arkin in the lead role. Reflections in a Golden Eye was directed by John Huston (1967) and starred Marlon Brando and Elizabeth Taylor. Huston, in his autobiography An Open Book (1980), said:

I first met Carson McCullers during the war when I was visiting Paulette Goddard and Burgess Meredith in upstate New York. Carson lived nearby, and one day when Buzz and I were out for a walk she hailed us from her doorway. She was then in her early 20s, and had already suffered the first of a series of strokes. I remember her as a fragile thing with great shining eyes, and a tremor in her hand as she placed it in mine. It wasn't palsy, rather a quiver of animal timidity. But there was nothing timid or frail about the manner in which Carson McCullers faced life. And as her afflictions multiplied, she only grew stronger.

Personal life[edit]

Carson and Reeves McCullers divorced in 1941. After separating from Reeves she moved to New York to live with George Davis, the editor of Harper's Bazaar. She became a member of February House, an art commune in Brooklyn.[5] Among her friends were W. H. Auden, Benjamin Britten, Gypsy Rose Lee and the writer couple Paul Bowles and Jane Bowles. After World War II McCullers lived mostly in Paris. Her close friends during these years included Truman Capote and Tennessee Williams.

In 1945 Carson and Reeves McCullers remarried. Three years later while severely depressed she attempted suicide. In 1953 Reeves tried to convince her to commit suicide with him, but she fled and Reeves killed himself in their Paris hotel with an overdose of sleeping pills.[6] Her bittersweet play, The Square Root of Wonderful (1957), drew upon these traumatic experiences.

In The Member of the Wedding (1946) McCullers describes the feelings of a young girl at her brother's wedding. The Broadway stage adaptation of the novel had a successful run in 1950–51 and was produced by the Young Vic in London in September 2007.

McCullers dictated her unfinished autobiography, Illumination and Night Glare (1999), during the final months of her life. Her home from 1945 to 1967 in South Nyack, New York, was listed on the National Register of Historic Places in 2006.[7]


McCullers suffered throughout her life from several illnesses and from alcoholism. She had rheumatic fever at the age of 15 and suffered from strokes that began in her youth. By the age of 31 her left side was entirely paralyzed. She lived the last twenty years of her life in Nyack, New York, where she died on September 29, 1967, at the age of 50 after a brain hemorrhage; she was buried in Oak Hill Cemetery.


Mrs. McCullers and perhaps Mr. Faulkner are the only writers since the death of D. H. Lawrence with an original poetic sensibility. I prefer Mrs. McCullers to Mr. Faulkner because she writes more clearly; I prefer her to D. H. Lawrence because she has no message.

Graham Greene

[Her work is] one of the few satisfying achievements of our second-rate culture.[8]

Gore Vidal

Carson's major theme: the huge importance and nearly insoluble problems of human love.

Tennessee Williams

I believe it is the worst book I have ever read.[9]

Flannery O'Connor on Clock Without Hands

Although McCullers's style is often described as "Southern Gothic", she produced her famous works after leaving the South. Her eccentric characters suffer from loneliness that is interpreted with deep empathy. In a discussion with the Irish critic and writer Terence de Vere White she said: "Writing, for me, is a search for God". Other critics have variously detected tragicomic or political elements in her writing.


Carson's childhood home in Columbus, Georgia is now owned by the local Columbus State University, and is the central location of the university's Carson McCullers Center for Writers and Musicians.[10] The center is dedicated to preserving the legacy of Carson McCullers; to nurturing American writers and musicians; to educating young people; and to fostering the literary and musical life of Columbus, the State of Georgia, and the American South. To that end, the Center operates a museum in the Smith-McCullers' home, presents extensive educational and cultural programs for the community, maintains an ever-growing archive of materials related to the life and work of McCullers, and offers fellowships for writers and composers who live for periods of time in the Smith-McCullers home in Columbus.

While the center operates out of the Smith-McCullers' home, the writer's childhood home and museum is open to the public.

In 1944, when Carson's father died, her mother left Columbus and moved to Nyack, New York, where she bought Carson's famed Nyack home. Carson lived with her mother and sister off and on in this house for a number of years, eventually buying the house from her mother. Carson was living in this house when she died, in 1967. In December 2006 the McCullers house in Nyack was added to the National Register of Historic Places.[11]

Carson's physician and long time friend, Dr. Mary E. Mercer, bequeathed the home in Nyack to Columbus State University's Carson McCullers Center for Writers and Musicians, the same center that owns and operates out of Carson's childhood home in Columbus, Georgia.[12] After Dr. Mercer's passing in late April 2013, the McCullers Center inherited not only the house but also many Carson-related artifacts and documents that shed light on the last ten years of Carson's life.

Due to the generosity of Dr. Mercer, CSU is one of the very few universities to own two homes by a single author and now houses the world's most extensive research collection on Carson. An endowment in Dr. Mercer's name also has been created to continue these efforts in the curation and preservation of Carson's legacy.



Other works[edit]

  • The Ballad of the Sad Café (1951), a collection comprising:
  • The Member of the Wedding (1949), a play version of the 1946 novel
  • The Square Root of Wonderful (1958), a play
  • Sweet as a Pickle and Clean as a Pig (1964), a collection of poems
  • The Mortgaged Heart (1972), a posthumous collection of writings, edited by her sister Rita
  • Illumination and Night Glare (1999), her unfinished autobiography, published more than 30 years after her death

Sucker- A short story



  1. ^ Carr, Virginia Spencer (2005). Understanding Carson McCullers. Columbia, SC: University of South Carolina. p. 5. ISBN 0-87249-661-9. 
  2. ^ Carr, Virginia Spencer. The Lonely Hunter. Doubleday. p. 62. ISBN 0-385-04028-8. 
  3. ^ "Author Carson McCullers wrote prolifically while in Fayetteville". 2010-03-28. Retrieved 2011-09-17. 
  4. ^ Johnson, Thomas S. The Horror in the Mansion: Gothic Fiction in the Works of Carson McCullers. Ann Arbor, Michigan: Dissertation Abstracts, 1974.
  5. ^ Sherill Tippins, February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof in Brooklyn, Houghton Mifflin Harcourt, 2005, ISBN 061841911X
  6. ^ Carlos Dews. Carson McCullers (1917–1967), The New Georgia Encyclopedia, November 7, 2005.
  7. ^ Staff (2009-03-13). "National Register Information System". National Register of Historic Places. National Park Service. 
  8. ^ Carr, Virginia Spencer (2005). Understanding Carson McCullers. University of South Carolina Press. p. 124. ISBN 1-57003-615-2. 
  9. ^ O'Connor, Flannery (1979). The Habit of Being: Letters of Flannery O'Connor. Farrar, Straus and Giroux. p. 446. ISBN 0-374-52104-2. 
  10. ^
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