|This article relies largely or entirely upon a single source. (May 2010)|
Castle of San Giovanni in Croce, near Cremona
|Known for||Subject of Leonardo da Vinci's painting The Lady with an Ermine
Mistress of Ludovico Sforza, Duke of Milan
|Spouse(s)||Ludovico Carminati dé Brambilla, Count Bergamino|
|Children||(By Ludovico Sforza):
Cesare Sforza Visconti
(By Ludovico Carminati dé Brambilla):
Cecilia Gallerani (1473–1536), born in Siena, Italy, was the favourite and most celebrated of the many mistresses of Ludovico Sforza, known as Lodovico il Moro, Duke of Milan. She is best known as the subject of Leonardo da Vinci's painting The Lady with an Ermine (circa 1489). While posing for the painting, she invited Leonardo, who at the time was working as court artist for Sforza, to meetings at which Milanese intellectuals discussed philosophy and other subjects. Cecilia herself presided over these discussions.
Family and early life
Cecilia was born into a large family from Siena. Her father's name was Fazio. He was not of nobility, but he occupied several posts at the Milanese court, including the position of ambassador to Florence and Lucca. Her mother was Margherita Busti, the daughter of a noted doctor of law.
She was educated alongside her six brothers in Latin and literature. In 1483 at the age of ten, Cecilia was betrothed to Stefano Visconti, but the betrothal was broken off in 1487 for reasons unknown. In May 1489, she left home for the Monastero Nuovo, and it was possibly there where she met Ludovico.
Mistress of Ludovico Sforza
Cecilia spoke Latin fluently and was said to be a gifted musician and singer. She also wrote poetry. In about 1489, she sat for Ludovico's court artist and engineer, Leonardo da Vinci, who painted her celebrated portrait, which is known as The Lady with an Ermine. Isabella d'Este, an admirer of the work of Leonardo da Vinci, asked to borrow the portrait, but Cecilia replied it no longer looked like her because she had been so young then and 'nobody seeing it and me together would suppose it was made for me'.  “Though reluctant because it no longer resembled her (Beltrami, no 89), Cecilia complied, and by the following month the picture was gratefully returned (L’Arte, 1969, pp. 189-91.)”
When Beatrice d'Este found out about their relationship, Ludovico was constrained to ask Cecilia to leave the Porta Giovia castle, the seat of the ducal court. She was first installed in the Verme Palace, and then given the Carmagnola Palace in 1492, when she married Count Ludovico Carminati de' Brambilla, known as "Il Bergamino". She bore her husband four children. After the death of both her husband and her son (1514–1515), she retired to San Giovanni in Croce, a castle near Cremona.
Death and legacy
Cecilia died on an unknown date in 1536. She was allegedly buried in the Carminati family tomb in the Church of San Zavedro.
- Pizzigalli, Daniela (2003), La donna con l'ermellino, Rizzoli
- Shell, Janice & Sironi, Grazioso (1992), "Cecilia Gallerani: Leonardo's Lady with an Ermine", Artibus et Historiae 13 (25): 47–66, doi:10.2307/1483456.
- D'Montford, She (2008), The Talking Tarot, Gold Coast Australia: The Happy Medium Publishing Company, ISBN 9780975753521
- D'Montford, She (2012), The 7th Crow - Crowley's Daughter, Gold Coast Australia: The Happy Medium Publishing Company, ISBN 9781300485667
- D'Montford, She (2009), Who's Afraid of the Big Bad Witch, Gold Coast Australia: The Happy Medium Publishing Company, ISBN 9781300424987
- Gilbert C E 1980 p 142
- Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on Cecilia Gallerani (see index)