(Kurdish Ezidi Çarşemba Sor occurs on the Wednesday of the 3rd week in March).
Persian: چهارشنبه سوری
Azerbaijani: Axır Çərşənbə
Kurdish: Cwarsheme Kulle /Çarşemba sor
Persian Festival of Fire (Chaharshanbe Suri) in The Netherlands, March 2013.
|Also called||Jashn-e Châhârshanbe Suri|
|Observed by|| Iran
|Type||National (Iran, Azerbaijan, Afghanistan, and Iraqi Kurdistan), international, local, group, historical, cultural, patriotic, ethnic (Zoroastrians)|
|Date||Changes (Last Wednesday eve of the Iranian Calendar, Last Wednesday eve before the vernal equinox)|
|Related to||Nowruz, Tirgan, Sadeh, Yalda|
Chahārshanbeh Suri (Persian: چهارشنبه سوری Chahārshanbeh Suri, Kurdish: Cwarsheme Kulle, Azerbaijani: آخیر چارشنبه Axır Çərşənbə) is a fire jumping festival celebrated by Iranian peoples such as Persian people, Azerbaijani people and Kurdish people and some other people in the world. The event takes place on the eve of the last Wednesday before Nowruz.
Loosely translated as Wednesday Light or Red Wednesday, from the word sur which means light/red in Persian, or more plausibly, consider sur to be a variant of sorkh (red) and take it to refer either to the fire itself or to the ruddiness (sorkhi), meaning good health or ripeness, supposedly obtained by jumping over it, is an ancient Kurdish festival dating back to at least 1700 BCE of the early Zoroastrian era. Also called the Festival of Fire, it is a prelude to Nowruz, which marks the arrival of spring. The words Chahar Shanbeh mean Wednesday and Suri means red. Bonfires are lit to "keep the sun alive" until early morning. The celebration usually starts in the evening, with people making bonfires in the streets and jumping over them singing "zardi-ye man az toh, sorkhi-ye toh az man". The literal translation is, my yellow is yours, your red is mine. This is a purification rite. Loosely translated, this means you want the fire to take your pallor, sickness, and problems and in turn give you redness, warmth, and energy. There are Zoroastrian religious significance attached to Chahārshanbeh Suri and it serves as a cultural festival for Iranian and Iranic people.
Another tradition of this day is to make special Chaharshanbe Suri Ajil, or mixed nuts and berries. People wear disguises and go door to door knocking on doors as similar to Trick-or-treating. Receiving of the Ajeel is customary, as is receiving of a bucket of water.
Ancient Persians celebrated the last five days of the year in their annual obligation feast of all souls, Hamaspathmaedaya (Farvardigan or popularly Forodigan). They believed Faravahar, the guardian angels for humans and also the spirits of dead would come back for reunion. There are the seven Amesha Spenta, that are represented as the haft-sin (literally, seven S's). These spirits were entertained as honored guests in their old homes, and were bidden a formal ritual farewell at the dawn of the New Year. The festival also coincided with festivals celebrating the creation of fire and humans. In Sassanid period the festival was divided into two distinct pentads, known as the lesser and the greater Pentad, or Panji as it is called today. Gradually the belief developed that the 'Lesser Panji' belonged to the souls of children and those who died without sin, whereas 'Greater Panji' was truly for all souls.
Variant local names include Kurdish: Charsemba Sor (Red Wednesday) (Sanandaj, Iranian Kurdistan), Azerbaijani: گۆل چارشامبا Gül Çarşamba or گۆله گۆله چارشامبا Gülə Gülə Çarşamba (Ardabīl, Iranian Azerbaijan), and Chārshamba-sorkhī (Esfahan). In Iranian Azerbaijan it is called Azerbaijani: آخیر چارشنبه Axir Çərşənbə (last Wednesday), and in Azerbaijan Republic it is called Azerbaijani: Od Çərşənbəsi (Fire Wednesday).
Last Wednesday Eve of the year
The last Tuesday night of the Iranian year known as Chahar Shanbeh Suri (Chahār shanbé Sūrī – usually pronounced Chārshambé-sūrī), the eve of which is marked by special customs and rituals, most notably jumping over fire. On the eve of last Wednesday of the year (Tuesday night, Wednesday morning), literally the eve of 'Red Wednesday' or the eve of celebration, bonfires are lit in public places with the help of fire and light, it is hoped for enlightenment and happiness throughout the coming year. People leap over the flames, shouting: Sorkhi-ye to az man; Zardi-ye man az to (Give me your beautiful red colour; And take back my sickly pallor)
Much of the symbolism of this act links to astrological connotations associated with sign of Pisces or Esfand, or the 12th House related to the subconscious mind, hidden resources, hidden problems, social responsibility. The human has to face his ultimate fears and does so by jumping over the fire. That cleansing act is necessary before the advent of the Spring at the Vernal Equinox. Wednesday is chosen because of its ancient association with being the fourth day of Mercury or Kherad, and Mercury being the messenger of Gods.
Iranians believe that certain days are especially good for divination. During the Chaharshanbe Suri, divination, especially by listening to the conversations of the passers by and interpreting that which is heard (fālgūsh) as a sign is quite common.
The Pearl Cannon (Tup-e Morvarid)
A custom once in vogue in Tehran was to seek the intercession of the so-called Pearl Cannon on Chaharshanbe Suri. This heavy gun, which was cast by the Persian foundryman Ismāil Isfahāni in 1800, during the reign of Fath Ali Shah, became the focus of many popular myths. Until the 1920s it stood in the Meydān-e Arg, to which Tehranis used to flock on the eve of Chaharshanbe Suri; spinsters and childless or unhappy wives climbed up and sat on the barrel or crawled under it, and mothers even made ill-behaved and troublesome children pass under it in the belief that doing so would cure their naughtiness. These customs died out when the Pearl Cannon was moved to the Army's Officers' Club sometime in the 1920s. Apparently there was another Pearl Cannon in Tabriz; girls and women used to fasten their dakhils (pieces of paper or cloth inscribed with wishes and prayers) to its barrel on the eve of Chaharshanbe Suri. In times the cannon has been used as a Sanctuary for political or non-political fugitives to be immune to arrest or to protest from family problems.
Sadegh Hedayat, Iranian modern writer of prose fiction and short stories, has a book with the name of this cannon, Tup-e morvarid, that criticize the old beliefs of Iranian folklore and in the book points to the origin of the Tup-e morvarid.
Today the Pearl Cannon is placed in the opening of the building number 7 of the Iranian foreign ministry in the 30 Tir avenue, and the Cultural Heritage Organization of Iran still is in argument with foreign ministry to displace the gun to a museum.
- Persian Fire-Jumping Festival, Alison Fu. ČAHĀRŠANBA-SŪRĪ. Retrieved 2012-03-18.
- Kasheff and Saʿīdī Sīrjānī, Manouchehr and ʿAlī-Akbar. "ČAHĀRŠANBA-SŪRĪ". Encyclopædia Iranica. Retrieved 2014-12-29.
- Massoume Price, Chahar Shanbeh Soori, The Fire Festival of Kurdish Peoples
- Persian Mirror, (LINL)
- Massoume Price, Chahar Shanbeh Soori, The Fire Festival of Iranian Peoples
- Encyclopaedia Islamica , Toop e moorvarid , In Persian
- © CHN (Cultural Heritage News Agency) of Iran , In Persian
- © CHN (Cultural Heritage News Agency) of iran , In Persian
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