Chamber Music (poetry collection)
|Media type||Print (hardback & paperback)|
|ISBN||0-224-00606-1 (Jonathan Cape 1971 edition)|
|Followed by||Dubliners (1914)|
Chamber Music is a collection of poems by James Joyce, published by Elkin Mathews in May, 1907. The collection originally comprised thirty-four love poems, but two further poems were added before publication ("All day I hear the noise of waters" and "I hear an army charging upon the land").
Although it is widely reported that the title refers to the sound of urine tinkling in a chamber pot, this is a later Joycean embellishment, lending an earthiness to a title first suggested by his brother Stanislaus and which Joyce (by the time of publication) had come to dislike: "The reason I dislike Chamber Music as a title is that it is too complacent", he admitted to Arthur Symons in 1906. "I should prefer a title which repudiated the book without altogether disparaging it.":124
Richard Ellmann reports (from a 1949 conversation with Eva Joyce) that the chamberpot connotation has its origin in a visit he made, accompanied by Oliver Gogarty, to a young widow named Jenny in May 1904. The three of them drank porter while Joyce read manuscript versions of the poems aloud - and, at one point, Jenny retreated behind a screen to make use of a chamber pot. Gogarty commented, "There's a critic for you!". When Joyce later told this story to Stanislaus, his brother agreed that it was a "favourable omen".:154
In fact, the poetry of Chamber Music is not in the least bawdy, nor reminiscent of the sound of tinkling urine. Although the poems did not sell well (fewer than half of the original print run of 500 had been sold in the first year), they received some critical acclaim. Ezra Pound admired the "delicate temperament" of these early poems,:479 while Yeats described "I hear an army charging upon the land" as "a technical and emotional masterpiece".:391 In 1909, Joyce wrote to his wife, "When I wrote [Chamber Music], I was a lonely boy, walking about by myself at night and thinking that one day a girl would love me.":161
Today, although the individual poems of Chamber Music are less frequently anthologised than the later Pomes Penyeach, they continue to have - as Joyce hoped - an accessible lyricism which has led to a wide-ranging number of musical adaptations, including pieces by Samuel Barber, Luciano Berio, Aleksandar Simić, Ivan Božičević, Israel Citkowitz, Robin Williamson, Dr. Strangely Strange, Syd Barrett, Oswaldo Gonzalez, Martyn Bates of Eyeless in Gaza, and Jim O'Rourke and Steve Shelley of Sonic Youth. In France, Nicolas Grenier and Torphy composed an ambient song about the collection.