Artists' charcoal is a form of dry art medium made of finely ground organic materials that are held together by a gum or wax binder or produced without the use of binders by eliminating the oxygen inside the material during the production process. These charcoals are often used by artists for their versatile properties, such as the rough texture that leaves marks less permanent than other art media. Charcoal can produce lines that are very light or intensely black, while being easily removable, yet vulnerable to leaving stains on paper. The dry medium can be applied to almost any surface from smooth to very coarse. Fixatives are often used with charcoal drawings to solidify the position to prevent erasing or rubbing off of charcoal dusts.
The method used to create artists' charcoal is similar to that employed in other fields, such as producing gunpowder and cooking fuel. The type of wood material and preparation method allow a variety of charcoal types and textures to be produced.
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There are various types and uses of charcoal as an art medium, but the commonly used types are: Compressed, Vine, and Pencil.
Vine charcoal is a long and thin charcoal stick that is the result of burning grape vines in a kiln without air.
Willow charcoal is a long and thin charcoal stick that is the result of burning willow sticks in a kiln without air.
The removable properties of willow and vine charcoal, through dusting and erasing, are favored by artists for making preliminary sketches or basic compositions. This also makes such charcoal less suitable for creating detailed images.
Compressed charcoal (also referred as charcoal sticks) is shaped into a block or a stick. Intensity of the shade is determined by hardness. The amount of gum or wax binders used during the production process affects the hardness, softer producing intensely black markings while firmer leaves light markings.
Charcoal pencils consist of compressed charcoal enclosed in a jacket of wood. Designed to be similar to graphite pencils while maintaining most of the properties of charcoal, they are often used for fine and crisp detailed drawings, while keeping the user's hand from being marked.
Other types of artists' charcoal such as charcoal crayons were developed during the 19th century and used by caricaturists. Charcoal powders are used to create patterns and pouncing, a transferring method of patterns from one surface to another.
There are wide variations in artists' charcoal, depending on the proportion of ingredients: compressed charcoal from burned birch, clay, lamp black pigment, and a small quantity of ultramarine. The longer this mixture is heated, the softer it becomes.
Paper used with artists' charcoal can vary in quality. Rough texture may allow more charcoal to adhere to the paper. The use of toned paper allows different possibilities as white oil pastels (commonly referred to by the brand name Conté) can be used in combination with charcoal to create contrast.
It is a method in which thin, dark lines are continuously placed parallel to each-other. When done with charcoal, it comes out smoother and darker.
Rubbing is done with a sheet of paper pressed against the targeted surface then rubbing charcoal against the paper. It creates an image of the texture of the surface.
Blending is done to create smooth transitions between darker and lighter areas of a drawing. It can also create a shadow effect. Two common methods of blending are, using a finger to rub or spread charcoal which has been applied to the paper or the use of paper blending stumps also called a Tortillon. Many prefer to use a chamois, which is a soft square piece of leather.
Erasing is often performed with a kneaded rubber eraser. This is a malleable eraser that is often claimed to be self-cleaning. It can be shaped by kneading it softly with hands, into tips for smaller areas or flipped inside out to clean.
Throughout western art history, artists well known for other mediums have used charcoal for sketching or preliminary studies for final paintings. Examples of contemporary artists using charcoal as a primary medium are Robert Longo, William Kentridge, Dan Pyle and Joel Daniel Phillips.
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