Larry Rodney created the strip and wrote the first eleven installments, which were illustrated by Glen Schroeder. In January 1998, after Rodney left Japan, Neil Garscadden assumed writing responsibilities while Wayne Wilson illustrated. From 2002, Garscadden handed it to another writer, Wayne Wilson. The strip was discontinued in 2006, but in 2009, Rodney and Garscadden announced plans to team up and compile a book of previous strips with new installments.
The strip has been discussed in mainstream English language daily newspapers in Japan, and a compendium of Charisma Man's exploits is available both in major Japanese bookshops and online.
"Charisma Man" manipulates the superhero genre to ridicule the often unjustified self–confidence of some foreign men in Japan. Although something of a loser in his home country Canada—the home of Charisma Man's creator—when around Japanese people the central character transforms from a skinny nerd into a muscle-bound hunk, extremely attractive to women and admired by men. Like other superheroes, however, Charisma Man has one major weakness: "Western Woman". Whenever in the presence of western females his powers disappear and he becomes an unattractive, skinny wimp once more.
"Charisma Man" is thus a statement on the relationships between Japanese and non-Japanese in Japan. According to Rodney:
"The Japanese seem to see Westerners through some kind of filter. An obvious example was all the geeks I saw out there walking around with beautiful Japanese girls on their arms. These guys were probably social misfits in their home countries, but in Japan the geek factor didn't seem to translate.
"The dichotomy between the perception of these guys in their home countries and in Japan was amazing to me. This made me think of Superman; on his home planet of Krypton, Superman was nobody special, and he certainly didn't have superpowers. But when he arrived on earth -- well, you know the rest.
"He was somebody -- that was the whole premise of the first strip."— Larry Rodney, in a 2003 interview with the Japan Times
Although "Charisma Man" does poke fun at the exotic food, weird English, popularity of kawaii icons such as "Hello Kitty" and many other aspects of life in Japan that foreign residents find strange, the strip mostly ridicules the stereotypes formed by western men about the Japanese, despite Rodney's references to the "filter" through which Japanese view westerners.
Charisma Man's girlfriends, colleagues and employers are depicted as constantly amazed by Charisma Man's "powers": his Japanese language skills, his ability to drink copious amounts of alcohol and his amazing popularity. Japanese women appear as uniformly attractive, constantly complimentary and, to Charisma Man, easily obtainable. Western women in Japan, meanwhile, are depicted as sour and, in work settings, coldly professional.
From time to time the strip's authors express awareness of the superficiality of such western stereotypes about Japan, by attributing minor Japanese characters the same "powers" as Charisma Man. In one strip, for example, Charisma Man's girlfriend is depicted as tall and incredibly attractive when no Western woman is present. After Charisma Man's mother arrives for a visit, however, she is depicted as short and somewhat plump.
After Garscadden left the alien/japanzine in 2003, Carter Witt took over writing chores through 2004, when writer and story-boarder Wayne Wilson (same name as illustrator, different person) continued the strip until its final run in 2005.
Garscadden injected even more fantasy into certain episodes. Charisma Man imagined himself as an astronaut, a pilot, a doctor or a psychologist in order to ridicule some aspect of expatriate life. Usually the last panel of the strip cut away to "reality", where the "geek" version of the character engaged in mundane activity (usually teaching English) that he had elevated in his dream to a more noble pursuit. Unlike Rodney, Garscadden often displayed Charisma Man in his "geek" incarnation alongside doting Japanese in the last panel.
In later strips Japanese female characters are depicted as openly ridiculing the protagonist without his knowledge. The stories in the strip are thus mainly told from a western Japanese perspective and mostly poke fun at common ideas westerners in Japan often hold about their own superiority vis-a-vis the Japanese.
- Kashper, Eugene (2003-08-13), "Cometh the man, cometh the charisma", The Japan Times, retrieved 2009-09-02
- Gionna, John M. (2009-09-01), "Charisma Man: An American geek is reborn in Japan", Los Angeles Times, retrieved 2009-09-02
- Bailey, Keiron (October 2007), "Akogare, Ideology, and 'Charisma Man' Mythology: Reflections on ethnographic research in English language schools in Japan", Gender, Place & Culture, 14 (5): 585–608, doi:10.1080/09663690701562438
- Official website
- Lah, Kyung (March 4, 2010). "Comic spoofs Western nerds' dating success in Japan". CNN. Retrieved March 4, 2010.