Charles-François Daubigny (portrait by Nadar)
15 February 1817|
|Died||19 February 1878
Initially Daubigny painted in a traditional style, but this changed after 1843 when he settled in Barbizon to work outside in nature. Even more important was his meeting with Camille Corot in 1852 in Optevoz (Isère). On his famous boat Botin, which he had turned into a studio, he painted along the Seine and Oise, often in the region around Auvers. From 1852 onward he came under the influence of Gustave Courbet.
In 1866 Daubigny visited England, eventually returning because of the Franco-Prussian war in 1870. In London he met Claude Monet, and together they left for the Netherlands. Back in Auvers, he met Paul Cézanne, another important Impressionist. It is assumed that these younger painters were influenced by Daubigny.
Daubigny's finest pictures were painted between 1864 and 1874, and these for the most part consist of carefully completed landscapes with trees, river and a few ducks. It has been said that when Daubigny liked his pictures he added another duck or two, so that the number of ducks often indicates greater or less artistic quality in his pictures. One of his sayings was, "The best pictures do not sell", as he frequently found his finest achievements little understood. Daubigny is chiefly preferred for his riverside pictures, of which he painted a great number, but although there are two large landscapes by Daubigny in the Louvre, neither is a river view. They are for that reason not so typical as many of his smaller Oise and Seine pictures.
His most ambitious canvases are Springtime (1857), in the Louvre; Borde de la Cure, Morvan (1864); Villerville sur Mer (1864); Moonlight (1865); Auvers-sur-Oise (1868); and Return of the Flock (1878). He was named by the French government as an Officer of the Legion of Honor.
Daubigny died in Paris. His remains are interred at cimetière du Père-Lachaise (division 24). His followers and pupils included his son Karl (who sometimes painted so well that his works are occasionally mistaken for those of his father), Achille Oudinot, Hippolyte Camille Delpy, Albert Charpin and Pierre Emmanuel Damoye.
The Ponds of Gylieu , 1853. Cincinnati Art Museum
Les Sables-d'Olonne, seaside town in western France
Boats on the Seacoast at Étaples, 1871
||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (February 2014)|
- The Iconographic Encyclopaedia of the Arts and Scien: Sculpture and painting, 1887, page 138
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Daubigny, Charles François". Encyclopædia Britannica 7 (11th ed.). Cambridge University Press. p. 847.
- O'Neill, J, ed. (2000). Romanticism & the school of nature : nineteenth-century drawings and paintings from the Karen B. Cohen collection. New York: The Metropolitan Museum of Art. External link in
|title=(help) (see index)
|Wikimedia Commons has media related to Charles-François Daubigny.|
- Charles-François Daubigny's Home-Studio - Maison-Atelier de DAUBIGNY Auvers-sur-Oise. Historical monument.
- Charles-François Daubigny - Rehs Galleries' biography on the artist.
- Charles-François Daubigny at Artcyclopedia
- Banks of the Seine 1855, near Bezons, near Paris