Charles Benefiel (born 1967) is a contemporary American outsider artist from California. As he has severe obsessive-compulsive disorder, almost all of his work is done via stippling. He currently lives in San Diego, California.
Born in Venice Beach, California, Charles experienced a mental breakdown in 1997 and was urged by friends to go to a mental health center, where he was diagnosed with obsessive-compulsive disorder. His work has since been featured in various psychiatry and art magazines. His art is generally done on a large scale, some pieces being up to 5 x 8 feet in size; he does most of his work through a neurotic method of stippling, without any preliminary designs. After the stippling is complete, the works are soaked in tea and treated with chemicals to give an old look.
Style and method
He renders his work through a process of stippling done with very precise rapidograph technical pens; his pieces are done without any preliminary drawings, and with no lines to guide the composition. As Benefiel states, 'There was no need to stay in the lines, because there are no lines.' In his representational drawings, Benefiel works from the center outward, and in his drawings of rows of numbers he stipples the characters from left to right as they would appear on a typed or printed page. As he draws, he counts the dots until a certain point, then repeats the sequence. Once the dots are complete, Benefiel tones the paper with tea, to add visual depth as well as a look of age. The idea of this method is to provide an exceptional degree of incremental control where possibilities for spontaneity and error are all but erased, to aesthetically resemble photographic grain, and to serve and complement his obsessive-compulsive disposition. He also produces pictures with figures reminiscent of a giant sized child's doll, often positioned in the centre of a piece and surround by numbers.
In the early 2000s, while living in New York City and New Mexico, Benefiel created the "Random Numeric Repeater" series of ink and watercolour on paper using what he described as a "dumb language", a random sequence of dots, circles, and dashes. Each symbol represents a corresponding numeral and sound that he made when creating the drawings. Later, Benefiel returned to his home state of California after residing in Philadelphia, Pennsylvania for five years. He know lives in San Diego where he is beginning to explore incorporating art back into his life.
- Franklin, Deeanna (December 2003). "The Art of Charles Benefiel". Clinical Psychiatry News.
- Raw Vision, Bernard L Herman, Issue 30, 2000, pp.30-34
- Outsider Art Sourcebook (ed. John Maizels, Raw Vision, Watford, 2009, p.45
- "RANDOM NUMERIC REPEATER #7". American Folk Art Museum.
- "Obsessive Drawing". Studio International. 29 November 2005.