Charles Umlauf

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Charles Umlauf
54a2d193657dbb1c large.jpg
BornJuly 17, 1911 (1911-07-17)
DiedNovember 19, 1994 (1994-11-20)
Austin, Texas
NationalityUSA
EducationArt Institute of Chicago
Known forSculpture
Patron(s)WPA

Charles Umlauf (July 17, 1911 – November 19, 1994) was an American sculptor and teacher who was born in South Haven, Michigan. His sculptures can be found in churches, numerous public institutions, outdoor locations, and museums, including the Houston Museum of Fine Arts, the Smithsonian Institution in Washington, D.C, and the Metropolitan Museum of Art in New York, as well as in many private collections. Umlauf received a number of accolades, including a Guggenheim Fellowship and a Ford Foundation Grant.

In 1941 Umlauf accepted a position at the University of Texas School of Art in Austin, Texas, where he taught for 40 years. Artists teaching at UT included Loren Mozley, Everett Spruce, Kelly Fearing, Seymour Fogel, and William Lester. Umlauf retired as Professor Emeritus in 1981. In 1985, he and his wife Angeline Allen Umlauf gave their Austin home, Umlauf’s studio, and 168 sculptures to the City of Austin. Based on this gift and considerable community support, the Umlauf Sculpture Garden and Museum was founded and opened its doors in 1991 as at 605 Azie Morton Road in Austin, Texas. The Umlauf is a private–public partnership with the City of Austin.

Early life[edit]

Charles Umlauf was born in South Haven, Michigan, on a large farm where his family lived and worked. He was the sixth of eight children born to immigrant parents Christian Heinrich (Bavarian) and Charlotte Derouet (French-Alsatian). The Umlauf children were named Heinrich, Marie, Charlotte, Wilhelm, Edouard, Karl, Emelia, and Louis. The family moved frequently in search of work.

The Umlauf family suffered from anti-German sentiment during the first World War. The family Americanized their names (Heinrich to Henry, Wilhelm to William, Karl to Charles) to avoid persecution in their Michigan town and schools. After enactment of the Espionage Act of 1917, Umlauf’s father was falsely accused of spying while working at an ammunition plant. Soon after, the windows were shattered in the family home. This treatment would influence the subjects and expression in Charles’ work. In 1918 the entire family relocated to Chicago in search of greater opportunities for work.

Umlauf discovered sculpture early in his life, when he was a child, playing in the sand at Lake Michigan. He watched a sand artist on the beach, and subsequently sculpted a life-size sand sculpture of his own. Umlauf claimed that he knew at the age of ten that he was going to be a sculptor. At this age, he was living with his family in Chicago.

Work[edit]

In 1918, when Charles was eight years old, the Umlauf family moved to Chicago. Charles and his brothers worked as caddies at Oak Park and Bryn Mawr Country Clubs. Charles was encouraged to pursue his artistic interests by his sister, Marie, who paid for her 11-year-old brother to attend weekend classes at the Art Institute of Chicago (AIC). He soon earned a scholarship for continued study. Umlauf was interested in carving and forming figures from an early age. Based on a small lion he molded in clay, Charles received his first commission of a full-sized lion in 1922, at age eleven.

In 1929 Umlauf began three years of study with Albin Polasek at the AIC. He subsequently spent one year as an assistant to Lorado Taft at his Midway Studio before returning to the AIC where he remained until 1937. Those years saw a growth in Umlauf's interest in the more abstract sculptures being produced in Europe, and as a consequence, his own art became increasingly abstracted.

The Great Depression years found Umlauf employed by the WPA Federal Art Project, creating art for several Federal projects, two monumental sculptural heads for Merchandise Mart, and sculptures for Cook County Hospital.

Lazarus, 1950, bronze
Reclining Nude, 1958, bronze
Mother & Child, 1950, cast stone

Selected works[edit]

  • Spirit of Communication, Post Office, Morton Illinois, 1939
  • Protection, and Mosaic Pool, Cook County Hospital, Chicago, Illinois, 1940
  • Paulding Industries, Post Office, Paulding, Illinois, 1940
  • Boy with Sea Forms, Lane Technical High School, Chicago Illinois, 1941
  • Madonna and Child
  • The Torchbearers, Austin, Texas, 1962

References[edit]

  • Danes, Gibson A., The Sculpture and Drawings of Charles Umlauf, The University of Texas Press, Austin, Texas 1990
  • Falk, Peter Hastings, Editor Who Was Who in American Art, Sound View Press, Madison Connecticut, 1985
  • Hendricks, Patricia D. and Becky Duval Reese, A Century of Sculpture in Texas: 1889–1989, Archer M. Huntington Art Gallery, University of Texas Press, Austin, Texas 1989
  • Little, Carol Morris, A Comprehensive Guide to Outdoor Sculpture in Texas, University of Texas Press, Austin, Texas 1996
  • Mavigliano, George J. and Richard A. Lawson, The Federal Art Project in Illinois: 1935 – 1943., Southern Illinois University Press, Carbondale, Illinois 1990
  • Opitz, Glenn B, Editor, Mantle Fielding’s Dictionary of American Painters, Sculptors & Engravers, Apollo Book, Poughkeepsie NY, 1986

External links[edit]