in Corsair (1931)
|Born||John Chester Brooks Morris
February 16, 1901
New York City, New York, U.S.
|Died||September 11, 1970
New Hope, Pennsylvania, U.S.
|Cause of death||Barbiturate overdose|
|Spouse(s)||Suzanne Kilbourn (m. 1926; div. 1940)
Lillian Kenton Barker (m. 1940–70)
Chester Morris (February 16, 1901 – September 11, 1970) was an American stage, film, television and radio actor. He had some prestigious film roles early in his career, and was nominated for an Oscar. But he is best remembered today for portraying Boston Blackie, a criminal-turned-detective, in the modestly budgeted Boston Blackie film series of the 1940s.
He was born John Chester Brooks Morris in New York City, one of four children of Broadway stage actor William Morris and stage comedian Etta Hawkins. Morris dropped out of school and began his Broadway career at 15 years old opposite Lionel Barrymore's The Copperhead. He made his film debut in the silent comedy-drama film An Amateur Orphan for Thanhouser/Pathé.
After appearing in several more Broadway productions in the early 1920s, Morris joined his parents, sister and two brothers, Gordon and Adrian (who also became a film actor), on the vaudeville circuit. The family's act consisted of a comedy sketch entitled "The Horrors of Home". Morris toured with his family for two years before returning to Broadway with roles in The Home Towners (1926) and Yellow (1927). While appearing in the 1927 play Crime, Morris was spotted by a talent agent and was signed to a film contract.
Morris made his sound film debut as "Chick Williams" in the 1929 film Alibi, for which he was nominated for a Best Actor Academy Award. He followed with roles in Woman Trap (1929), The Case of Sergeant Grischa (1930) and The Divorcee, starring Norma Shearer in 1930. Later that year, Morris was cast as one of the leads (opposite Wallace Beery and Robert Montgomery) in the M-G-M prison drama The Big House. For the next two years, he worked steadily in films for United Artists and M-G-M before being cast opposite Jean Harlow in the 1932 comedy-drama Red-Headed Woman.
By the mid-to-late 1930s, Morris' popularity had begun to wane and he was cast as the lead actor such B-movies as Smashing the Rackets (1938) and Five Came Back (1939). In 1941, Morris' career was revived when he was cast as criminal-turned-detective Boston Blackie. Morris appeared in a total of fourteen Boston Blackie film serials for Columbia Pictures, beginning with Meet Boston Blackie. He reprised the role of Boston Blackie for the radio series in 1944. He was replaced after one season. During World War II, Morris performed magic tricks in over 350 USO shows. He had been practicing magic since the age of 12 and was considered a top amateur magician.
While appearing in the Boston Blackie series, Morris continued to appear in roles in other films mostly for Pine-Thomas films for Paramount Pictures. After appearing in 1949's Boston Blackie's Chinese Venture, the final Boston Blackie film, Morris largely retired from films. During the 1950s, he focused mainly on television and regional theatre role. During this time, Morris also appeared in guest spots for the anthology series Cameo Theatre, Lights Out, Tales of Tomorrow, Alcoa Premiere, Suspense, Danger, Robert Montgomery Presents, The Web, Phillip Morris Playhouse, Studio One, and Kraft Television Theatre. He briefly returned to films in 1955 with a role in the prison drama Unchained, followed by a role in the 1956 science-fiction horror film The She-Creature. In 1960, he had recurring role as Detective Lieutenant Max Ritter in the CBS summer replacement series, Diagnosis: Unknown. After the series was canceled after a year, Morris appeared in the NBC television film A String of Beads. In November 1960, he returned to Broadway as "Senator Bob Munson" in the stage adaptation of the 1959 novel Advise and Consent. Morris remained with the production until it closed in May 1961. In October, he reprised his role for the touring production.
In the early to mid-1960s, Morris appeared in guest spots for the dramas Route 66, The Defenders, and Dr. Kildare. In 1965, he replaced Jack Albertson in the Broadway production of The Subject Was Roses. He reprised his role in the play for the touring production in 1966.
Morris was married twice. He first married Suzanne Kilbourne on November 8, 1926. They had two children, John Brooks and Cynthia. Kibourne was granted an interlocutory divorce in November 1939 which was finalized on November 26, 1940. On November 30, 1940, Morris married socialite Lillian Kenton Barker at the home of actor Frank Morgan. They had a son, Kenton, born in 1944. The couple remained married until Morris' death in 1970.
Final years and death
In mid-1968, Morris starred opposite Barbara Britton in the touring production of Where Did We Go Wrong?. After the production wrapped, he returned to his home in Manhattan where his health began to decline. Morris was later diagnosed with stomach cancer. Despite his declining health, Morris began work on what would be his last film role, as "Pop Weaver" in biographical drama The Great White Hope (1970). The film was released after his death. After filming wrapped, Morris joined the stage production of The Caine Mutiny Court Martial at the Bucks County Playhouse in New Hope, Pennsylvania.
On September 11, 1970, Lee R. Yopp, the producer and director of Caine, was scheduled to have lunch with Morris. After Yopp could not reach Morris by phone at his motel room, he went to Morris' room where he found the actor's body lying on the floor. The county coroner attributed Morris' death to an overdose of barbiturates. His remains were cremated and scattered over a German river.
|February 18 – June 1918||The Copperhead||Sam Carter|
|September 22 – October 1918||Thunder||Sam Disbrow|
|December 12, 1921 – April 1922||The Mountain Man||Carey|
|September 22 – October 1922||The Exicters||Lexington Dalrymple|
|January 23 – February 1923||Extra||Wallace King|
|August 23 – October 1926||The Home Towners||Waly Calhoon|
|September 21, 1926 – January 1927||Yellow||Val Parker|
|February 22 – August 1927||Crime||Rocky Morse|
|February 20 – May 1928||Whispering Friends||Al Wheeler|
|September 26 – October 1928||Fast Life||Chester Palmer|
|February 27 – July 19, 1958||Blue Denim||Major Bartley|
|November 17, 1960 – May 20, 1961||Advise and Consent||Bob Munson|
|May 25, 1964 – May 21, 1966||The Subject Was Roses||John Cleary|
|1917||An Amateur Orphan||Dick|
|1918||The Beloved Traitor||Dan|
|1923||Loyal Lives||Tom O'Hara|
|1925||The Road to Yesterday||Party Guest||Uncredited|
|1929||Alibi||Chick Williams||Nominated: Academy Award for Best Actor|
|1929||Woman Trap||Ray Malone|
|1929||The Show of Shows||Performer||$20 Bet sketch
"Bicycle Built for Two" number
|1930||Second Choice||Don Warren|
|1930||Playing Around||Nickey Solomon|
|1930||She Couldn't Say No||Jerry Casey|
|1930||The Case of Sergeant Grischa||Sgt. Grischa Paprotkin|
|1930||The Big House||Morgan|
|1930||The Bat Whispers||Detective Anderson|
|1932||Cock of the Air||Lt. Roger Craig|
|1932||The Miracle Man||John "Doc" Madison|
|1932||Sinners in the Sun||Jimmie Martin|
|1932||Red-Headed Woman||William "Bill"/"Willie" Legendre, Jr.|
|1933||Blondie Johnson||Danny Jones|
|1933||Infernal Machine||Robert Holden|
|1933||Tomorrow at Seven||Neil Broderick|
|1933||Golden Harvest||Chris Martin|
|1934||Gift of Gab||Doyle|
|1934||The Gay Bride||Jimmie "Office boy" Burnham|
|1934||Society Doctor||Dr. Morgan|
|1935||Public Hero No. 1||Jeff Crane|
|1935||Pursuit||Mr. "Mitch" Mitchell|
|1936||Moonlight Murder||Steve Farrell|
|1926||Frankie and Johnny||Johnnie Drew||Alternative title: Frankie and Johnnie|
|1927||I Promise to Pay||Eddie Lang|
|1937||Flight From Glory||Paul Smith|
|1937||Sunday Night at the Trocadero||Chester Morris||Short subject|
|1938||Law of the Underworld||Gene Fillmore|
|1938||Sky Giant||Kenneth "Ken" Stockton|
|1938||Smashing the Rackets||Jim "Sock" Conway|
|1939||Pacific Liner||Doctor Craig|
|1939||Blind Alley||Hal Wilson|
|1939||Five Came Back||Bill Brooks|
|1939||Thunder Afloat||"Rocky" Blake|
|1940||The Marines Fly High||Lt. Jim Malone|
|1941||Meet Boston Blackie||Boston Blackie|
|1941||No Hands on the Clock||Detective Humphrey Campbell|
|1941||Confessions of Boston Blackie||Boston Blackie|
|1942||Alias Boston Blackie||Boston Blackie|
|1943||I Live on Danger||Jeff Morrell|
|1942||Boston Blackie Goes Hollywood||Boston Blackie|
|1942||Wrecking Crew||Duke Mason|
|1943||After Midnight with Boston Blackie||Boston Blackie|
|1943||Aerial Gunner||Sgt. "Foxy" Pattis|
|1943||The Chance of a Lifetime||Boston Blackie|
|1944||Gambler's Choice||Ross Hadley|
|1944||Secret Command||Jeff Gallagher|
|1944||One Mysterious Night||Boston Blackie|
|1944||Double Exposure||Larry Burke|
|1945||Boston Blackie Booked on Suspicion||Boston Blackie|
|1945||Boston Blackie's Rendezvous||Boston Blackie|
|1946||A Close Call for Boston Blackie||Boston Blackie|
|1946||The Phantom Thief||Boston Blackie|
|1946||Boston Blackie and the Law||Boston Blackie|
|1947||Blind Spot||Jeffrey Andrews|
|1948||Trapped by Boston Blackie||Boston Blackie|
|1949||Boston Blackie's Chinese Venture||Boston Blackie|
|1955||Unchained||Kenyon J. Scudder|
|1956||The She-Creature||Dr. Carlo Lombardi|
|1970||The Great White Hope||Pop Weaver||Released posthumously|
|1951||Starlight Theatre||Ed Kennedy||Episode: "Act of God Nonwithstanding"|
|1952||Schlitz Playhouse of Stars||The Dansker||Episode: "Billy Budd"|
|1952||Lux Video Theatre||Lefty||Episode: "Welcome Home, Lefty"|
|1953||Omnibus||The Battler||Segment: "The Battler"|
|1955||Appointment with Adventure||Lt. Kizer||Episode: "Time Bomb"|
|1957||The Red Skelton Hour||Tony||Episode: "Clem's Fish Market"|
|1957||Dick Powell's Zane Grey Theatre||Frank Simmons||Episode: "Black Is for Grief"|
|1957||Playhouse 90||Warden||Episode: "Child of Trouble"|
|1958||Pursuit||Mood||Episode: "Tiger on a Bicycle"|
|1959||The United States Steel Hour||Henry Vining||Episode: "Whisper of Evil"|
|1960||The Play of the Week||Swanson||Episode: "Morni|
|1960||Diagnosis: Unknown||Detective Lieutenant Ritter||3 episodes|
|1960||Rawhide||Hugh Clements||Episode: "Incident on the Road to Yesterday"|
|1961||Naked City||Frank Manfred||Episode: "Make-Believe Man"|
|1961||Checkmate||Albert Dewitt||Episode: " Portrait of a Man Running"|
|1961||Ben Casey||Walter Tyson||Episode: "An Expensive Glass of Water"|
|1962||Eleventh Hour||Frankie Morrison||Episode: "Along About Late in the Afternoon"|
|1964||Espionage||Harry Kemp||Episode: "Castles in Spain"|
|1964||East Side/West Side||Walt McGill||Episode: "The Name of the Game"|
|1964||Mr. Broadway||Orin Kelsey||Episode: "Don't Mention My Name in Sheboygan"|
|1965||Bob Hope Presents the Chrysler Theatre||Major Whitman||Episode: "The Fliers"|
|1967||Coronet Blue||Dr. Michael Wilson||Episode: "A Time to Be Born"|
|1968||Cimarron Strip||George Deeker||Episode: "Without Honor"|
|1969||Gentle Ben||Elsmore||Episode: "Busman's Holiday"|
|1945||Old Gold Comedy Theatre||Boy Meets Girl|
|1952||Philip Morris Playhouse||Each Dawn I Die|
- Blottner, Gene (2011). Columbia Pictures Movie Series, 1926-1955: The Harry Cohn Years. McFarland. ISBN 0-786-48672-4.
- Frasier, David K. (2002). Suicide in the Entertainment Industry: An Encyclopedia of 840 Twentieth Century Cases. McFarland. ISBN 0-786-41038-8.
- Morton, Lisa; Adamson, Kent (2009). Savage Detours: The Life and Work of Ann Savage. McFarland. ISBN 0-786-45706-6.
- Parish, James Robert; Leonard, William T. (1976). Hollywood Players: The Thirties. Arlington House. ISBN 0-870-00365-8.
- Rosen, Fred (2004). Cremation in America. Prometheus Books. ISBN 1-615-92756-5.
- Young, William H.; Young, Nancy K. (2010). World War II and the Postwar Years in America: A Historical and Cultural Encyclopedia, Volume 1. ABC-CLIO. ISBN 0-313-35652-1.
- "Veteran Actor Chester Morris, 69". The Palm Beach Post (Palm Beach, Florida). September 12, 1970. p. 6.
- "Movies' 'Boston Blackie,' Chester Morris, Dies". Reading Eagle (Reading, Pennsylvania). September 12, 1970. p. 13.
- (Blottner 2011, p. 51)
- (Parish, Leonard 1976, p. 410)
- (Morton, Adamson 2009, p. 86)
- (Parish, Leonard 1976, p. 413)
- (Young 2010, p. 241)
- "Veteran Actor Chester Morris Found Dead". The Times-News (Hendersonville, North Carolina). September 12, 1970. p. 9. Retrieved March 21, 2015.
- (Parish, Leonard 1976, p. 413)
- "No Book---Says Chester Morris". Spokane Daily Chronicle (Spokane, Washington). November 8, 1966. p. 17. Retrieved March 21, 2015.
- "Divorce Decree Given Wife Of Chester Morris". The Telegraph-Herald. November 12, 1939. p. 7.
- "Marriage Not To Be Blocked". Warsaw Union. November 26, 1940. p. 8.
- "Honeymoon Precedes Work of New Movie". The Miami News. December 1, 1940. p. 5-A.
- (Parish, Leonard 1976, p. 414)
- (Frasier 2002, p. 233)
- "Chester Morris Back On Screen". The Pittsburgh Press (Pittsburgh, Pennsylvania). October 1, 1969. p. 93. Retrieved March 21, 2015.
- Canby, Vincent (June 20, 1971). "'Hope' Tackles Issues Of Today's World". Daytona Beach Morning Journal (Daytona Beach, Florida). p. 7B. Retrieved March 21, 2015.
- "'Boston Blackie' Dies". St. Petersburg Times (St. Petersburg, Florida). September 12, 1970. pp. 4–A. Retrieved March 21, 2015.
- (Rosen 2004, p. 188)
- "Those Were The Days". Nostalgia Digest 40 (1): 32–39. Winter 2014.
- Kirby, Walter (April 20, 1952). "Better Radio Programs for the Week". The Decatur Daily Review. p. 46. Retrieved May 9, 2015 – via Newspapers.com.
|Wikimedia Commons has media related to Chester Morris.|
- Chester Morris at the Internet Broadway Database
- Chester Morris at the Internet Off-Broadway Database
- Chester Morris at the Internet Movie Database
- Chester Morris at Find a Grave