|Studio album by Chicago|
|Released||July 21, 1980|
|Recorded||March–May 1980 at The Record Plant, Los Angeles and Criteria Studios, Miami|
Chicago XIV is the twelfth studio album by the American band Chicago, released in 1980. Recorded at a time of waning interest in the band, Chicago XIV remains one of Chicago's poorest selling albums and was a commercial flop. It is also notable for being their last studio album with Columbia Records, and the last one to feature percussionist Laudir de Oliveira.
After the commercial and critical disappointment of Chicago 13, and the departure of guitarist Donnie Dacus, Chicago decided that a new strategy was in order. Instead of incorporating another guitarist into the band, they hired on Chris Pinnick as a session player and live performer. They also tried a new producer, this time Tom Dowd, who had worked with Aretha Franklin, Cream, Eric Clapton, and Toto. With Dowd taking the reins, and with Chicago abandoning the ill-advised dance club atmosphere that permeated the last album, the band recorded a lean, more streamlined record which would, predictably, be called Chicago XIV. Possibly designed as a response to the under-produced, new wave efforts on the radio at the time, the album was easily the band's least orchestrated effort to date. Still, it wasn't a perfect marriage, with Dowd having to shepherd a group whose members were not all on the same wavelength or headspace.
Release and aftermath
With Peter Cetera taking an even greater role in the band, his compositions included a mix of ballads, pop and rock songs. Robert Lamm turned in the rockers "Manipulation" and "I'd Rather Be Rich" (a song from 1975); James Pankow delivered the uptempo – if downbeat – "The American Dream"; and Lamm, Cetera and Danny Seraphine co-wrote "Thunder and Lightning". Like Chicago 13 before it, Chicago XIV did not improve Chicago's fortunes. To the record-buying public, Chicago's image was out of touch in 1980 and once the new album was released, it became clear that any attempt to win new fans would be in vain.
Poorly promoted by Columbia Records, a label that was increasingly disappointed with the poor sales performance of the band, Chicago XIV went unnoticed upon release and bombed, only reaching #71 in the US, and disappeared quickly. There were no singles hits again, with "Thunder and Lightning" stalling below the top 50 and "Song For You" failing to chart. Chicago also saw a poor attendance in many venues during the supporting tour. Realizing that the relationship had soured considerably, Columbia Records terminated their relationship with Chicago. In 1982, Robert Lamm recalled,
|“||The thrill was gone as far as they were concerned, I think. Especially after Jeff Wald, who managed us in 1978 and 1979, kind of bullied them into signing a ridiculous multimillion dollar contract where every time we delivered an album, they had to cough up a million bucks. CBS didn't get close to recouping their money, and they wanted to get out of the deal. In fact they ended up paying us to leave the label.||”|
As a settlement to ending the arrangement early, Columbia released the band's second Greatest Hits album and jettisoned them from the label. The money from the settlement was used to record Chicago 16 independently, while the band shopped for a new label (eventually they signed with Warner). Realizing that the Latin/Jazz percussion style evident in the latter half of the previous decade no longer fit with their sound, the album signaled the end of percussionist Laudir de Oliveira's tenure with the band after nine years. Peter Cetera, meanwhile, concentrated on his first self-titled solo album during the hiatus.
In 2003, Chicago XIV was remastered and reissued by Rhino Records with three outtakes from the sessions, "Doin' Business" (which first appeared on the 1991 4-Disc anthology Group Portrait), "Live It Up" and "Soldier of Fortune" as bonus tracks.
|2.||"Upon Arrival"||Lamm/Peter Cetera||Cetera/Lamm||3:48|
|3.||"Song for You"||Cetera||Cetera||3:41|
|4.||"Where Did the Lovin' Go"||Cetera||Cetera||4:06|
|5.||"Birthday Boy"||Danny Seraphine/David "Hawk" Wolinski||Cetera||4:55|
|8.||"Thunder and Lightning"||Lamm/Seraphine/Cetera||Lamm/Cetera||3:32|
|9.||"I'd Rather be Rich"||Lamm||Lamm||3:08|
|10.||"The American Dream"||James Pankow||Cetera||3:19|
|Bonus Tracks on Rhino Re-issue|
|12.||"Live It Up"||Pankow||Cetera||3:23|
|13.||"Soldier of Fortune"||Lamm||Lamm||3:50|
- Peter Cetera – bass, lead vocals (tracks 2-8, 10), background vocals, lead vocal on "Live It Up"
- Laudir de Oliveira – percussion
- Robert Lamm – keyboards, lead vocals (tracks 1, 2, 8, 9), background vocals, lead vocal on "Doin' Business" and "Soldier of Fortune"
- Lee Loughnane – trumpet, background vocals
- James Pankow – trombone, background vocals, brass arrangements
- Walter Parazaider – woodwinds
- Danny Seraphine – drums
- Chris Pinnick – guitar
- Mark Goldenberg – guitar
- David "Hawk" Wolinski – keyboards
- Ian Underwood – synthesizer programming
- Produced by Tom Dowd
- Production Coordination – Schatzi Hagerman
- Engineered and Mixed by Michael Carnevale
- Assistant Engineers – Karat Faye, Bill Freesh and Ricky Delena
- Mastered by Bernie Grundman
- Design – John Berg (art director)
- Artwork, Cover Lettering – Gerard Huerta
The cover artwork is in the permanent collection of The Museum of Modern Art in New York City.
Album - Billboard (North America)
Singles - Billboard (North America)
|1980||Thunder and Lightning||Pop Singles||56|
- "Revitalized Chicago Back On Road Again". Chicago Tribune June 13, 1982