Christ the Redeemer (statue)
|Location||Rio de Janeiro, Brazil|
|Designer||Created by French sculptor Paul Landowski and built by the engineer Heitor da Silva Costa Brazil in collaboration with the French engineer Albert Caquot. Romanian sculptor Gheorghe Leonida created the face of the statue.|
|Height||30 metres (98 ft) and 38 metres (125 ft) tall with its pedestal|
|Completion date||Dedicated October 12, 1931|
|Consecrated October 12, 2006
New Seven Wonders of the World July 7, 2007
Christ the Redeemer (Portuguese: Cristo Redentor, standard Brazilian Portuguese: [ˈkɾistu χedẽˈtoɾ], local dialect: [ˈkɾiʃtu ɦedẽˈtoɦ]) is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by French sculptor Paul Landowski and built by the Brazilian engineer Heitor da Silva Costa, in collaboration with the French engineer Albert Caquot. Romanian sculptor Gheorghe Leonida fashioned the face. The statue is 30 metres (98 ft) tall, not including its 8-metre (26 ft) pedestal, and its arms stretch 28 metres (92 ft) wide. By comparison, it is approximately two-thirds the height of the Statue of Liberty's height from base to torch.
The statue weighs 635 metric tons (625 long, 700 short tons), and is located at the peak of the 700-metre (2,300 ft) Corcovado mountain in the Tijuca Forest National Park overlooking the city of Rio. A symbol of Christianity across the world, the statue has also become a cultural icon of both Rio de Janeiro and Brazil, and is listed as one of the New Seven Wonders of the World. It is made of reinforced concrete and soapstone, and was constructed between 1922 and 1931.
Vincentian priest, Pedro Maria Boss, first suggested placing a Christian monument on Mount Corcovado in the mid 1850s to honor Princess Isabel, princess regent of Brazil and the daughter of Emperor Pedro II, however the project died due to lack of support. In 1889 the country became a republic, and due to the separation of church and state, the idea of the statue was dismissed.
The Catholic Circle[clarification needed] of Rio made a second proposal for a landmark statue on the mountain in 1920.[better source needed] The group organized an event called Semana do Monumento ("Monument Week") to attract donations and collect signatures to support the building of the statue. What motivated the organization was what they perceived as 'Godlessness' in the society at the time. The donations came mostly from Brazilian Catholics. The designs considered for the "Statue of the Christ" included a representation of the Christian cross, a statue of Jesus with a globe in his hands, and a pedestal symbolizing the world. The statue of Christ the Redeemer with open arms, a symbol of peace, was chosen.
In 1922, Landowski commissioned fellow Parisian Romanian sculptor Gheorghe Leonida, who studied sculpture at the Fine Arts Conservatory in Bucharest and in Italy. Leonida's portrayal of Christ's face made him famous.
A group of engineers and technicians studied Landowski's submissions and felt building the structure of reinforced concrete (designed by Albert Caquot) instead of steel was more suitable for the cross-shaped statue. The outer layers are soapstone, chosen for its enduring qualities and ease of use. Construction took nine years, from 1922 to 1931 and cost the equivalent of US$250,000 (equivalent to $3,300,000 in 2015) and the monument opened on October 12, 1931. During the opening ceremony, the statue was to be lit by a battery of floodlights turned on remotely by Italian shortwave radio inventor Guglielmo Marconi, stationed 5,700 miles (9,200 km) away in Rome but because of bad weather, the lights were activated on-site.
In October 2006, on the 75th anniversary of the statue's completion, Archbishop of Rio, Cardinal Eusebio Oscar Scheid, consecrated a chapel, named after Brazil's patron saint—Our Lady of the Apparition, under the statue, allowing Catholics to hold baptisms and weddings there.
Lightning struck the statue during a violent thunderstorm on February 10, 2008, causing some damage to the fingers, head and eyebrows. The Rio de Janeiro state government initiated a restoration effort to replace some of the outer soapstone layers and repair the lightning rods on the statue. Lightning damaged it again, on January 17, 2014, dislodging a finger on the right hand.
In 2010, a massive restoration of the statue began. Work included cleaning, replacing the mortar and soapstone on the exterior, restoring iron in the internal structure, and waterproofing the monument. Vandals attacked the statue during renovation, spraying paint along the arm. Mayor Eduardo Paes called the act "a crime against the nation". The culprits later apologized and presented themselves to the police.
In 1990, several organizations, including the Archdiocese of Rio de Janeiro, media company Grupo Globo, oil company Shell do Brasil, environmental regulator IBAMA, National Institute of Historic and Artistic Heritage, and the city government of Rio de Janeiro entered an agreement to conduct restoration work.
More work on the statue and its environs was conducted in 2003 and early 2010. In 2003, a set of escalators, walkways, and elevators were installed to facilitate access to the platform surrounding the statue. The four-month restoration in 2010 focused on the statue itself. The statue's internal structure was renovated and its soapstone mosaic covering was restored by removing a crust of fungi and other microorganisms and repairing small cracks. The lightning rods located in the statue’s head and arms were also repaired, and new lighting fixtures were installed at the foot of the statue.
The restoration involved one hundred people and used more than 60,000 pieces of stone taken from the same quarry as the original statue. During the unveiling of the restored statue, it was illuminated with green-and-yellow lighting in support of the Brazil national football team playing in the 2010 FIFA World Cup.
Maintenance work needs to be conducted periodically due to the strong winds and erosion to which the statue is exposed, as well as lightning strikes. The original pale stone is no longer available in sufficient quantities, and replacement stones are increasingly darker in hue.
- Cerro del Cubilete in Guanajuato, Mexico, inspired by Rio's Christ the Redeemer (23 m)
- Christ Blessing in Manado, North Sulawesi, Indonesia (30 m)
- Christ of Havana in Havana, Cuba, inspired by Christ the Redeemer (20 m)
- Christ of the Abyss in various underwater locations
- Christ of the Ozarks in Arkansas, United States, inspired by Rio's Christ the Redeemer (20 m)
- Christ of Vũng Tàu in Vietnam (32 m)
- Christ the King in Świebodzin, Poland (33 m)
- Christ the Redeemer of the Andes (Argentina/Chile)
- Christ the Sacred Heart of Jesus, Ibiza, Spain, inspired by Christ the Redeemer(23 m)
- Cristo Blanco in Cusco, Peru
- Cristo de la Concordia in Cochabamba, Bolivia
- Cristo de las Noas in Torreón, Mexico
- Cristo del Pacífico in Lima, Peru, erected in 2011 (37 m)
- Cristo del Picacho in Tegucigalpa, Honduras
- Cristo Redentor, Puerto Plata, Dominican Republic
- Cristo Redentore (Christ the Redeemer) of Maratea, Italy (21 m)
- Cristo Rei in Lisbon, Portugal (28 m)
- Cristo Rei in Lubango, Angola (14 m)
- Cristo Rei of Dili in Dili, Timor-Leste (27 m)
- Cristo Rei, Madeira on Madeira island, completed in 1927 (15 m)
- Jesus de Greatest in Imo, Nigeria, Africa’s tallest statue of Jesus and fifth tallest statue on the continent (8.53 m)
- Patung Yesus Kristus in Mansinam Island, West Papua, Indonesia (30 m)
- Statue of Jesus Christ on the top of Sagrat Cor, Barcelona, Spain
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