Wolf in 1963
18 March 1929
Landsberg an der Warthe, Germany
|Died||1 December 2011 (aged 82)|
|Spouse||Gerhard Wolf (b. 1928)|
Christa Wolf (née Ihlenfeld; 18 March 1929 – 1 December 2011) was a German literary critic, novelist, and essayist. She was one of the best-known writers to emerge from the former East Germany.
Wolf was born the daughter of Otto and Herta Ihlenfeld, in Landsberg an der Warthe, then in the Province of Brandenburg; the city is now Gorzów Wielkopolski, Poland. After World War II, her family, being Germans, were expelled from their home on what had become Polish territory. They crossed the new Oder-Neisse border in 1945 and settled in Mecklenburg, in what would become the German Democratic Republic, or East Germany. She studied literature at the University of Jena and the University of Leipzig. After her graduation, she worked for the German Writers' Union and became an editor for a publishing company. While working as an editor for publishing companies Verlag Neues Leben and Mitteldeutscher Verlag and as a literary critic for the journal Neue deutsche Literatur, Wolf was provided contact with antifascists and Communists, many of whom had either returned from exile or from imprisonment in concentration camps. Her writings discuss political, economic, and scientific power, making her an influential spokesperson in East and West Germany during post-World War II for the empowerment of individuals to be active within the industrialized and patriarchal society.
She joined the Socialist Unity Party of Germany (SED) in 1949 and left it in June 1989, six months before the Communist regime collapsed. She was a candidate member of the Central Committee of the SED from 1963 to 1967. Stasi records found in 1993 showed that she worked as an informant (Inoffizieller Mitarbeiter) during the years 1959–61. The Stasi officers criticized what they called her "reticence", and they lost interest in her cooperation. She was herself then closely watched for nearly 30 years. During the Cold War, Wolf was openly critical of the leadership of the GDR, but she maintained a loyalty to the values of socialism and opposed German reunification.
In 1961, she published Moskauer Novelle (Moscow Novella). However, Wolf's breakthrough as a writer came in 1963 with the publication of Der geteilte Himmel (Divided Heaven, They Divided the Sky). Her subsequent works included Nachdenken über Christa T. (The Quest for Christa T.) (1968), Kindheitsmuster (Patterns of Childhood) (1976), Kein Ort. Nirgends (No Place On Earth) (1979), Kassandra (Cassandra) (1983), Störfall (Accident) (1987), Medea (1996), Auf dem Weg nach Tabou (On the Way to Taboo) (1994), and Stadt der Engel oder The Overcoat of Dr. Freud (2010) (City of Angels or The Overcoat of Dr. Freud). Christa T was a work that—while briefly touching on a disconnection from one's family's ancestral home—was concerned with a woman's experiencing overwhelming societal pressure to conform.
Kassandra is perhaps Wolf's most important book, re-interpreting the battle of Troy as a war for economic power and a shift from a matriarchal to a patriarchal society. Was bleibt (What Remains), described her life under Stasi surveillance, was written in 1979, but not published until 1990. Auf dem Weg nach Tabou (1995; translated as Parting from Phantoms) gathered essays, speeches, and letters written during the four years following the reunification of Germany. Leibhaftig (2002) describes a woman struggling with life and death in 1980s East-German hospital, while awaiting medicine from the West. Central themes in her work are German fascism, humanity, feminism, and self-discovery. In many of her works, Wolf uses illness as a metaphor. In a speech addressed to the Deutsche Krebsgesellschaft (German Cancer Society) she says, "How we choose to speak or not to speak about illnesses such as cancer mirrors our misgivings about society." In "Nachdenken über Christa T." (The Quest for Christa T). the protagonist dies of leukemia. This work demonstrates the dangers and consequences that happen to an individual when they internalize society's contradictions. In Accident, the narrator's brother is undergoing surgery to remove a brain tumor a few days after the Chernobyl nuclear disaster had occurred. In 2004 she edited and published her correspondence with her UK-based near namesake Charlotte Wolff over the years 1983–1986 (Wolf, Christa and Wolff, Charlotte (2004) Ja, unsere Kreise berühren sich: Briefe, Luchterhand Munich).
Wolf died 1 December 2011 in Berlin, where she had lived with her husband, Gerhard Wolf. She was buried on 13 December 2011 in Berlin's Dorotheenstadt cemetery. In 2018, the city of Berlin designated her grave as an Ehrengrab.
Although Wolf's works were widely praised in both Germanys in the 1970s and 1980s, Wolf's works have sometimes been seen as controversial since German reunification. William Dalrymple wrote that in East Germany "writers such as Christa Wolf became irrelevant overnight once the Berlin Wall was broached". Upon publication of Was bleibt, West German critics such as Frank Schirrmacher argued that Wolf failed to criticize the authoritarianism of the East German Communist regime, whilst others called her works "moralistic". Defenders have recognized Wolf's role in establishing a distinctly East German literary voice. Fausto Cercignani's study of Wolf's earlier novels and essays on her later works have helped promote awareness of her narrative gifts, irrespective of her political and personal ups and downs. The emphasis placed by Cercignani on Christa Wolf's heroism has opened the way to subsequent studies in this direction.
Wolf received the Heinrich Mann Prize in 1963, the Georg Büchner Prize in 1980, and the Schiller Memorial Prize in 1983, the Geschwister-Scholl-Preis in 1987, as well as other national and international awards. After the German reunification, Wolf received further awards: in 1999 she was awarded the Elisabeth Langgässer Prize and the Nelly Sachs Literature Prize, and Wolf became the first recipient of the Deutscher Bücherpreis (German Book Prize) in 2002 for her lifetime achievement. In 2010, Wolf was awarded the Großer Literaturpreis der Bayerischen Akademie der Schönen Künste.
- A writer who spanned Germany's East-West divide dies in Berlin (obituary), Barbara Garde, Deutsche Welle, 1 December 2011
- Acclaimed Author Christa Wolf Dies at 82 (obituary), Der Spiegel, 1 December 2011.
- Christa Wolf obituary, Kate Webb, The Guardian, 1 December 2011
- Christa Wolf obituary, The Telegraph, 2 December 2011.
- Frederiksen, Elke P.; Ametsbichler, Elizabeth G. (1998). Women Writers in German-Speaking Countries: A Bio-Bibliographical Critical Sourcebook. Greenwood Press. pp. 485, 486.
- Costabile-Heming, Carol Anne (1 September 2010). "Illness as Metaphor: Christa Wolf, the GDR, and Beyond". Symposium. 64: 203. doi:10.1080/00397709.2010.502485.
- "Schriftstellerin Christa Wolf ist tot". Der Tagesspiegel. 1 December 2011.
- Braun, Volker (15 December 2011). "Ein Schutzengelgeschwader". Die Zeit. Retrieved 22 December 2011.
- "Ehrengräber für Klaus Schütz und Christa Wolf". Süddeutsche Zeitung. dpa. 14 August 2018. Retrieved 10 September 2018.
- Myra N. Love. Christa Wolf and the Conscience of History. Peter Lang, 1991. p. i.
- Gail Finney. Christa Wolf. Twayne, 1999. p. 9
- Dalrymple, William. "Novel explosives of the Cold War". The Spectator. Archived from the original on 26 August 2019.
- Augustine, Dolores L. (2004). "The Impact of Two Reunification-Era Debates on the East German Sense of Identity". German Studies Review. German Studies Association. 27 (3): 569–571. JSTOR 4140983..
- Fausto Cercignani, Existenz und Heldentum bei Christa Wolf. "Der geteilte Himmel" und "Kassandra" (Existence and Heroism in Christa Wolf. "Divided Heaven" and "Cassandra"), Würzburg, Königshausen & Neumann, 1988. For subsequent essays see http://en.scientificcommons.org/fausto_cercignani.
- Christa Wolf: Biography at FemBio – Notable Women International
- The quest for Christa Wolf an interview with Hanns-Bruno Kammertöns and Stephan Lebert about private chats with Honecker, a German society in check mate, the influence of Goethe, the shortcomings of Brecht, and the lasting effects of Utopia at signandsight.com.
- Christa Wolf at Find a Grave