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A Christmas village (or putz) is a decorative, miniature-scale village often set up during the Christmas season. These villages are rooted in the elaborate Christmas traditions of the Moravian church, a Protestant denomination. Mass-produced cardboard Christmas villages became popular in the United States during the early and mid-20th century, while porcelain versions became popular in the later part of the century.
The tradition of decorative Christmas villages is rooted in the holiday traditions of the Moravian church, a Protestent denomination with early settlements in Salem, North Carolina and Bethlehem, Pennsylvania. In American Moravian homes, the construction of a nativity scene, or putz, at the base of a Christmas tree was a very common holiday activity. The term was derived from the German verb putzen, which means "to clean" or "to decorate." These nativity scenes soon became very elaborate, and often included sawdust or fine dirt spread to represent roads leading to the manger; stones and fresh moss to represent grottos or caves; and sticks and branches to represent miniature trees. These details were in addition to the carved wooden figures that represented the Holy Family, animals, shepherds, and other traditional nativity figures.
Although initially placed beneath the Christmas tree, by the early 19th century a family's "putz" might have also been found on the fireplace mantel, side tables, and other prominent places within the home. These expanded scenes might include other stories from the Bible. The story of Noah's Ark, an especially popular subject for a putz, could result in the arranging of several hundred carved animals wending their way towards the ark.
By the mid-19th century, more secular figures and scene elements were being added to the putz. In many homes, the putz took more time and energy than the decoration of the family Christmas tree. Separate areas were developed with different themes; spreading outward from the Nativity scene were other farms or village scenes, which had a way of growing larger and more elaborate every year. Eventually, toy trains were added to these miniature worlds.
After World War II, several Japanese companies started mass-producing cardboard or paper houses, churches, and other buildings. These small buildings usually had holes in the back or the bottom through which Christmas lights were placed to provide illumination. The buildings had tiny colored cellophane windows and were decorated with mica-dusted roofs to give the appearance of snow. Since these buildings were made of inexpensive material and were widely available throughout the United States, they became a very popular Christmas decoration.
In the 1970s, ceramic or porcelain Christmas villages were introduced and started to gain popularity. Department 56 was one of the first companies to make these buildings and remain amongst the most well-known. Other companies, such as Lemax, have also produced similar villages, and there are numerous other brands sold. In Europe, Luville and Dickensville are established brands. Drugstores and dollar stores now often carry much smaller buildings, which are typically not as well-painted. Unpainted buildings are also sometimes available at craft stores.
Christmas village buildings are not usually made to scale. A church building might well be ten times the height of an ordinary house in reality but this would make very cumbersome models and look odd within a Christmas village display. It is only necessary for the church building to be noticeably taller than the house, to give it an imposing stature.
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- Connecticut Guide: A Christmas Village feature of The New York Times Retrieved 26 April 2013
- Tiny Christmas Village shapes model future Retrieved 26 April 2013
- Added Attractions in Christmas Village Retrieved 26 April 2013