Chronicle of a Death Foretold
First edition (Colombia)
|Author||Gabriel García Márquez|
|Publisher||La Oveja Negra|
Published in English
Chronicle of a Death Foretold (Spanish: Crónica de una muerte anunciada) is a novella by Gabriel García Márquez, published in 1981. It tells, in the form of a pseudo-journalistic reconstruction, the story of the murder of Santiago Nasar by the two Vicario brothers.
The non-linear story, told by an anonymous narrator, begins with the morning of Santiago Nasar's death. The reader learns that Santiago lives with his mother, Placida Linero; the cook, Victoria Guzman; and the cook's daughter, Divina Flor. Santiago took over the successful family ranch after the death of his father Ibrahim, who was of Arabic origin. He returns home in the early morning hours from an all night celebration of a wedding between a recent newcomer, Bayardo San Roman, and a long-term resident, Angela Vicario. Two hours after the wedding, Angela was dragged back to her mother's home by Bayardo because she was not a virgin. After a beating from her mother, Angela is forced to reveal the name of the man who has defiled her purity and honor. In a somewhat spurious manner, she reveals the man to be Santiago. Her two twin brothers, Pablo and Pedro Vicario, decide to kill Santiago in order to avenge the insult to their family honor with two knives previously used to slaughter pigs.
They proceed to the meat market in the pre-dawn hours to sharpen their knives, and announce to the owner and other butchers that they plan to kill Santiago. No one believes the threat because the brothers are such "good people", or they interpret the threat as "drunkards' baloney". Faustino Santos, a butcher friend, becomes suspicious and reports the threat to the policeman, Leandro Pornoy. The brothers proceed to Clotilde Armenta's milk shop where they tell her about the plan to kill Santiago, and she notices the knives wrapped in rags. Meanwhile, Officer Leandro talks with Colonel Aponte who, after leisurely dressing and enjoying his breakfast, proceeds to the milk shop and takes away their knives and sends them off to sleep though he considers them "a pair of big bluffers". Clotilde wants "to spare those poor boys from the horrible duty" and tries to convince Colonel Aponte to investigate further so they can be stopped. He does nothing more. Since the brothers had announced their plans to kill Santiago at the meat market and the milk store, the news spreads through town, but no one directly warns Santiago. Clotilde asks everyone she sees to warn Santiago, but people do not warn him for several reasons: they assume he must have been warned already, believe that someone else should warn him, can't find him easily, don't believe it will happen, are too excited about the Bishop's arrival, want him secretly dead, or believe the killing to be justified. The brothers show up again to the milk shop with two new knives, and this time Pedro has hesitations about killing because he feels they had fulfilled their duty "when the mayor disarmed them". Nevertheless, they yell their plans to kill Santiago. Even the priest later confesses, "I didn't know what to do...it wasn't any business of mine but something for the civil authorities." He decides to mention it to Santiago's mother, but because he was excited about the bishop coming, he forgets about Santiago.
Santiago wakes up after an hour's sleep to get dressed and greet the bishop, who is expected by the townsfolk to stop in their town on his way elsewhere. He misses the note on the floor that someone has left with a warning and details about the Vicario plan. The bishop's boat passes by the town without stopping even though people have been waiting for him with various gifts. Santiago then proceeds to his fiancée, who yells, "...I hope they kill you!" because she is upset about his involvement with Angela Vicario and decides not to warn him.
The murder occurs. After the murder, the Vicario family leaves town due to the scandal and disgrace surrounding the events of Angela's wedding and Santiago's murder. Bayardo San Roman leaves town as well; his family comes by boat and picks him up. The Vicario twins spend three years in prison awaiting trial, but are acquitted in court, after which Pablo marries his lover and Pedro leaves for the armed forces.
Only after Bayardo rejects Angela does she fall in love with him. After she moves away from the town with her family, Angela writes him a letter each day for seventeen years. At the end of seventeen years, Bayardo returns to her, carrying all of her letters in bundles, all unopened.
The murder of Santiago Nasar is described. His friend Cristo Bedoya had frantically looked for Santiago on the morning of the murder to warn him of the plan, but Cristo Bedoya failed to find Santiago, who was actually at his fiancée Flora Miguel's house. When Flora Miguel's father finds out, he warns Santiago minutes before the twins reach Santiago. Santiago becomes disoriented from the news and starts to run home. His mother, who is finally told, believes he is inside the house and, therefore, bars the front door to which Santiago is running while being chased by the Vicario brothers. He is repeatedly stabbed as he attempts to enter his home, over twenty times total with seven fatal wounds, as they discovered in an ill-performed autopsy performed by the priest. The murder is brutal as Santiago carries his own entrails and enters the back door of his home. He collapses in his kitchen and dies.
The novella was based on real-life events that occurred to García Márquez's godbrother. García Márquez heard the story of a young couple that got married in Sucre and, on the day following their wedding, the groom rejected the bride due to her lack of virginity. The bride was determined to have had relations with her former boyfriend, who was consequently pursued and murdered by the bride's two brothers in order to avenge the family's honor. Though many publications speculated that García Márquez had witnessed the murder firsthand, the writer was in fact not present during the events, which took place in Sucre in 1951.
There are a few key differences in the action of the story and what took place in reality. For one, in the novella, Santiago Nasar did not have a prior relationship with Ángela Vicario before her wedding, whereas in real life, the bride was deflowered by her former boyfriend. Additionally, García Márquez chose to make the two assassins in the novella twins, Pablo and Pedro Vicario. In real life, they were simply brothers. Lastly, in the book, there is a reconciliation between Ángela and the groom who rejects her, Bayardo San Roman. In real life, there was no such reconciliation.
The central question at the core of the novella is how the death of Santiago Nasar was foreseen, yet no one tried to stop it. The narrator explores the circumstances surrounding his death by meticulously collecting the testimonials of the villagers who were present during his murder and exploring the seeming contradiction of a murder that was predicted in advance. The book explores the morality of the village's collective responsibility in the murder of Santiago Nasar.
Unlike the traditional detective novel, Chronicle of a Death Foretold doesn't investigate the murder, which is made clear from the first sentence. Instead, the true mystery is the violation of Ángela Vicario.
The book delves into issues of gender and chastity as well. Santiago Nasar, for example, exhibited sexism at several points during the novella, even threatening to rape the daughter of his servant in order to "tame" her. This further complicates the central theme of the book for modern readers as Santiago Nasar may therefore be viewed as a morally dubious character, despite the narrator's claims that he was a stand-up youth. It may even be suggested that his death preempted future crimes (such as the rape of his servant's daughter) that he would have perpetrated. As it appears that both he and the villagers are at fault, this throws into question whether his murder was the simple tragedy it is painted as, or a more complicated exploration of human morality.
Another key motif is the use of omens and premonitions (keeping in the theme of "foretelling"). The weather, dreams, and nature all provide evidence of what is to come in the novella.
It was translated into English by Gregory Rabassa and Edith Grossman. The book was adapted for the big screen in the Spanish language film: Chronicle of a Death Foretold (1987), an Italian-French-Colombian co-production, directed by Francesco Rosi, starring Ornella Muti, Rupert Everett and Anthony Delon. In 1995, Graciela Daniele adapted it into the Tony Award-nominated Broadway musical of the same name, which she also directed and choreographed.
A Romanian short film was made in 2007.
- Hart, Stephen (1994). Gabriel García Márquez: Crónica de una muerte anunciada. Grant & Cutler.
- Analysis and quizzes for Chronicle of a Death Foretold by GradeSaver
- Chronicle of a Death Foretold at SparkNotes
- Chronicle of a Death Foretold by Gabriel García Márquez, reviewed by Ted Gioia (Postmodern Mystery)