The New York Trilogy

From Wikipedia, the free encyclopedia
  (Redirected from City of Glass (Paul Auster book))
Jump to navigation Jump to search

The New York Trilogy
AuthorPaul Auster
CountryUnited States
GenreMystery novel
Postmodern fiction
PublisherFaber & Faber
Publication date
1987 (hbk)
1988 (pbk)
Media typePrint (hardback & paperback)
Pages478 pp. (hbk)
314 pp. (pbk)
ISBN9780571149254 (hbk)
ISBN 9780571152230
Preceded byThe Invention of Solitude 
Followed byIn the Country of Last Things 

The New York Trilogy is a series of novels by Paul Auster. Originally published sequentially as City of Glass (1985), Ghosts (1986) and The Locked Room (1986), it has since been collected into a single volume.

Plot introduction[edit]

Ostensibly presented as detective fiction, the stories of The New York Trilogy have been described as "meta-detective-fiction", "anti-detective fiction", "mysteries about mysteries", a "strangely humorous working of the detective novel", "very soft-boiled", a "metamystery" and a "mixture between the detective story and the nouveau roman".[citation needed] This may classify Auster as a postmodern writer whose works are influenced by the "classical literary movement" of American postmodernism through the 1960s and 70s[citation needed]. There is, however, "a certain coherence in the narrative discourse, a neo-realistic approach and a show of responsibility for social and moral aspects going beyond mere metafictional and subversive elements"[citation needed], which distinguish him from a "traditional" postmodern writer. The New York Trilogy is a particular form of postmodern detective fiction which still uses well-known elements of the detective novel (the classical and hardboiled varieties, for example) but also creates a new form that links "the traditional features of the genre with the experimental, metafictional and ironic features of postmodernism."

A 2006 reissue by Penguin Books is fronted by new pulp magazine-style covers by comic book illustrator Art Spiegelman.

City of Glass[edit]

The first story, City of Glass, features a detective fiction writer-become-private investigator who descends into madness as he becomes embroiled in a case. It explores layers of identity and reality, from Paul Auster the writer of the novel to the unnamed "author" who reports the events as reality to "Paul Auster the writer", a character in the story, to "Paul Auster the detective", who may or may not exist in the novel, to Peter Stillman the younger, to Peter Stillman the elder and, finally, to Daniel Quinn, protagonist.

"City of Glass" has an intertextual relationship with Cervantes' Don Quixote. Not only does the protagonist Daniel Quinn share his initials with the knight, but when Quinn finds "Paul Auster the writer," Auster is in the midst of writing an article about the authorship of Don Quixote. Auster calls his article an "imaginative reading," and in it he examines possible identities of Cide Hamete Benengeli, the narrator of the Quixote.


The second story, Ghosts, is about a private eye called Blue, trained by Brown, who is investigating a man named Black on Orange Street for a client named White. Blue writes written reports to White who in turn pays him for his work. Blue becomes frustrated and loses himself as he becomes immersed in the life of Black.

The Locked Room[edit]

The Locked Room is the story of a writer who lacks the creativity to produce fiction. Fanshawe,[1] his childhood friend, has produced creative work, and when he disappears the writer publishes his work and replaces him in his family. The title is a reference to a "locked room mystery", a popular form of early detective fiction.


City of Glass was adapted in 1994 into a critically acclaimed experimental graphic novel by Paul Karasik and David Mazzucchelli. It was published as City of Glass: A Graphic Mystery in 2004.

In 2009, produced an audio version of The New York Trilogy, narrated by Joe Barrett, as part of its Modern Vanguard line of audiobooks.

In 2016, Edward Einhorn adapted City of Glass as a play Off-Broadway, at the New Ohio [2][3]

In 2017, Duncan Macmillan produced another adaptation as a play, which showed for a short period at HOME in Manchester, before transferring to the Lyric, Hammersmith. It was a co-production between HOME, the Lyric, and 59 Productions.[4][5]




  • Barone, Dennis (ed.) Beyond the Red Notebook (Pennsylvania: University of Pennsylvania Press, 1995) ISBN 0812215567 (paperback). Two essays on City of Glass and The Locked Room, respectively.
  • Bloom, Harold (ed.) Bloom's Modern Critical Views: Paul Auster (Broomall, PA: Chelsea House Publisher, 2004) ISBN 0791076628. Several essays on The New York Trilogy.
  • Martin, Brendan Paul Auster's Postmodernity (Oxford: Routledge, 2008) ISBN 041596203X (hardback).
  • Nicol, Bran The Cambridge Introduction to Postmodern Fiction (Cambridge: Cambridge University Press, 2009) ISBN 9780521679572. Chapter 7, 'Two postmodern genres: cyberpunk and detective fiction', includes a section on City of Glass.


  1. ^ Reference to Nathaniel Hawthorne's novel Fanshawe' – Heiko Jakubzik: Paul Auster und die Klassiker der American Renaissance. Dissertation, Universität Heidelberg 1999, p. 7 (online text Archived June 7, 2007, at the Wayback Machine)
  2. ^ [1] Carol Mann agency blog
  3. ^ [2] Untitled Theater Company No. 61 website
  4. ^
  5. ^

External links[edit]