|Birth name||Clarice Vasconcelos da Cunha Assad Simão|
|Born||February 9, 1978|
Rio de Janeiro, Brazil
|Genres||Jazz, classical, pop, world|
|Occupation(s)||Singer, composer, orchestrator, arranger|
|Instruments||Piano, bass, voice|
|Labels||Adventure Music, Cedille|
|Associated acts||Nadja Salerno-Sonnenberg, Yo Yo Ma, Evelyn Glennie, Leon Wang, Marin Alsop, Keita Ogawa|
Clarice Assad (born February 9, 1978) is a Brazilian-American composer, pianist, arranger and singer from Rio de Janeiro. She is influenced by popular Brazilian culture, Romanticism, world music, and jazz. She comes from a musical family, which includes her father, guitarist Sergio Assad, her uncle, guitarist Odair Assad, and her aunt, singer songwriter Badi Assad.
Assad has performed professionally since the age of seven. She holds a Bachelor of Music degree from Roosevelt University in Chicago and a master's degree in Composition from the University of Michigan, where she studied composition with Michael Daugherty. She is a 2009 Latin Grammy nominee.
Born in Campo Grande, a modest suburb in the west portion of Rio de Janeiro, Brazil, Assad is the first daughter of musician Sergio Assad and school teacher Celia Maria Vasconcelos da Cunha, who named her child after the late Brazilian-Ukrainian writer Clarice Lispector. Assad began creating music at the age of six with the help of her father.
Assad was born with Ehlers-Danlos Syndrome, a group of disorders that affect connective tissues, which severely limited her ability to perform musical instruments at an early age, but the condition did not affect her voice. As a child Assad sang numerous jingles for radio and television, as well as albums including tracks for pop star Luiz Caldas and Brazilian soul musician Hyldon. During early adolescence, as her joints became stronger, she began playing piano mostly by ear and became interested in jazz. The years that followed were filled with intensive training in music, piano, composition and arranging with Sheila Zagury, Linda Bustani and Leandro Braga.
In 1993, Assad and her younger brother Rodrigo Assad moved to France to live with their father, in a home he shared with his second wife and their child Julia. Assad studied piano and improvisation privately with Natalie Fortin, a professor from Le Conservatoire national Supérieur de Paris, and benefited also from her father's mentorship, composing and arranging numerous pieces. This was a prolific period, though short lived amidst a turbulent time. Mr. Assad's wife, who had been battling cancer, died a year later at 38. Assad returned to Brazil with her brother.
In Rio de Janeiro, between 1995 and 1997, Assad acted as a pianist, arranger and keyboardist on several musicals including Tá na Hora (by playwright Lucia Coelho), A Estrela Menina (by Joaquim de Paula) and Doidas Folias by playwright and composer Tim Rescala. Though passionate about music, she struggled with the decision to pursue an academic degree, due to the limited prospects in the industry in Brazil. As she prepared to study for the entry college exams majoring in marine biology, her father Sergio had met astro physicist Angela Olinto, and moved to Chicago. A year later, Assad was given the opportunity to study film scoring at the Berklee College of Music, leaving Brazil in 1998.
Orchestral and chamber music
Assad's compositions include pieces for a variety of instrumentations, including smaller works for piano, guitar pieces as well as pieces for large and small chamber ensembles, and fifteen orchestral works. Though the ensembles she writes for are largely classical, her voice as a composer has been heavily influenced by Brazilian music, Jazz and World Music. Her orchestral work Nhanderú  and Terra Brasilis, commissioned and premiered by the Orquestra Sinfônica de São Paulo  are examples of her Brazilian roots, drawing on Assad's knowledge of the country's folk style and the work of fellow classical composer Heitor Villa-Lobos. Among other works influenced by Brazilian popular culture is her concerto for guitar and orchestra, O Saci-Pererê  and Brazilian Fanfare, an overture for orchestra commissioned by the Chattanooga Orchestra in 2005.
She first came into the national spotlight in 2004, when conductor Marin Alsop programmed her violin concerto with the Cabrillo Festival of Contemporary Music featuring Nadja Salerno-Sonnenberg as the soloist. The piece was recorded by Salerno-Sonnenberg and Marin Alsop leading the Colorado Symphony Orchestra and released on the NSS Music label when Assad was 26 years old. Since then, Assad has been steadily commissioned, pursuing ways of incorporating her composing and performing. Such attempts culminated on the creation of a major work: a concerto for scat singing, piano and orchestra which she wrote for herself to perform. Scattered  was premiered by the Albany Symphony under the baton of the conductor David Alan Miller, and has since been performed by many other ensembles and conductors, including the Michigan Philharmonic, Chicago Composers Orchestra and OCAM. Other works include “The Disappeared,” a political piece for orchestra and concert band that draws on impressions of Rufina Amaya, the sole survivor of the El Mozote massacre in 1981, during the Salvadoran Civil War, and most recently, “Ad Infinitum,” a percussion concerto written for Dame Evelyn Glennie involving improvisational gestural techniques - such as sound painting - for the orchestra, soloist and conductor alike.
Her music has been commissioned by many institutions, performers and orchestras including Carnegie Hall, The Boston Philharmonic Youth Orchestra, the Orquestra Sinfônica de São Paulo, General Electric, the Chicago Sinfonietta, and Duo Noire, to name a few. Her works have also been recorded by some of the most prominent names in the classical contemporary music scene today, including Yo-Yo Ma, violinist Nadja Salerno-Sonnenberg, pianist Anne-Marie McDermott  and oboist Liang Wang. She has also collaborated with the Los Angeles Guitar Quartet, Turtle Island String Quartet, the Aquarelle Guitar Quartet, the Philadelphia Orchestra, Louisville Symphony Orchestra, Austin Symphony Orchestra, Vancouver Symphony Orchestra, Edmonton Symphony, as well as conductors Marin Alsop and Christoph Eschenbach, Kazuyoshi Akiyama and Carlos Miguel Prieto. She has written extensively for active members on the new music scene in the United States such as the Cavatina Duo, Sybarite5 and SOLI ensemble 
Assad's works have been published in France (Editions Lemoine),Germany (Trekel), in the United States by (Virtual Artists Collective Publishing) and Criadores do Brasil.
Assad has contributed significantly to the growing repertoire of classical guitar, having written works ranging for solo to duos (Valsas do Rio) and quartets such as the piece Bluezilian, which has become a staple of the guitar quartet repertoire. Larger works include three concertos: Album de Retratos, commissioned by the ProMusic Chamber Orchestra for two guitars and orchestra, O Saci-Pererê, for solo guitar and chamber orchestra, commissioned by the Harris Foundation and a concerto for two guitars and string orchestra, commissioned by the Tychy guitar festival for the Brazil guitar duo.
In 2010, Assad wrote the first of its kind, a concerto for scat singing, piano and orchestra, named SCATTERED. Many other works followed on this verge, and in 2019, Assad wrote SYNTHETICO, a work for chamber ensemble and vocal electronics .
Assad's first work for the stage was a soundtrack written for a 2001 re-adaptation of the play La Lección de Anatomía, by Argentinian playwright Carlos Mathus, originally published in the 1970s. Directed by an original cast member Antonio Leiva, the play received mixed reviews, but garnered the composer favorable mentions from the acclaimed theatre critic Bárbara Heliodora. Following a hiatus of over a decade, Assad resumed writing for stage in 2010, when she was invited by choreographer Kristi Spessard - then in residency at Mabou Mines - to compose the score to her piece "Essentials of Flor."
Recent works include the ballets Iara, (2018) and Sin Fronteras (2017), Opera das Pedras (libretto by Denise Milan) (2010)  and collaborations with librettist Niloufar Talebi (The Disinherited) and playwright E.M. Lewis (The Crossing). Strongly shaped by a conscious drive towards narrative, her works wear its influences well, feeling inspired rather than derivative.
Assad has worked with numerous youth groups, often culminating on performances involving large ensembles and orchestras, through residency programs. Most notable are Assad's partnerships with ZUMIX in East Boston and the Boston Landmarks Orchestra.; partnerships between the Michigan Philharmonic with WRCJ-FM Detroit public radio and the Detroit School of Arts; as well as the partnership between Girls INC. and the Albany Symphony. Assad's projects tend on focus on social impact programs that involve empowering young women.
Assad was the featured composer for the 2008–2009 season at the New Century Chamber Orchestra, where she worked as the orchestra's primary arranger and orchestrator for a decade.
Upon graduating from the University of Michigan, Assad moved to New York City to experience the exploding music scene, freelancing as a composer and arranger while trying to build a career as pianist and singer. During her New York years (2005-2015), Assad worked as the featured composer for the New Century Chamber Orchestra, as well as serving as the orchestra's primary arranger  from 2007 to 2017, contributing vastly to the addition of new works for strings, by orchestrating and transcribing over twenty five major works from the symphonic repertoire, including Mussorgsky's Pictures at an Exhibition, Richard Strauss' Dance of the Seven Veils from the opera Salome, and the suite An American in Paris, by George Gershwin.
Assad's keen sense of orchestration carefully curates some of the most effective tricks of orchestrator's past greats: Maurice Ravel's elegance and subtleties and Njcolaj Rimski-korsakov's coloristic orchestral effects - All while retaining a personal, unique fingerprint that's compelling and dramatic in its very construction.
Hailed by the LA Times as a "dazzling soloist", Assad is an accomplished singer and pianist and appears frequently with orchestras and chamber music ensembles, performing her original works or arrangements of classical, Brazilian, jazz and contemporary music.
In 2010, Assad began performing more frequently, and eventually founded the international ensemble Off The Cliff, an energetic and daring four piece ensemble of internationally accomplished musicians.
Notable performances include the Savannah Music Festival, Moab and the Mendocino Music Festival. Included amongst the venues and series that Off the Cliff has appeared on are Jazz at Lincoln Center in New York City and Doha, Qatar, The Stone, Cal Performances in San Francisco, and Sesc São Paulo in Brazil. Special guest artists have included Japanese singer Hiromi Suda, Swiss-American singer Beat Kaestli, clarinetist Derek Bermel, mandolinist Mike Marshall, Paquito D'Rivera and the group Choro Famoso.
Awards in composition
Assad is the recipient of the American Composers Forum National Composition Competition (2016), the McKnight Visiting Composer Award (2015), the New Music Alive Partnership program (League of American Orchestras)-(2014–15), the Van Lier Fellowship (2010), Latin Grammy nomination for best contemporary composition (2009), the Aaron Copland Award (2007), the Morton Gould Young Composer Award (2006), All Songs Considered - NPR (2004), the Franklin Honor Society Award (2001) and the Samuel Ostrowsky Humanities Award (2001).
- Invitation: Introducing Clarice Assad (2004)
- Love, All That It Is (NSS Music, 2008)
- Home (Adventure Music, 2011)
- Imaginarium (Adventure Music, 2014)
- Clarice Assad & Friends: Live at the Deer Head Inn (Deer Head Inn, 2016)
- Reliquia (Adventure Music, 2016)
|Album Title||Album Details||Title of recorded work(s)||Release Date|
|PROJECT W: Works by Diverse Women Composers||Sin Fronteras ||2019|
|FOUR ACES GUITAR QUARTET||
||Brasileirinhas | Mercador de Sonhos||2015|
||The Last Song||2015|
|FROM A TO Z||
|VIVA BRASIL LIVE EP||
||The Lat Song | Suite Back To Our Roots||2012|
|THE BALKAN PROJECT||
||Three Balkan Dances||2010|
|ORIGINIS, LIVE FROM BRAZIL||
||Impressions, Suite For Chamber Orchestra||2009|
|SPIRIT OF BRAZIL||
Valsas do Rio
|YO-YO MA & Friends||
||Song for my father||2007|
|Concertos in D Major||
||Valsas do Rio||2003|
Arrangements & Guest Appearances
|O cinema que o sol não apaga
|QUERELAS DO BRASIL
|The Music of Astor Piazzola
|Merry, A Holiday Journey
|WONDERLAND: Badi Assad
|VERDE: Badi Assad
- Clarice Assad radio interview on UEL, Londrina. Modos de Vida - Comportamento e Cultura
- Dreamscapes Q&A with Clarice Assad – SoundAdvice.
- Chicago Sinfonietta Commissions CLARICE ASSAD's SIN FRONTERAS Preview – Insights to Assad and her Work.
- SONiC Composer Spotlight – Clarice Assad – SoundAdvice.
- University of Chicago Presents: An interview with Clarice Assad 
- ABODE MAGAZINE: From Brazil to Carnegie Hall to Doha (p. 106-107)
- REVISTA 29 HORAS: DNA Musical 
- The Portfolio Composer: Ep 8-Clarice Assad on the Endless Possibilities of New Music and Letting Go 
- 1TrackPodcast: Season 2, Episode 3.
- Composer Clarice Assad was born and raised in Brazil, but has spent the last few decades in the United States. When she's asked where home is, she says "The Americas." 
- Brazilian and classical music merge in performance from Clarice Assad and two Houston ensembles.
- Sharp, Dan (2014-07-01), "Assad, Clarice", Oxford Music Online, Oxford University Press, doi:10.1093/gmo/9781561592630.article.a2261997, retrieved 2020-06-04
- "Long Biography". Michael Daugherty, composer | Official website. Retrieved 2019-09-22.
- es:Anexo:Premios Grammy Latinos 2009
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- "Lives of Music and Physics, Lovingly Bound". nytimes.com. November 25, 2010.
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- "Marin Alsop opens a new Brazilian chapter". gramophone.co.uk/. March 6, 2012.
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- "NCCO he lure of the central coast's music festivals". issuu.com. July 30, 2012.
- "Cristian Macelaru's debut weekend at Cabrillo Fest featured plenty of fire and passion". santacruzsentinel.com. August 9, 2017. Archived from the original on April 28, 2018. Retrieved April 27, 2018.
- "Evelyn Glennie prepares for Assad's AD INFINITUM". cabrillomusic.org/. June 30, 2017.
- "Clarice Assad's 'Lemuria' about hope in times of climate change". www.datebook.sfchronicle.com. December 23, 2018.
- "Singers and Composers in a Stylistic Mix and Match". www.nytimes.com. April 17, 2007.
- "BPYO Rewards Grateful Community". www.classical-scene.com. May 13, 2019.
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- "GE piece is a breeze for ASO". www.dailygazette.com. June 9, 2016.
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- "Sephardic Journey – Cavatina Duo" (PDF). www.cavatinaduo.com. September 9, 2016.
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- "Clarice Assad Turns Bad Dreams Into Music". www.montereyherald.com. July 16, 2014.
- "Landmarks Orchestra tells bedtime stories on the Esplanade". www.bostonglobe.com. August 13, 2015.
- "Duo Noire Presents Newly Commissioned Works on Night Triptych". icareifyoulisten.com. August 15, 2018.
- "Natural born talent". modernguitarensemble.blogspot.com. May 15, 2013.
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- "LAGuitar". musicweb-international.com. February 8, 2009.
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- "SOLI Chamber Ensemble Reunites with Vocalist Clarice Assad for Special Performances". www.sacurrent.com. March 29, 2019.
- "SOLI and Guest Clarice Assad Going Synthetico for Concert". www.therivardreport.com. April 2, 2019.
- "Voice Alterations Create Soundscape Of Novel Delights". www.classicalvoiceamerica.org. April 3, 2019.
- "Compose by Northwest Piano Trio and PDX Contemporary Ballet". allevents.in. May 10, 2018.
- "A artista das pedras". delas.ig.com.br. December 7, 2011.
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- "Musicians shook things up last week". timesunion.com. June 13, 2019.
- ""Sing Out! New York:" Albany Symphony's American Music Festival 2019". icareifyoulisten.com. June 12, 2019.
- "Orchestrating creativity: Composer Clarice Assad helps young girls overcome the kind of shyness she once felt". timesunion.com. April 17, 2014.
- "Music review: New Chamber Century Orchestra". sfgate.com. September 12, 2009.
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- "Let Us Now Arrange Famous Composers". sfcv.org. September 11, 2009.
- "New Century offers deft, if bland, evening of dance music". sfgate.com. May 9, 2016.
- "This Evening in Paris Is Sublime". sfcv.org. March 21, 2017.
- "NCCO Breaks the Mold Again". sfcv.org. March 25, 2011.
- "Piano jazz e la grande voce di Clarice Assad". sfcv.org. July 30, 2016.
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- "Backstage Utah Arts Festival". theutahreview.com. June 24, 2016.
- "Brazilian Star Wars at NYFOS". qonstage.com. June 19, 2018.
- "Beethoven sonatas and Brazilian soul". dosavannah.com. April 2, 2015.
- "Une voix singuliere au jazz at lincoln center". qataractu.com. September 14, 2014.
- "Composing Through Collaboration: Clarice Assad's Comprehensive Approach to Teaching Music". composersforum.org. March 7, 2017.
- "Pairing Composers and Orchestras, With an Eye on Younger Audiences". artsbeat.blogs.nytimes.com. October 22, 2014.
- "Review: American Composers Orchestra Brings Jazz to Classical, Effortlessly". nytimes.com. April 8, 2018.
- "Dreamscapes in New York: genre-busting composers showcased by the American Composers Orchestra". bachtrack.com. April 8, 2018.
- "Clarice & Sergio Assad Reliquia". ukvibe.org. August 24, 2016.
- "AllMusic Review by James Manheim". stringsmagazine.com/. March 2019.
- "Violist Matthew Lipman on Commissioning a New Work in Honor of His Late Mother". stringsmagazine.com/. January 2019.
- "Chamber Music Society of Lincoln Center's Nov. Concerts to Include Premiere of Assad's Metamorfose, and More". broadwayworld.com/. October 2018.
- "Violist Matthew Lipman Makes Cedille Records Debut Featuring World-Premiere Recording Of Shostakovich's Impromptu, Op. 33". broadwayworld.com/. January 2019.
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- "Chicago Sinfonietta Commissions CLARICE ASSAD'S SIN FRONTERAS Preview – Insights to Assad and her Work". picturethispost.com. September 13, 2017.
- "SONiC Composer Spotlight - Clarice Assad - SoundAdvice". acosoundadvice.blogspot.com. October 20, 2015.
- "University of Chicago Presents: An interview with Clarice Assad". issuu.com. December 12, 2015.
- "From Brazil to Carnegie Hall to Doha. ABODE Magazine". issuu.com. September 30, 2014.
- "DNA Musical. ABODE Magazine". issuu.com. October 1, 2013.
- "the Endless Possibilities of New Music and Letting Go". theportfoliocomposer.com. October 1, 2013.
- "Clarice Assad about her Concerto for Guitar and Chamber Orchestra:O Saci-Pererê". 1trackpodcast.com. October 1, 2016.
- "Clarice Assad: Without Borders". yourclassical.org. April 22, 2019.
- "Brazilian and classical music merge in performance from Clarice Assad and two Houston ensembles". houstonchronicle.com. April 30, 2019.