Class of '44
|Class of '44|
|Directed by||Paul Bogart|
|Produced by||Paul Bogart|
|Written by||Herman Raucher|
|Music by||David Shire|
|Distributed by||Warner Bros.|
|Box office||$6,350,000 (US/ Canada rentals)|
Class of '44 is the 1973 sequel to Summer of '42.
The film is a slice-of-life style autobiography of sorts, depicting Herman Raucher's (Gary Grimes) first year in college, where he falls in love with Julie (Deborah Winters) under the shadow of the growing threat of World War II. Jerry Houser and Oliver Conant reprise their roles as the other two members of Raucher's circle of friends, "The Terrible Trio," Oscar "Oscy" Seltzer and Benjie, although the latter only appears in the film for a matter of minutes.
The film received moderate and poor reviews upon its release. Although several venues granted free, or discounted, admission for moviegoers who graduated from high school in 1944, the film did not fare very well at the box office, mostly attributed to the film's breaking the "arty" format of the first film for a more standard approach, and the omission of any mention of the first film. The movie slipped into obscurity, and although Summer of '42 has been on DVD for several years, where it has been a relative commercial success, Warner Brothers released Class of '44 on made-to-order DVD in 2010.
The film was spoofed in the December 1973 issue of Mad magazine as "The Clods Of '44."
The film is also noted for being the feature film debut of John Candy in a very brief uncredited appearance at the beginning as a high school graduate who interacts with Hermie and Oscy.
Friends Hermie (an aspiring artist), Oscy (a jock), and Benjie (a nerd) graduate high school in the Spring of 1944, under the looming threat of World War II. At a post-graduation party, Hermie and Oscy are startled when Benjie tells them that he's enlisted in the Marines. While Hermie and Oscy spend the Summer working at a loading dock, Benjie goes to basic training; at Summer's end, they see him off on his way to fight in the Pacific Theater.
At their fathers' behest, Oscy and Hermie go to college. Much of the film consists slice of life vignettes depicting college life during wartime, with the effect of the war on the home front as a constant recurring theme.
While Hermie is serious about his studies, Oscy primarily sees it as an opportunity to pick up girls. On the campus newspaper staff, Hermie meets and falls in love with Julie, a well-to-do coed. At her suggestion, Hermie and Oscy join a frat and successfully pass through the requisite hazing rituals. Shortly after moving into the frat house, though, Oscy is expelled for bringing girls to his room, and Hermie finds himself saddled with an annoying roommate. Oscy, seeing no other alternative, enlists in the army.
Hermie and Julie have a falling out after Julie tells him she intends to go out on a non-romantic date with an old boyfriend coming into town on shore leave. Hermie expresses his distrust for Julie and they break up. Back at the frat house, Hermie receives a phone call from his mother that his father has died unexpectedly. Returning home for the funeral, he's reunited with Oscy, who has passed basic training and is now a typist on Governor's Island. Oscy takes Hermie out for a night of drinking in his father's memory, culminating in a bar room brawl. Back at Hermie's house, a drunk Hermie voices his inability to accept his father's death before passing out. Oscy stays up through the night, watching over Hermie.
Hermie returns to college and is about to call for a cab at the New York, New Haven and Hartford Railroad train station when Julie arrives in her car. She tells him that Hermie's mother told her about his father's death, and that she's come to reconcile with him. Julie further tells Hermie that she's learned he passed his final exams for the semester and his successfully completed his Freshman year. Hermie and Julie reconcile and climb into the back seat of Julie's car as the film ends.
The subway scenes were filmed on location in Brooklyn, New York. A vintage 1920s BMT Triplex train was used and the interior of the 15th Avenue entrance to the New Utrecht Avenue station on the Sea Beach (today's N) line was restored to its 1940s appearance. The train itself operated on the West End (today's D) line and is seen pulling into the 62nd Street station.
The scene at the diner was filmed in Toronto for the purpose of depicting PCC-type streetcars that ran in Brooklyn during the time period the movie is set. However, the streetcars seen in the movie are postwar models characterized by the presence of standee windows, something that prewar PCCs such as the ones that operated in Brooklyn did not have. They also have the maroon and cream paint scheme used in Toronto while Brooklyn's PCCs were predominantly tan.
- "Big Rental Films of 1973", Variety, 9 January 1974 p 19