Claude Duflos

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Portrait of Jean Bérain the Elder, engracing by Duflos after Joseph Vivien

Claude Duflos (1665–1727) was a French engraver.

Duflos was born and died in Paris. It is not known by whom he was instructed, but his style resembles that of François de Poilly. He left a great number of plates, executed principally with the burin, and very neatly finished. The following are the most notable:

Portraits[edit]

Subjects after various masters[edit]

  • The Entombment of Christ; after P. Perugino; for the Crozat Collection.
  • The same subject; after Raphael.
  • St. Michael discomfiting the Evil Spirit; after the same; for the Crozat Collection.
  • Christ with the Disciples at Emmaus; after Paolo Veronese; for the Crozat Collection.
  • 'The Adulteress before Christ; after N. Colombel.
  • Christ at table with the Disciples; after Titian.
  • Bust of the Virgin; after Guido.
  • The Annunciation; after Albani.
  • Christ appearing to Mary Magdalen; after the same.
  • St. Cecilia; after P. Mignard.
  • The Presentation in the Temple; after Le Sueur.
  • The Descent from the Cross; after the same.
  • The Murder of the Innocents; after Le Brun.
  • Christ on the Mount of Olives; after the same.
  • The Crucifixion; after the same.
  • The same subject; after the same; from the print by Edelinck.
  • The Dead Christ, with the Virgin and St. John; after the same.
  • The Descent of the Holy Ghost; after the same.
  • The Assumption of the Virgin; after the same.
  • The Penitent Magdalen; after the same.
  • The Annunciation; after A. Coypel.
  • The Crucifixion; after the same.
  • The Magdalen at the foot of the Cross; after the same.
  • A Concert; after Domenichino.
  • The Triumph of Galatea; after the same.
  • Cupid stung by a Bee; after the same.
  • The same subject; smaller and circular.
  • Bacchus and Ariadne; after the same.
  • The Triumph of Bacchus; after C. Natoire.
  • The Triumph of Amphitrite; after the same.

References[edit]

This article incorporates text from the article "DUCQ, Claude" in Bryan's Dictionary of Painters and Engravers by Michael Bryan, edited by Robert Edmund Graves and Sir Walter Armstrong, an 1886–1889 publication now in the public domain.