He was born in Nancy. Here and probably in Lille he spent the earlier years of his life. In 1755 he came to Paris and entered the workshop of Lambert Sigisbert Adam, his maternal uncle, a clever sculptor. He remained four years in this workshop, and on the death of his uncle became a pupil of J. B. Pigalle. In 1759 he obtained the grand prize for sculpture at the Académie Royale; in 1761 he obtained the first silver medal for studies from models; and in 1762 he went to Rome. Here his activity was considerable between 1767 and 1771.
Catherine II of Russia was eager to secure his presence in St Petersburg, but he returned to Paris. Among his patrons, which were very numerous, were the chapter of Rouen, the states of Languedoc, and the Direction generale. His works were frequently exhibited at the Salon. In 1782 he married Catherine Flore, a daughter of the sculptor Augustin Pajou, who subsequently obtained a divorce from him. The agitation caused by the French Revolution drove Clodion in 1792 to Nancy, where he remained until 1798, his energies being spent in the decoration of houses.
Among Clodion's works are a statue of Montesquieu, a Dying Cleopatra, and a chimneypiece at present in the Victoria and Albert Museum, (London). One of his last groups represented Homer as a beggar being driven away by fishermen (1810). Clodion died in Paris, on the eve of the invasion of Paris by the forces of the Sixth Coalition.
Among the public collections holding works by Claude Michel are: the Art Institute of Chicago, the Bowes Museum (County Durham, UK), the Carnegie Museum of Art (Pittsburgh, Pennsylvania), the Cleveland Museum of Art, the Courtauld Institute of Art (London), the Currier Museum of Art (New Hampshire), the Detroit Institute of Arts, the Fine Arts Museums of San Francisco, the Frick Collection (New York City), the Getty Museum (Los Angeles), the Honolulu Museum of Art, the Kimbell Art Museum (Fort Worth, Texas), Kunst Indeks Danmark, the Louvre (Paris), the Metropolitan Museum of Art, Musée Cognacq-Jay (Paris), the Museum of Fine Arts (Boston), Musée des Beaux-Arts (Bordeaux), Museum Boijmans Van Beuningen (Rotterdam), National Museum of Art (Cluj-Napoca), the National Gallery of Armenia, the National Gallery of Art (Washington D.C.), the Norton Simon Museum (Pasadena, California) and the Philadelphia Museum of Art.
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- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
Parker, James & Le Corbeiller, Clare (1979). A Guide to the Wrightsman Galleries at the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art. ISBN 0-87099-186-8. External link in
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