Casper in 2003.
|Born||Toronto, Ontario, Canada|
|Period||1996 to present|
Claudia Casper is a Canadian writer. She is best known for her bestselling novel The Reconstruction, about a woman who constructs a life-sized model of the hominid Lucy for a museum diorama while trying to recreate herself.
Claudia Casper was born in Toronto, Ontario. She was her parents’ only child, but she now has ten half-siblings. She says that her “siblings ... who often spoke no common language and three parents who couldn’t be further apart on the introversion/extroversion continuum,” helped her develop “an early ability to bridge realities.” As a result of her diverse family, she learned German, Spanish, French and some Hebrew.
Casper attended Lawrence Park Collegiate Institute in Toronto, but then transferred to SEED Alternative School, one of Toronto’s first free schools, which she describes as seeming like “a slightly scary hotbed of creativity, drugs and sex,” where she learned at her own pace and chose her own curriculum.
Her first job in the literary world was at the age of 16, dusting books at Coles bookstore near Yonge and Bloor in Toronto. Casper used the earnings from this job to go on a solo bike trip in Germany on a three-speed bicycle. (Cycling continues to be a large part of her life. In 2010 she participated in the first Gran Fondo ride from Vancouver to Whistler, British Columbia.)
After graduation, she applied for a copy-editing job with a Toronto publisher but failed their in-house test, so she moved to Vancouver and “crashed on the warehouse floor” of a small publisher, Pulp Press (now Arsenal Pulp Press). Stephen Osborne, co-founder of Pulp Press and founder of Geist magazine, taught Casper to typeset, and for the next ten years she made a living freelance typesetting and being a foster parent for at-risk teenagers.
Claudia’s second husband is James Griffin, the founder and president of Vancouver Film School. They have two sons together, Henry, born in 1992, and George, born in 1996.
With the moral support of her second husband, James Griffin, Casper submitted her writing to Event magazine’s creative non-fiction competition, where she shared first prize, and the Federation of BC Writers’ short fiction competition, which she also won.
With the financial support of the Canada Council for the Arts, Casper wrote her first novel, The Reconstruction, about a woman who is hired to construct a life-sized model of Lucy—the hominid whose fossilized skeleton and footprints are humankind’s link to the other primates in the evolutionary chain—while trying to recreate herself after separating from her husband. Casper says The Reconstruction was “sparked by a desire to explore what it meant to be a woman living today who is descended from Lucy.”
After a bidding war, The Reconstruction was published in 1996 by Penguin and became a bestseller. The New York Times called it a “probing book,” and The Globe and Mail said, “The writing is beautiful, with passages of dazzling poetic intensity on nearly every page.” It was optioned for a film and published in the United States, the United Kingdom and Germany.
While writing her second novel, The Continuation of Love by Other Means, Casper also wrote book reviews for The Globe and Mail and The Vancouver Sun. She also published two short pieces, “Dad’s Place” in Geist magazine, which also appeared in Best Canadian Stories 96, edited by Douglas Glover and published by Oberon Press in 1996, and “Victory,” which appeared in Dropped Threads: What We Aren’t Told alongside Margaret Atwood and Miriam Toews, edited by Carol Shields and Marjorie Anderson and published by Vintage Canada in 2001.
Casper’s second novel, The Continuation of Love by Other Means, explores gender conflict through the relationship of a right-leaning father and left-wing daughter in Argentina during the Dirty War. It was published by Penguin in 2003 to critical acclaim (Quill & Quire called Casper a “brave, subtle writer”) and short-listed for the Ethel Wilson BC Book Prize.
She is currently working on a third novel with the working title The Last Murder: The Journals of Allen Quincy, which she describes as “Cinderella and Goldilocks meet Cain and Abel in 2042.” She sees her three novels as “a trio about our species: evolution, reproduction and war—light topics, every one.”
- The Reconstruction (Penguin, 1996)
- “Dad’s Place,” Geist magazine, and Best Canadian Stories 96 (Oberon Press, 1996)
- The Continuation of Love by Other Means (Penguin, 2003)
- “Victory,” Dropped Threads: What We Aren’t Told (Vintage Canada, 2001)
- Claudia Casper. "Claudia Casper About Page". Retrieved May 8, 2011.
- "Reconstruction:Amazon.ca". Books in Canada. Retrieved May 8, 2011.
- "Beginner’s Pluck". Maclean's. February 19, 1996. Retrieved May 8, 2011.
- "Pure Fiction: About the Authors". Penguin.ca. Retrieved May 8, 2011.
- Sally Eckhoff (March 2, 1997). The New York Times http://claudiacasper.com/images/reviews/recon/recon-nyt-may13.jpg. Retrieved May 8, 2011. Missing or empty
- The Globe and Mail http://claudiacasper.com/images/reviews/recon/reconstruction-globe-p01.jpg. Retrieved May 8, 2011. Missing or empty
- "Dropped Threads Contributors". Random House. Retrieved May 8, 2011.
- Claudia Casper (September 23, 2010). "Betsy Warland's writing (and survival) tips". The Globe and Mail. Retrieved May 9, 2011.
- Stephen Smith (January 1997). "Best Canadian Stories 96". Quill & Quire. Retrieved May 8, 2011.
- Carol Shields; Marjorie May Anderson (23 January 2001). Dropped threads: what we aren't told. Vintage Canada. pp. 81–. ISBN 978-0-679-31071-6. Retrieved 9 May 2011.
- Claudia Casper and Anne Giardini. "Carol Shields Labyrinth". Retrieved May 9, 2011.
- Nicholas Dinka (July 2003). "The Continuation of Love by Other Means". Quill and Quire. Retrieved May 8, 2011.
- "Ethel Wilson Fiction Prize". Canadian Books & Authors. Retrieved May 8, 2011.
- "HOT OPP: Vancouver Manuscript Intensive 2010 Deadline and Faculty". SFU Writer's Studio. 2009. Retrieved May 8, 2011.