Cleopatra (1917 film)
Original release poster
|Directed by||J. Gordon Edwards|
|Produced by||William Fox|
|Written by||Adrian Johnson|
William Shakespeare (plays Antony and Cleopatra and Julius Caesar)
Émile Moreau (play Cléopâtre)
|Based on||Cleopatra (Haggard novel)|
Fritz Leiber, Sr.
|Music by||José Martínez|
|Cinematography||John W. Boyle|
|Edited by||Edward M. McDermott|
|Distributed by||Fox Film Corporation |
(20th Century Fox; a subsidiary of Walt Disney Studios)
|125 mins. (11 reels)|
Cleopatra is a 1917 American silent historical drama film based on H. Rider Haggard's 1889 novel Cleopatra and the plays Cleopatre by Émile Moreau and Victorien Sardou and Antony and Cleopatra by William Shakespeare. The film starred Theda Bara in the title role, Fritz Leiber, Sr. as Julius Caesar, and Thurston Hall as Mark Antony. The film is now considered lost, with only fragments surviving.
Because the film has been lost, the following summary is reconstructed from a description in a contemporary film magazine.
Cleopatra (Bara), the Siren of Egypt, by a clever ruse reaches Caesar (Leiber) and he falls victim to her charms. They plan to rule the world together, but then Caesar falls. Cleopatra's life is desired by the church, as the wanton woman's rule has become intolerable. Pharon (Roscoe), a high priest, is given a sacred dagger to take her life. He gives her his love instead and, when she is in need of some money, leads her to the tomb of his ancestors, where she tears the treasure from the breast of the mummy. With this wealth she goes to Rome to meet Antony (Hall). He leaves the affairs of state and travels to Alexandria with her, where they revel. Antony is recalled to Rome and married to Octavia (Blinn), but his soul cries out for Cleopatra. He sends her a message to arm her ships and meet him at Actium, where they battle the opposing forces. They are overpowered, and flee to Alexandria. There they are captured by Octavius (De Vries), and Antony dies in Cleopatra's arms. Before Cleopatra is to be dragged behind the wheels of Octavius' chariot, Pharon the priest, who has never ceased to love her, brings her the serpent that she joyously brings to her breast, dying royally with her crown on her head and scepter in her hand as becomes Egypt.
- Theda Bara as Cleopatra
- Fritz Leiber as Caesar
- Thurston Hall as Antony
- Albert Roscoe as Pharon
- Herschel Mayall as Ventidius
- Dorothy Drake as Charmian
- Delle Duncan as Iras
- Henri De Vries as Octavius Caesar
- Art Acord as Kephren
- Hector V. Sarno as Messenger
- Genevieve Blinn as Octavia
Cleopatra was one of the most elaborate Hollywood films ever produced up to that time, with particularly lavish sets and costumes. According to the studio, the film cost $500,000 (equivalent to around $9.98 million today) to make and employed 2,000 people behind the scenes. Theda Bara appeared in a variety of costumes, some quite risqué. The film was a great success at the time.
The picture was filmed on the Dominquez slough just outside Long Beach, California. The throne prop used in the film ended up, years later, in the possession of Leon Schlesinger Productions; its disposition after the acquisition of that company by Warner Bros. is unknown.
Like many American films of the time, Cleopatra was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors required the following cuts:
in Reel 1, three scenes of the Queen posing before Caesar with her navel exposed, ascending stairs to throne and suggestively leaning against him, two scenes of Queen lying on couch with Caesar standing near, Reel 2, Queen in objectionable costume turning as she embraces Caesar, first and last scenes of Queen at astrologer's table looking into crystal, Reel 3, first scene of Queen at harp and on couch before she goes to dais, two closeups of Queen on dais bending over, two full length views of Queen in chariot exposing her legs, two views of Queen on couch awakening from sleep, Reel 4, entire incident of Queen's meeting with Pharon except scene at beginning of conversation at point where she raises cloth as she starts towards balcony to where she leaves Pharon, all front views of Queen showing her breasts outlined by snake breast plates, closeup of Queen in spangle costume at doorway as she descends stairs and approaches Pharon, closeup kissing scene between Queen and Pharon and Queen's actions following, scene of Queen and Pharon before couch where she turns and exposes legs, three scenes of Queen in objectionable costume before and after Pharon raises knife, two closeups of stabbing guard, all scenes of Queen coming down stairs, two scenes of Queen on low couch, two scenes before and two scenes after taking parchment from Pharon, Queen on couch taking Pharon's hand and scene following embrace, Queen standing while Pharon reads parchment, Queen advancing towards Pharon, closeup of Queen seizing knife and all views of it descending, Reel 6, five closest views of Antony and Queen showing her breasts, Reel 7, Queen standing before Antony, Queen on couch after Antony leaves, three scenes of Queen in leopard skin costume with one breast exposed, full view of Queen in leopard skin costume on couch, Reel 8, the intertitle "Antony, one last word. Will nothing save you from this wanton?" etc., four scenes of Queen and Antony on couch before curtains are drawn aside, Reel 10, Queen walking to throne in costume exposing body.
After the Hays Code was implemented in Hollywood, Cleopatra was judged to be too obscene to be shown. However, despite its controversies, the film was a huge box office draw, becoming one of the most successful blockbusters of 1917.
The last two prints known to exist were destroyed in fires at the Fox studios in 1937 (along with the majority of Bara's other films for Fox) and at the Museum of Modern Art in New York City, and the majority of the film is now considered lost. Only brief fragments of footage are known to survive.
Filmmaker and film historian Phillip Dye is reconstructing Cleopatra on video, titled Lost Cleopatra, editing together still picture montages combined with the surviving film clip. The script is based on the original scenario with modifications based on research into censorship reports, reviews of the film and synopses from period magazines. Dye screened the film at the Hollywood Heritage Museum on February 8, 2017.
- Pre-Code sex films
- List of American films of 1917
- Cleopatra VII
- List of incomplete or partially lost films
- 1937 Fox vault fire
- McCaffrey, Donald W.; Jacobs, Christopher P. (1999). Guide to the Silent Years of American Cinema. Greenwood Publishing Group. p. 82. ISBN 0-313-30345-2.
- Magill's Survey of Silent Films, Vol. 1. A-FLA p. 322, edited by Frank N. Magill c.1982 ISBN 0-89356-240-8 (3 book set ISBN 0-89356-239-4) Retrieved December 11, 2014
- "Official Cut-Outs by the Chicago Board of Censors". Exhibitors Herald. 6 (12): 29. March 16, 1918.
- Solomon, Aubrey (2011). The Fox Film Corporation, 1915-1935: A History and Filmography. McFarland. p. 1. ISBN 0-786-48610-4.
- Klepper, Robert K. (1996). Silent Films On Video: A Filmography Of Over 700 Silent Features Available On Videocassette, With a Directory Of Sources. McFarland & Co. p. 8. ISBN 0-786-40157-5.
- The Library of Congress American Silent Feature Film Survival Catalog:Cleopatra
- Cleopatra at TheGreatStars.com; Lost Films Wanted(Wayback Machine)..Retrieved July 19, 2018
- Progressive Silent Film List: Cleopatra at silentera.com
- [Lost Cleopatra http://www.lostcleopatra.com]
- "Archived copy". Archived from the original on 2017-05-01. Retrieved 2017-05-01.CS1 maint: archived copy as title (link)
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