Cleopatra (1934 film)
|Directed by||Cecil B. DeMille|
|Produced by||Cecil B. DeMille|
Waldemar Young |
Bartlett Cormack (adaptation: historical material)
Claudette Colbert |
Rudolph G. Kopp |
Milan Roder (uncredited)
|Edited by||Anne Bauchens (uncredited)|
|Distributed by||Paramount Pictures|
|August 16, 1934|
Cleopatra is a 1934 epic film directed by Cecil B. DeMille and distributed by Paramount Pictures, which retells the story of Cleopatra VII of Egypt. It was written by Waldemar Young, Vincent Lawrence and Bartlett Cormack, and produced and directed by Cecil B. DeMille. Claudette Colbert stars as Cleopatra, Warren William as Julius Caesar, and Henry Wilcoxon as Mark Antony.
In 48 BC, Cleopatra vies with her brother Ptolemy for control of Egypt. Pothinos (Leonard Mudie) kidnaps her and Apollodorus (Irving Pichel) and strands them in the desert. When Pothinos informs Julius Caesar that the queen has fled the country, Caesar is ready to sign an agreement with Ptolemy when Apollodorus appears, bearing a gift carpet for the Roman. When Apollodorus unrolls it, Cleopatra emerges, much to Pothinos' surprise. He tries to deny who she is. However, Caesar sees through the deception and Cleopatra soon beguiles Caesar with the prospect of the riches of not only Egypt, but also India. Later, when they are seemingly alone, she spots a sandal peeking out from underneath a curtain and thrusts a spear into the hidden Pothinos, foiling his assassination attempt. Caesar makes Cleopatra the sole ruler of Egypt, and begins an affair with her.
Caesar eventually returns to Rome with Cleopatra to the cheers of the masses, but Roman unease is directed at Cleopatra. Cassius (Ian Maclaren), Casca (Edwin Maxwell), Brutus (Arthur Hohl) and other powerful Romans become disgruntled, rightly suspecting that he intends to abolish the Roman Republic and make himself emperor, with Cleopatra as his empress (after divorcing Calpurnia, played by Gertrude Michael). Ignoring the forebodings of Calpurnia, Cleopatra, and a soothsayer (Harry Beresford) who warns him about the Ides of March, Caesar goes to announce his intentions to the Senate. Before he can do so, he is assassinated.
Cleopatra is heartbroken at the news. At first, she wants to go to him, but Apollodorus tells her that Caesar did not love her, only her power and wealth, and that Egypt needs her. They return home.
Bitter rivals Marc Antony and Octavian (Ian Keith) are named co-rulers of Rome. Antony, disdainful of women, invites Cleopatra to meet with him in Tarsus, intending to bring her back to Rome as a captive. Enobarbus (C. Aubrey Smith), his close friend, warns Antony against meeting Cleopatra, but he goes anyway. She entices him to her barge and throws a party with many exotic animals and beautiful dancers, and soon bewitches him. Together, they sail to Egypt.
King Herod (Joseph Schildkraut), who has secretly allied himself with Octavian, visits the lovers. He informs Cleopatra privately that Rome and Octavian can be appeased if Antony were to be poisoned. Herod also tells Antony the same thing, with the roles reversed. Antony laughs off his suggestion, but a reluctant Cleopatra, reminded of her duty to Egypt by Apollodorus, tests a poison on a condemned murderer (Edgar Dearing) to see how it works. Before Antony can drink the fatal wine, however, they receive news that Octavian has declared war.
Antony orders his generals and legions to gather, but Enobarbus informs him that they have all deserted out of loyalty to Rome. Enobarbus tells his comrade that he can wrest control of Rome away from Octavian by having Cleopatra killed, but Antony refuses to consider it. Enobarbus bids Antony goodbye, as he will not fight for an Egyptian queen against Rome. A short montage sequence shows the fighting between the forces of Antony and Octavian, ending in the naval Battle of Actium.
Antony fights on with the Egyptian army, and is defeated. Octavian and his soldiers surround and besiege Antony and Cleopatra. Antony is mocked when he offers to fight them one by one. Without his knowledge, Cleopatra opens the gate and offers to cede Egypt in return for Antony's life in exile, but Octavian turns her down. Meanwhile, Antony believes that she has deserted him for his rival and stabs himself. When Cleopatra returns, she is heartbroken to find him dying. They reconcile before he perishes. Then, with the gates breached, Cleopatra kills herself with a poisonous snake and is found sitting on her throne, dead.
The shoot was a difficult one due to Colbert contracting appendicitis on the set of her previous film, Four Frightened People, leaving her only able to stand for a few minutes at a time. Heavy costumes complicated matters further. Due to Colbert's fear of snakes, DeMille put off her death scene for as long as possible. At the time of shooting, he walked onto the set with a boa constrictor wrapped around his neck and handed Colbert a tiny garden snake.
On July 1, 1934, the Motion Picture Production Code began to be rigidly enforced and expanded by Joseph Breen had just taken effect. Talkie films made before that date are generally referred to as Pre-Code films. However, DeMille was able to get away with using more risque imagery than he would be able to do in his later productions. He opens the film with an apparently naked, but strategically lit slave girl holding up an incense burner in each hand as the title appears on screen.
The film is also memorable for the sumptuous art deco look of its sets (by Hans Dreier) and costumes (by Travis Banton), the atmospheric music composed and conducted by Rudolph George Kopp, and for DeMille's legendary set piece of Cleopatra's seduction of Antony, which takes place on Cleopatra's barge.
Mordaunt Hall of The New York Times called it "one of the director's most ambitious spectacles" and singled out Wilcoxon's performance as "excellent, especially in the more dramatic sequences." Film Daily called it a "sumptuous historical drama" with a "strong cast" and "good entertainment values". John Mosher of The New Yorker wrote that "Even as extravaganza it's moderate", and called the dialogue "the worst I have ever heard in the talkies." Variety agreed that "Often the lines drew titters that are not being angled for", but maintained, "Photographically the picture is superb."
The film was one of Paramount's biggest hits of the year.
- Outstanding Production: Paramount
- Best Assistant Director: Cullen Tate [came in second]
- Best Film Editing: Anne Bauchens [came in third]
- Best Sound Recording: Franklin Hansen
Home video release
- "Calendar of Current Releases". Variety. New York. August 28, 1934. p. 23. Retrieved June 6, 2018.
- McGillicuddy, Genevieve. "Cleopatra (1934)". Turner Classic Movies. Turner Entertainment. Retrieved June 23, 2015.
- Hall, Mordaunt (August 17, 1934). "Movie Review – Cleopatra". The New York Times. Retrieved June 23, 2015.
- "Reviews of Features and Shorts". Film Daily. New York: Wid's Films and Film Folk, Inc. July 25, 1934. p. 13.
- Mosher, John C. (August 25, 1934). "The Current Cinema". The New Yorker. pp. 42, 44.
- "Cleopatra". Variety. New York. August 21, 1934. p. 17.
- Churchill, Douglas W. The Year in Hollywood: 1934 May Be Remembered as the Beginning of the Sweetness-and-Light Era (gate locked); New York Times 30 Dec 1934: X5. Retrieved December 16, 2013.
- "The 7th Academy Awards (1935) Nominees and Winners". Oscars.org. Retrieved December 16, 2013.
- "Oscars.org -- Cleopatra". Academy of Motion Picture Arts and Sciences. Retrieved December 16, 2013.
- Chaney, Jen (April 9, 2009). "A Pair of DVDs From a 'Loose' Era". Washington Post. Retrieved April 12, 2009.
- "Masters of Cinema - Eureka". eurekavideo.co.uk.
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