Clothing in ancient Greece
Clothing in ancient Greece primarily consisted of the chiton, peplos, himation, and chlamys. Ancient Greek men and women typically wore two pieces of clothing draped about the body: an undergarment (chiton or peplos) and a cloak (himation or chlamys). Clothes were customarily homemade out of various lengths of rectangular linen or wool fabric with little cutting or sewing, and secured with ornamental clasps or pins, and a belt, or girdle (zone). Pieces were generally interchangeable between men and women.
While no clothes have survived from this period, descriptions exist in contemporary accounts and artistic depictions. Clothes were mainly homemade, and often served many purposes (such as bedding). Common clothing of the time was plain white, sometimes incorporating decorative borders. There is evidence of elaborate design and bright colors, but these were less common.
The Greeks had a great appreciation for the human body, and it was shown in their fashion. The fabric was expertly draped around the body, and the cloth could be slightly transparent. Males had no problem with nudity, while women could only be naked in the public bath.
The Greeks also influence modern fashion quite a lot. Gianni Versace famously used Ancient Greek inspiration and motifs in his collection. The logo for Versace being Medusa's head also indicated strong influence. Dolce and Gabbana did a collection inspired by Greek temples, and Chanel's Resort Wear 2017/2018 collection was inspired by Greek gods and goddesses. The drapery, architecture, and mythology from ancient Greece had a great influence on fashion since then, and still today.
History and types
The chiton was a simple tunic garment of lighter linen that was worn by both sexes and all ages. It consisted of a wide, rectangular tube of material secured along the shoulders and upper arms by a series of fasteners. Chitons typically fell to the ankles of the wearer, but shorter chitons were sometimes worn during vigorous activities by athletes, warriors or slaves.
Often excess fabric would be pulled over a girdle, or belt, which was fastened around the waist (see kolpos). To deal with the bulk sometimes a strap, or anamaschalister was worn around the neck, brought under the armpits, crossed in the back and tied in the front. A himation, or cloak, could be worn over-top of the chiton.
There are two types of chitons – Doric and Ionic. The Doric chiton is "sleeveless", as sleeve technology had not really been created yet. Much like that on the caryatid to the right, the Doric chiton has a fold over at the top or apoptygma, is attached with fibulae at the shoulders, and is belted at the waist. Unlike the Doric Chiton, the Ionic chiton doesn't have an apoptygma, and is a long enough rectangle of fabric that when folded in half can complete a wingspan. Before shaped sleeve patterns existed the Greeks attached fibulae (ancient Greek safety pins) all the way up both arms to join the front and back top edges of the fabric. The Ionic chiton was also belted at the waist. The Doric chiton was usually made of linen and the Ionic chiton was usually made of wool.
A predecessor to the himation, the peplos was a square piece of cloth that was originally worn over the chiton. The top third of the cloth was folded over and pinned at both shoulders, leaving the cloth open down one side. Sometimes the peplos was worn alone as an alternative form of chiton. As with the chiton, often a girdle or belt would be used to fasten the folds at the waist.
The himation was a simple outer garment worn over the peplos or chiton. It consisted of a heavy rectangular material, passing under the left arm and secured at the right shoulder. The cloak would be twisted around a strap that also passed under the left arm and over the right shoulder. A more voluminous himation was worn in cold weather.
Since clothing was rarely cut or sewn, fasteners and buttons were often used to keep garments in place. Small buttons, pins and brooches were used.
Ornamentation in the form of jewelry, elaborate hairstyles and make-up was common for women. Small gold ornaments would be sewn onto their clothing and would glitter as they moved. There is also evidence that the Greeks had rings, wreaths, diadems, bracelets, armbands, pins, pendants, necklaces, and earrings. Popular earring designs included: flying gods and goddesses, like Eros, Nike, and Ganymede. Jewelry from this time could have pearls, gems, and semiprecious stones used as decoration. Jewelry was commonly passed down from generation to generation or made as an offering to the gods.
Ancient Greek clothing was made with silk, linen and most often, wool. The production of fabric was a long and tedious process, making ready-made clothing expensive. It was socially accepted that textile making was primarily women's responsibility, and the production of high quality textiles was regarded as an accomplishment for women of high status. The most expensive textile was finely woven linen and very soft wool. The linen was almost transparent, as the Greeks had no problem showing off their body. Less expensive and more commonly used was the linen cloth woven from the flax plant soaked in olive oil. Peasants wore coarse wool. Once made, the cloth was rarely cut. The seamless rectangles of fabric were draped on the body in various ways with little sewing involved. The fabric could be crinkled or pleated to give the garment more fullness, as the more fabric one wore, the wealthier they appeared. Another way of showing wealth was to dye their fabrics. People used to think the Greeks wore only white because the recovered statues from this time showed white drapery. However, they later discovered that the artwork had probably been painted and that the garments the Greeks wore were actually quite colorful. Wealthy aristocrats had purple clothes as purple dye was the most difficult to get. Yellow was a common dye for the average citizen, and warriors wore red- so has not to see blood when wounded. Peasants usually dyed their clothes greens, browns, and grays.
- Alden, Maureen (January 2003), "Ancient Greek Dress", Costume, 37.1: 1–16
- Adkins, Lesley, and Roy Adkins. Handbook to Life in Ancient Greece. New York: Facts On File, 1997. Print.
- Ancient Greek Dress Heilbrunn Timeline of Art History, Metropolitan Museum of Art, 2000–2013. Retrieved 7 October 2013.
- Garland, Robert. Daily Life of the Ancient Greeks. Westport, Conn: Greenwood Press, 2009. Print.
- Johnson, Marie, Ethel B. Abrahams, and Maria M. L. Evans. Ancient Greek Dress. Chicago: Argonaut, 1964. Print.
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