Coachella Valley Music and Arts Festival
|Coachella Valley Music and Arts Festival|
Coachella in 2018
|Genre||Rock, pop, indie, hip hop, electronic dance music|
|Dates||Consecutive 3-day weekends in April (currently)|
|Location(s)||Empire Polo Club (Indio, California)|
|Years active||1999, 2001–present|
|Founded by||Paul Tollett and Rick Van Santen|
|Attendance||250,000 (2017, two-weekend total)|
The Coachella Valley Music and Arts Festival (commonly called Coachella or the Coachella Festival) is an annual music and arts festival held at the Empire Polo Club in Indio, California, in the Coachella Valley in the Colorado Desert. It was co-founded by Paul Tollett and Rick Van Santen in 1999, and is organized by Goldenvoice, a subsidiary of AEG Presents. The event features musical artists from many genres of music, including rock, pop, indie, hip hop and electronic dance music, as well as art installations and sculptures. Across the grounds, several stages continuously host live music.
The festival's origins trace back to a 1993 concert that Pearl Jam performed at the Empire Polo Club while boycotting venues controlled by Ticketmaster. The show validated the site's viability for hosting large events, leading to the inaugural Coachella Festival being held over the course of two days in October 1999, three months after Woodstock '99. After no event was held in 2000, Coachella returned on an annual basis beginning in April 2001 as a single-day event. In 2002, the festival reverted to a two-day format. Coachella was expanded to a third day in 2007 and eventually a second weekend in 2012; it is now held on consecutive three-day weekends in April, with the same lineup each weekend. Organizers began permitting spectators to camp on the grounds in 2003, one of several expansions and additions in the festival's history.
Coachella showcases popular and established musical artists as well as emerging artists and reunited groups. It is one of the largest, most famous, and most profitable music festivals in the United States and the world. Each Coachella staged from 2013 to 2015 set new records for festival attendance and gross revenues. The 2017 festival was attended by 250,000 people and grossed $114.6 million. Coachella's success led to Goldenvoice establishing additional music festivals at the site, including the annual Stagecoach country music festival beginning in 2007, the Big 4 thrash metal festival in 2011, and the classic rock-oriented Desert Trip in 2016.
—Coachella co-founder Paul Tollett, describing the rationale behind the festival's location
On November 5, 1993, Pearl Jam performed for almost 25,000 fans at the Empire Polo Club in Indio, California. The site was selected because the band refused to play in Los Angeles as a result of a dispute with Ticketmaster over service charges applied to ticket purchases. The show established the polo club's suitability for large-scale events; Paul Tollett, whose concert promotion company Goldenvoice booked the venue for Pearl Jam, said the concert sowed the seeds for an eventual music festival there.
Around 1997, Goldenvoice was struggling to book concerts against larger companies, and they were unable to offer guarantees as high as their competitors, such as SFX Entertainment. Tollett said, "We were getting our ass kicked financially. We were losing a lot of bands. And we couldn't compete with the money." As a result, the idea of a music festival was conceived, and Tollett began to brainstorm ideas for one with multiple venues. His intent was to book trendy artists who were not necessarily chart successes: "Maybe if you put a bunch of them together, that might be a magnet for a lot of people." While attending the 1997 Glastonbury Festival, Tollett handed out pamphlets to artists and talent managers that featured pictures of the Empire Polo Club and pitched a possible festival there. In contrast to the frequently muddy conditions at Glastonbury caused by rain, he recalled, "We had this pamphlet... showing sunny Coachella. Everyone was laughing."
After scouting several sites for their festival, Tollett and Goldenvoice co-president Rick Van Santen returned to the Empire Polo Club during the Big Gig festival in 1998. Impressed by the location's suitability for a festival, they decided to book their event there. The promoters had hoped to stage their inaugural festival in 1998 but were unable to until the following year. On July 16, 1999, Goldenvoice announced that the Indio City Council had approved the festival and would provide $90,000 for services such as traffic control and public safety. The funds came with a guarantee of repayment from the promoter, as the city was keen to avoid incurring another loss; the previous year's Big Gig festival cost Indio $16,000 due to last-minute changes to the lineup and poor attendance. The Coachella Valley Music and Arts Festival was officially announced on July 28 with a preliminary lineup of 40 acts; tickets went on sale on August 7.
Coachella's announcement came just one week after the conclusion of Woodstock '99, a festival in July 1999 that was marred by looting, arson, violence, and rapes. Goldenvoice's insurance costs increased 40% as a result and the company faced uncertainty regarding Coachella's tickets. Organizers were already aiming to provide a "high-comfort festival experience" for Coachella but rededicated themselves to those efforts after Woodstock '99. Advertisements boasted free water fountains, ample restrooms, and misting tents. Retrospectively, Tollett called the decision to announce a new festival just two months prior to staging it "financial suicide".
On October 9–10, 1999, the inaugural Coachella Valley Music and Arts Festival was held. Headlining the event were Beck, Tool, and Rage Against the Machine; other acts included the Chemical Brothers, Morrissey, A Perfect Circle, Jurassic 5 and Underworld. Originally, promoters had hoped to make the event three days (Friday to Sunday) and even considered the UK group Massive Attack as the third-day headliner. The organizers strove to recreate European music festivals with small crowds in a great setting with plenty of turntables. By booking acts based on artistry rather than radio popularity, Coachella earned the title of "the anti-Woodstock".
Tickets sold for $50 for each day; about 17,000 tickets sold for the first day, and 20,000 for the second, falling short of the overall attendance goal of 70,000. Attendees were offered free parking and a free bottle of water upon entrance. The event went smoothly, with the well-behaved crowd starkly contrasting with the violence that plagued Woodstock '99; the biggest challenges to Coachella concertgoers were temperatures exceeding 100 °F and the decisions of which of the 80-plus acts to attend. The festival was well regarded among attendees and critics; Pollstar named it festival of the year, and Robert Hilburn of the Los Angeles Times said that it "laid the foundation for what someday may be a legacy of its own". However, Goldenvoice lost $850,000 on the undertaking, forcing the promoter, in Tollett's words, to "struggle for almost two years to survive as a company". Prominent acts, including the headliners, agreed to receive deferred compensation.
Goldenvoice reserved tentative dates for October 2000 to reprise the festival, but ultimately canceled for that year; Tollett blamed it on the oversaturation of music festivals in Southern California. Instead, Goldenvoice partnered with promoter Pasquale Rotella to stage the electronic dance music festival Nocturnal Wonderland at the Empire Polo Club in September 2000.
Goldenvoice opted to bring Coachella back in April 2001 in an attempt to beat the heat. Ticket prices were raised to $65. Organizers encountered difficulty booking acts for the festival and due to "available talent", were forced to shorten the festival to a single day. Issues with securing a headliner threatened to doom the event until Perry Farrell agreed to bring his reunited group Jane's Addiction to the proceedings. Amidst financial concerns, Tollett agreed to sell Goldenvoice to Anschutz Entertainment Group (AEG) in March 2001 for $7 million. AEG, which had opened Staples Center in Los Angeles two years prior, purchased the promoter to help them find shows to book. The corporation wanted Tollett to continue staging Coachella, understanding that it initially would lose money; Tollett initially retained full control of Coachella as a result of the acquisition. Like its predecessor, the 2001 festival went smoothly; 32,000 people attended, and despite taking a loss again, Tollett estimates it was a "low, low six-figure sum".
In 2002, the event returned to a two-day format, featuring headlining acts Björk and Oasis, along with a reunion of Siouxsie and the Banshees. Palm Desert natives Queens of the Stone Age became the first local band to play the festival. The strong supporting acts helped prove to the Indio community that the event could bring in money and take place without conflict. More than 55,000 people attended over the two days, and for the first time, the festival nearly broke even.
The 2003 festival featured Red Hot Chili Peppers and Beastie Boys as headliners, as well as a reunion of Iggy Pop and The Stooges. It drew the largest Coachella crowd up to that point, with 60,000 people attending. The event began to develop worldwide interest and began to become nationally known. It was also the first year on-site camping was provided, improving accessibility as a destination music festival for concertgoers. The ticket prices at this time were $75 for one day, and ranged higher to the price of $140 for a two-day pass.
In late December 2003, Van Santen died at the age of 41 from flu-related complications. With Tollett left, he sold half of Coachella to AEG in 2004, along with the controlling interest in the festival. The 2004 event featured a lineup of more than 80 acts, with Radiohead and the Cure as headliners, along with a reunion of the Pixies. It was Coachella's first sellout, drawing a two-day total of 110,000 people. For the first time, the festival attracted attendees from all 50 US states. The event was critically acclaimed; Hilburn called it "the premier pop music festival in the country", while Rolling Stone labeled it "America's Best Music Festival". Tollett said that 2004 was the turning point for Coachella, and he credited booking Radiohead with elevating the festival's stature and interest among musicians. However, he also described that year's event as a missed opportunity, as he passed on a chance to expand it to a third day that could have featured David Bowie as a headliner.
The 2006 event featured headliners Depeche Mode and Tool. Two of the most popular performances were Madonna, who played in an overflowing dance tent, and Daft Punk, whose show featuring a pyramid-shaped stage is cited as one of the most memorable performances in Coachella history. Around 120,000 concertgoers attended the event over two days, garnering Goldenvoice a gross of $9 million.
In 2007, Goldenvoice inaugurated the Stagecoach Festival, an annual country music festival that also takes place at the Empire Polo Club the weekend following Coachella. The new event helped avert complications with organizing Coachella; the polo club's owner Alex Haagen III had been planning to redevelop the land unless a new profitable event could be created to make a long-term lease with Goldenvoice financially feasible. Along with the new festival's addition, Coachella was permanently extended to three days in 2007. The headlining acts were Red Hot Chili Peppers, the reunited Rage Against the Machine, and Björk, all of whom headlined for the second time. The festival compiled a three-day aggregate attendance of over 186,000, a new best, and grossed $16.3 million.
In 2008, Coachella did not sell out for the first time since 2003. It featured headliners Prince, Roger Waters, and Jack Johnson. Waters' inflatable prop pig flew away during his set. The 2008 festival drew an attendance of 151,666 and grossed $13.8 million, but lost money, due to tickets not selling out and high booking fees paid for Prince and Roger Waters.
The 2009 festival occurred a week earlier than usual. The new dates were April 17, 18 and 19. The event featured headliners Paul McCartney, The Killers, and The Cure. On Friday, McCartney blew past the festival's strict curfew by 54 minutes. Sunday, The Cure had their performance end abruptly, with the festival cutting stage power after passing their own curfew by 30 minutes. Notable performances included Franz Ferdinand, M.I.A. (whose 2005 encore set in a tent was a first at the fest), Yeah Yeah Yeahs, and rare appearances from artists Leonard Cohen, Dr. Dog and Throbbing Gristle. The festival drew an aggregate attendance of 152,962 and grossed $15,328,863.
Organizers eliminated single-day ticket sales for 2010, and instead instituted a new policy offering three-day tickets only, which drew mixed reactions. Headliners included Jay-Z, Muse and Gorillaz, and reunions of Faith No More and Pavement Despite Tollett's reservations about holding a festival in 2010 due to the economy, that year's Coachella drew 75,000 spectators each day, for an estimated aggregate attendance of 225,000, surpassing previous records. Thousands of fans broke through fences, leading to concerns about overcrowding. The festival grossed $21,703,500. International travel was disrupted by the eruption of the Eyjafjallajökull volcano in Iceland, resulting in some European acts, such as Frightened Rabbit, Gary Numan and Delphic, canceling their appearances at the festival.
Prior to the 2011 festival, Goldenvoice made several investments and improvements locally to help support Coachella. In addition to funding an additional lane for Avenue 50, which borders the festival, the promoter cleared additional space on the polo grounds by leveling a 250,000-square-foot area and moving horse stables. Lighting and security were also enhanced to help the festival run more smoothly. The headliners for that year's event were Kings of Leon, Arcade Fire, Kanye West, and The Strokes, along with another 190 supporting acts. The 2011 festival grossed $24,993,698 from 75,000 paid attendees, for an aggregate attendance of 225,000 across the entire three-day weekend.
On May 31, 2011, Goldenvoice announced that beginning with the 2012 festival, Coachella would be expanded to a second, separately-ticketed weekend, with identical lineups for each. Explaining the decision, Tollett said that demand for tickets was up in 2011 even after "operations weren't the best [they've] ever had" in 2010 and that he did not want to satisfy that demand by allowing additional attendees to overcrowd the venue. Rolling Stone called it a "very risky move" and said there was "no guarantee that demand [would be] high enough to sell out the same bill over two consecutive weekends". Nonetheless, 2012 tickets sold out in less than three hours.
The 2012 festival featured headliners the Black Keys, Radiohead, and a twin billing of Dr. Dre and Snoop Dogg. During the latter's performances, a projection of deceased rapper Tupac Shakur appeared on-stage (a voice actor performed his introduction lines) and began performing "Hail Mary" and "2 of Amerikaz Most Wanted". Although the media referred to the technology as a "hologram", the projection was in fact created using the Musion Eyeliner system, which employs a version of Pepper's ghost. Following the performance, the projection disappeared. Dr. Dre had asked permission from Shakur's mother Afeni, who said the next day that she was thrilled with the performance. A projection of deceased singer Nate Dogg was also planned, but Dr. Dre decided against it. The 2012 festival grossed $47,313,403 from 158,387 paid attendees across the two weekends; 80,726 tickets were sold for the first weekend, and 77,661 for the second.
Prior to the 2013 festival, it was announced that Goldenvoice had reached a deal with the city of Indio to keep the Coachella and Stagecoach Festivals there through 2030. As part of the agreement, Indio's per-ticket share of revenue would increase from $2.33 per ticket to $5.01. Headlining the 2013 festival were Blur, The Stone Roses, Phoenix, and Red Hot Chili Peppers. General admission tickets sold for $349, a $34 increase from the previous year. The festival grossed $67.2 million in ticket sales and was attended by 180,000 people, making it the top music festival in the world. In July 2013, Goldenvoice finalized a $30 million purchase of 280 acres of land surrounding the Empire Polo Club, including the 200-acre Eldorado Polo Club. The land, previously leased from Eldorado, will be used to provide more space for parking and general use for the festival. Tollett said the purchase was intended to "help [Goldenvoice] put in some infrastructure so [they] don't have to keep coming back and do the same things each year".
The 2014 festival, held on April 11–13 and April 18–20, featured 184 artists. A reunited Outkast headlined on Friday, Muse on Saturday, and Arcade Fire on Sunday. General admission tickets sold out in less than 20 minutes, while all other tickets (including VIP tickets in excess of $5,000) sold out in less than 3 hours. That year's festival featured 96,500 daily attendees and grossed a record-breaking $78.332 million. For the fourth consecutive year, Coachella was named the Top Festival at the Billboard Touring Awards.
The 2015 festival, held on April 10–12 and 17–19, featured headliners AC/DC, Jack White, and Drake, with a surprise appearance by Madonna during the latter's weekend one performance. General admission tickets again sold out in less than 20 minutes. The event established new records for tickets sold (198,000) and total gross ($84,264,264) for a festival. The festival won Pollstar's award for Major Music Festival of the Year, marking the 10th time in 11 years that Coachella had won the award.
In March 2016, the Indio City Council passed a measure to raise the attendance cap for Coachella from 99,000 to 125,000, stipulating that the capacity would gradually be increased, giving the city time to accommodate the crowds. Goldenvoice increased the venue size by about 50 acres along Monroe Street, Avenue 50, Avenue 52, and Polo Road. The 2016 festival was held on April 15–17 and 22–24, and was headlined by a reunited LCD Soundsystem, a reunited Guns N' Roses (with original members Axl Rose, Slash, and Duff McKagan), and Calvin Harris. Ice Cube's appearance featured a reunion of N.W.A., while Guns N' Roses' first weekend performance featured a guest appearance from Angus Young of AC/DC, who headlined the previous year; the cameo occurred the same day that Rose was announced as the new singer for AC/DC. Weekend two was marked by several tributes to Prince, the 2008 headliner who died just prior to the weekend's shows. The festival sold 198,000 tickets and grossed $94.2 million.
In January 2017, reports circulated that AEG owner Philip Anschutz had donated to many right-wing causes, including organizations promoting LGBTQ discrimination and climate change denial. The news led to calls for fans to boycott the festival. Anschutz decried the controversy as "fake news", saying he would never knowingly contribute to an anti-LGBTQ organization and would cease donations to any such group of which he became aware.
The 2017 edition of Coachella took place from April 14–16 and April 21–23, and featured Radiohead, Lady Gaga, and Kendrick Lamar as headlining artists. Beyoncé was originally announced as a headliner but was forced to withdraw at the advice of her doctors after she became pregnant; she announced that she would instead headline the 2018 festival. Tickets sold out within a few hours of going on sale. The event saw the debut of the new daytime-only Sonora tent. The 2017 festival drew 250,000 attendees and grossed $114.6 million, marking the first time a recurring festival grossed over $100 million. Between the two weekends of Coachella, scenes for the film A Star Is Born, starring Lady Gaga and Bradley Cooper, were filmed on the festival grounds.
The 2018 festival featured headlining performances from The Weeknd, Beyoncé, and Eminem. Making up for her cancellation the previous year, Beyoncé became the first African-American woman to headline the festival. Her performances paid tribute to the culture of historically black colleges and universities, featuring a full marching band and majorette dancers, while incorporating various aspects of black Greek life, such as a step show along with strolling by pledges. The performances were also influenced by black feminism, sampling black authors and featuring on-stage appearances by fellow Destiny's Child members Kelly Rowland and Michelle Williams as well as sister Solange Knowles. Beyoncé's performances received immediate, widespread praise, and were described by many media outlets as historic. The New York Times music critic Jon Caramanica wrote, "There's not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year, or any year soon, than Beyoncé's headlining set". Her performance garnered 458,000 simultaneous viewers on YouTube to become the festival's most viewed performance to date, and the entire festival had 41 million total viewers, making it the most livestreamed event ever.
A report in Teen Vogue described "rampant" sexual harassment and assault at the 2018 festival, and the author said she was groped 22 times in 10 hours. In response, Goldenvoice announced a new initiative in January 2019 called "Every One", which comprises "fan resources and policies" to combat sexual misconduct and improve the festival's responses to such behavior. "Safety ambassadors" were made available to direct attendees to professional counselors, and specially marked locations were added for attendees to seek services or report incidents of sexual misconduct. One of the program's goals stated, "We are taking deliberate steps to develop a festival culture that is safe and inclusive for everyone".
Coachella celebrated its 20th anniversary in 2019. Taking place from April 12–14 and 19–21, the festival was headlined by Childish Gambino, Tame Impala, and Ariana Grande. At 25 years old, Grande became the youngest artist to headline the festival and just its fourth female headliner. The festival was beset with several challenges. Justin Timberlake was reportedly slated to headline but had to cancel after bruising his vocal cords. Goldenvoice was also forced to abandon plans for Kanye West to headline, as they could not accommodate his request to build a giant dome for his performance in the middle of the festival grounds. West was instead allowed to hold the first public "Sunday Service" performance on Easter on April 21 at the venue's campgrounds. West and a gospel choir performed an approximately 33-song set list of his songs as well as classic R&B and gospel covers. The first weekend of the festival suffered audio technical difficulties with several high-profile performances. The following weekend, The Daily Beast published a report of the alleged "inhumane treatment" of the festival's security guards. The workers cited poor tent conditions, insufficient food and water, long hours in the harsh sun, minimum wages, and poor communication and coordination between the organizers and the subcontracting security firms.
Location and festival grounds
|Layout and performance areas for 2016 festival|
Coachella takes place in Indio, California, located in the Inland Empire region's Coachella Valley within the Colorado Desert. Temperatures during the festival's history have ranged from 106 °F (41 °C) on April 21, 2012, to 43 °F (6 °C) on April 14, 2012. The festival is hosted at the 78-acre Empire Polo Club; when accounting for land used for parking and camping, the event covers a footprint of approximately 642 acres. The site is about 127 miles east of Los Angeles.
During the festival, several stages continuously host live music. Two outdoor stages are used, along with several tents named after deserts. The primary stages that have been in use since Coachella's inception are:
- Coachella Stage – the main stage that draws the largest crowds. This outdoor stage is where the headlining acts perform.
- Outdoor Theatre – a smaller outdoor stage adjacent to the Coachella Stage
- Mojave – a mid-size tent named after the Mojave Desert that hosts acts across multiple genres and varying stages of development. In 2017, it was moved behind an access road. A year later, it received further changes, as it was enlarged and moved again, this time to the Sahara's previous spot near the rose garden.
- Gobi – a mid-size tent named after the Gobi Desert that hosts acts across multiple genres and varying stages of development. Like the Mojave, it was moved behind an access road in 2017.
- Sahara – a large, hangar-like tent named after the Sahara Desert. It generally hosts the top electronic dance music acts. In 2013, the tent was expanded in size, reaching a height of 80 feet. Further changes were made in 2018, as it was built 25 percent larger and relocated west from the row of tents near the Empire Polo Club's rose garden to a spot on the Eldorado Polo Club near the festival entrance. The new location offers more shade and alleviates issues with foot traffic. The stage was also moved from one of the open ends of the structure to one its sides, allowing a wider field of view to attendees.
Additional performance areas have been added over time, including:
- Yuma – a small indoor tent introduced in 2013 that primarily hosts emerging DJs. The tent was intended to be "a sophisticated space that dials down the noise and strobe lights in favor of thoughtful sounds and underground acts".
- Sonora – a small indoor tent introduced in 2017 to host punk rock and Latin acts
- Heineken House – a small venue introduced in 2014. It was dedicated to "legendary musical performances" and "live mash-ups from a wide array of musical artists". Originally designed as a walled structure to provide a club-like atmosphere, it was redesigned in 2019 to feature an open beer garden layout with a slanted roof, eliminating the long waiting lines and giving more visibility to attendees.
- Despacio – a small indoor tent used in 2016. Co-created by James Murphy of LCD Soundsystem, the venue played "slow-simmering disco and vintage club music" on vinyl with the intention of creating a joyful setting. It featured a 50,000 watt sound system and air conditioning.
- Antarctic – an indoor dome introduced in 2017 to screen 360-degree immersive videos. The structure is 120 feet in diameter, features 11,000 square feet in projection space and air conditioning, and can seat 500 people. Obscura Digital produced the film shown in 2017.
- Oasis Dome – used in 2006 and 2011
In addition to hosting live music, Coachella is a showcase for visual arts, including installation art and sculpture. Many of the pieces are interactive, providing a visual treat for attendees. Throughout the years, the art has grown in scale and outrageousness. Paul Clemente, Coachella's art director since 2009, said, "I think the level of detail and finish and artistry and scale and complexity and technology, everything is constantly getting notched up, ratcheted up. We're obviously constantly trying to, for lack of a better word, (to) outdo ourselves and make it better for the fans."
In Coachella's early years, art was mostly recycled from the previous year's Burning Man festival, due to smaller budgets. Between 2010 and 2015, Goldenvoice shifted its focus from renting pieces to commissioning them specifically for the festival, increasing their budget. Artists are given access to the grounds just 10 days before the festival, giving them a tight timeframe in which to assemble their pieces. Due to the high cost of re-assembly, only about half of them appear again outside of Coachella. Describing the festival's importance to art, Cynthia Washburn of art collective Poetic Kinetics said, "With all the exposure here, I think Coachella is becoming as attractive for artists as it is for the musicians." In 2013, Clemente considered about 300 art proposals, the most in the festival's history for the time. Poetic Kinetics has designed several giant moving art installations for past Coachella festivals, including a snail in 2013 ("Helix Poeticus"), an astronaut in 2014 ("Escape Velocity"), and a caterpillar that "metamorphosized" into a butterfly in 2015 ("Papilio Merraculous"). The collective reprised the astronaut for the 2019 festival ("Overview Effect"), with weathering affects applied to the design.
Some of the works have been featured at Art Basel, and involved participants from architecture schools, both local and international. A few of the visual artists, such as Hotshot the Robot, Robochrist Industries, the Tesla Coil (Cauac), Cyclecide, and The Do LaB, alongside avant-garde performance troupe Lucent Dossier Experience, have appeared for several consecutive years. Poster artist Emek has produced limited edition posters every year since 2007.
As the host city to Coachella and the Stagecoach Festival, Indio provides several services such as police and fire protection, private security, medical services, outside law enforcement, and city staff services. These services for the three weekends of festivals totaled $2.77 million in 2012. All public safety needs are coordinated by Indio's police department, requiring them to liaison with nearly 12 agencies, including police departments from nearby cities, the sheriff's department, California Highway Patrol, the California Department of Forestry and Fire Protection, American Medical Response, and the California Department of Alcoholic Beverage Control. To avoid disturbing local residents, a curfew for music performances is enforced; since 2010, it has been 1 a.m. on Fridays and Saturdays, an hour later than the previous curfew, and midnight on Sundays. Goldenvoice must pay a fine of $1,000 for each minute the festival exceeds the curfew.
Organizers of Coachella manage its carbon footprint by partnering with the organization Global Inheritance to promote several environmentally friendly initiatives. Global Inheritance's original project was its "TRASHed :: Art of Recycling" campaign, which challenges local artists to design and decorate recycling bins that are placed across the festival grounds. Another program is "Carpoolchella"; launched in 2007, it rewards festivalgoers who carpool in groups of four or more and display the word "Carpoolchella" on their cars by entering them in a drawing to win VIP tickets for life. Through the 2014 festival, the program had 140,000 participants and more than 70 winners of lifetime festival passes. In 2007, Coachella teamed up with Global Inheritance to start a 10-for-1 recycling program, in which anyone who collects ten empty water bottles receives a free full one. In 2009, the festival introduced $10 refillable water bottles, which purchasers could refill at water stations inside the festival and within the campgrounds. Other programs used at the festival include solar powered DJ booths and seesaws used to charge mobile phones.
About 600 staffers are required to collect the litter that accumulates during the festival. Resources are sorted individually on site before being taken to local landfills and recycling centers. Goldenvoice maintains a goal to "divert 90 percent of [its] recyclable and compostable materials". In 2013, staff diverted over 577,720,000 pounds of materials, comprising 36,860 tons of aluminum cans, 105,000 tons of cardboard, 65,360 tons of PET plastic, 47,040 tons of scrap metal, and 34,600 tons of glass.
In 2003, Coachella began allowing tent camping as an option for festival lodging. The campground site is on a polo field adjacent to the venue grounds and has its own entrance on the south side of the venue. 2010 introduced many new features, such as re-entry from the campsite to the festival grounds, parking next to your tent, and recreational vehicle camping spots (recreational vehicle camping was offered one year only). For that festival, there were more than 17,000 campers. At the 2012 event, on-site facilities included recycling, a general store, showers, mobile phone charging stations and an internet cafe with free WiFi.
Tollett begins to book artists for each festival as early as the previous August. In addition to agent pitches and artists discovered online, the lineup is culled from acts booked by Goldenvoice for their other 1,800 shows each year. Tollett uses the promoter's ticketing figures for insight into whom to book, saying: "There are AEG shows all across the country, and I see all their show lists and ticket counts. So I see little things that are happening maybe before some others, because they don't have that data." The booking process takes approximately six months. According to the Los Angeles Times, booking fees for most artists playing the festival allegedly start at $15,000 and extend into the "high six figures." Top-billed artists for 2010 were expected to receive over $1 million. Billboard's sources estimated that non-headline acts can earn anywhere from $500 to $100,000. According to a 2017 profile on Tollett in The New Yorker, that year's headlining performers received $3–4 million. Beyoncé's 2018 performances and Ariana Grande's 2019 performances reportedly garnered them each $8 million.
In booking the festival, Goldenvoice uses radius clauses that can prevent acts from performing in the vicinity of Coachella for a certain amount of time before and after the festival. The promoter has allowed some of Coachella's acts to make appearances in the region prior to the festival and between weekends, but only at events and venues owned or controlled by Goldenvoice's parent company AEG; one such example was Jay-Z's concert at Staples Center in 2010. Goldenvoice now promotes these events, dubbed "Localchella", as a series of small warm-up shows for Coachella in Southern California. In May 2018, AEG and its subsidiaries were sued by the Oregon-based Soul'D Out Festival for anti-competitive practices related to Coachella's radius clause. As part of the lawsuit, the clause's details were revealed. They stipulate that any artist performing at Coachella:
- Cannot perform at any other North American festival from December 15 to May 1.
- Cannot play any hard ticket shows in Southern California from December 15 to May 1.
- Cannot "advertise, publicize or leak" performances for competing festivals in California, Nevada, Oregon, Washington, or Arizona, or headlining performances in Southern California taking place after May 1 until after May 7.
- Cannot announce festival appearances for the other 45 US states until after the January announcement of Coachella's lineup, except for South by Southwest, Ultra Music Festival, and the New Orleans Jazz & Heritage Festival.
- Cannot publicize concerts in California, Arizona, Washington, or Oregon until after the January announcement of Coachella's lineup, except for performances in Las Vegas casinos.
Goldenvoice attempts to release the lineup poster as close to New Year's Day as possible, so that Coachella is the first major festival of the year to announce its lineup. This gives the promoter a competitive advantage over other festivals, many of which end up sharing headliners by the time they are all announced. The Coachella lineup poster lists its music artists across several lines in gradually decreasing font sizes in descending order of prominence. The line on which an artist's name appears as well as their font size is a contentious topic between Goldenvoice and talent agents, as placement on the poster will often dictate an artist's future booking fee. Tollett said, "We have so many arguments over font sizes. I literally have gone to the mat over one point size."
Promotion and commercial partnerships
Organizers were initially resistant to accepting sponsorship deals that would help Coachella turn a higher profit. In 2003, Tollett estimated that Goldenvoice could earn an additional $300,000 to $500,000 by adding a corporate sponsor to the festival name, but he did not want to violate the purity of the event. He said, "I hate it when you go to shows and you are bombarded with all this advertising. It just shows a lack of respect for your audience and the music." Organizers have relaxed their opposition over the years. Brewing company Heineken N.V. has maintained a sponsorship with Coachella since 2002, and is the "official brew" of the festival. The company has sponsored a small performance venue at the festival called the "Heineken House" since 2014, where attendees can drink Heineken beers and keep their cases of Heineken refrigerated. Clothing retailer H&M added a small sponsored tent on the festival grounds in 2015, where attendees could purchase items from the company's Coachella-inspired clothing line called "H&M Loves Coachella". Information technology company HP has sponsored the Antarctic dome since 2017, in addition to hosting a promotional tent. HP's promotions included allowing attendees to design and print bandanas and tote bags, capture light drawing GIFs, design kaleidoscopes, and interact with a motion-reactive wall. Tollett still objects to having the primary stages and tents sponsored: "I wouldn't let sponsors' logos on the stages. I feel like when the band is playing it should be you and the band, and it's a sacred moment."
Since 2011, YouTube has live streamed the opening weekend of Coachella. Viewers can choose from three channels of performances to watch. In 2014, AXS TV began broadcasting the second weekend on television; over 20 hours of live performances from the 2015 festival were broadcast on AXS TV. Performances from the 2015 festival were also broadcast live on Sirius XM satellite radio for the first time. In 2019, YouTube expanded its content for the festival livestream, which included a stream of both weekends of the festival for the first time. Weekend one included a premiere of Donald Glover's film Guava Island, while weekend two featured Coachella Curated, programming hosted by radio personality Jason Bentley that took "a deep dive into the festival experience" by offering "encore and live performances, artist commentary, mini-docs, animated adventures and more".
For 2016, organizers partnered with Vantage.tv to offer virtual reality (VR) content for the festival. Ticket holders received a cardboard VR viewer inspired by Google Cardboard in their Coachella welcome package that can used with the Coachella VR mobile app (available on Android, iOS, and Samsung Gear VR). Content includes 360-degree panoramic photos of previous events, virtual tours of the 2016 festival site, interviews, and performances. That same year, YouTube live streamed performances from weekend two in 360 degrees for viewing with VR headsets.
The success of Coachella has led its organizers to partner with other American music festivals. In 2003, Goldenvoice agreed to work with the organizers of Field Day, a New York-based festival modeled after Coachella, to help promote and produce the event, although the show was completely overhauled from its original vision. In September 2014, Goldenvoice announced it had entered into a joint venture with Red Frog Events to help them promote and produce their Firefly Music Festival. In January 2015, a similar agreement was reached with the organizers of the Hangout Music Festival.
Goldenvoice claimed it spent $700,000 in 2015 on "media and related content to promote Coachella".
Goldenvoice aggressively protects the Coachella brand. As of April 2018, they filed six lawsuits in the previous two years against outlets that attempted to use the Coachella name or the suffix "chella". The defendants included the music festival Hoodchella; the film festival Filmchella; energy company Phillips 66, which promoted a Coachella wristband giveaway that the festival's terms of services disallows; Sean Combs's event "Combschella"; Urban Outfitters; and a Whole Foods location in Palm Desert that promoted a "Wholechella" concert and tasting event. According to Goldenvoice's attorneys in one lawsuit, the litigation is one way the promoter attempts to "extensively police unauthorized use of the Coachella Marks". Although the Coachella name has been in use by a town in the Coachella Valley since before the festival was founded, the festival's success has imbued the name with "secondary meaning", allowing Goldenvoice to trademark it.
Impact and legacy
The success of Coachella in its early years proved that American music festivals could work and succeed in a destination form, as opposed to a traveling festival. In the years following Coachella's success, many other festivals have followed in its footsteps, copying its format as a destination festival with multiple stages, attractions, art, and camping. Some of these new festivals have grown to achieve the same success as Coachella, such as, Lollapalooza in Chicago, Governors Ball in New York City, Outside Lands in San Francisco, Stereo Picnic in Bogotá and Bonnaroo in Tennessee. According to a 2015 ranking by online ticket retailer viagogo, Coachella was the second-most in-demand concert ticket, trailing only the Tomorrowland festival.
Coachella has become known for the variety of distinctive apparel worn by attendees, which primarily include eclectic combinations of colors, materials, and ethnic borrowings. The latter has also resulted in backlash regarding cultural appropriation, particularly for non-natives wearing Native American-inspired headdresses and body paint, as well as African-American and Asian elements.
According to a 2012 economic impact study, Coachella brought $254.4 million to the desert region that year; of that total, Indio received $89.2 million in consumer spending and $1.4 million in tax revenue. Goldenvoice's other festival at the Empire Polo Club, Stagecoach, has been called a "cousin" of Coachella, but it has grown at a faster pace, eventually selling out for the first time in 2012 with 55,000 attendees. Together, the two festivals were estimated by experts to have a global impact of $704.75 million in 2016; approximately $403.2 million of that was expected to impact the Coachella Valley, $106 million of which would go to businesses in Indio. The city was expected to gain $3.18 million in ticket taxes from the two festivals in 2016.
The success of Coachella led to Goldenvoice holding additional music festivals at the Empire Polo Club. It founded the country music festival Stagecoach in 2007 and continues to hold it on an annual basis. In 2011, the promoter staged the Big 4 festival, so-named for its quadruple billing of the most prominent bands in thrash metal—Anthrax, Megadeth, Metallica, and Slayer. In 2016, Goldenvoice staged Desert Trip, which featured older rock oriented and legacy acts such as the Rolling Stones, Paul McCartney, and Bob Dylan.
Festival summary by year
|Attendance or Sales||Avg. daily|
|1st||1999||October 9–10||N/A||37,000 (sales)||18,500|
|2nd||2001||April 28||Jane's Addiction||N/A||32,000 (attendance)||32,000|
|3rd||2002||April 27–28||N/A||55,000 (attendance)||27,500|
|4th||2003||April 26–27||N/A||60,000 (attendance)||30,000|
|5th||2004||May 1–2||N/A||110,000 (attendance)||55,000|
|6th||2005||April 30 – May 1||N/A||100,000 (attendance)||50,000|
|7th||2006||April 29–30||$9 million||120,000 (attendance)||60,000|
|8th||2007||April 27–29||$16.3 million||187,000 (attendance)||62,333|
|9th||2008||April 25–27||$13.8 million||152,000 (attendance)||51,000|
|10th||2009||April 17–19||$15.3 million||153,000 (attendance)||51,000|
|11th||2010||April 16–18||$21.7 million||225,000 (attendance, agg.)||75,000|
|12th||2011||April 15–17||$24.9 million||225,000 (attendance, agg.)||75,000|
|13th||2012||April 13–15 & 20–22||$47.3 million||158,000 (sales)||79,000|
|14th||2013||April 12–14 & 19–21||$67.2 million||180,000 (attendance)||90,000|
|15th||2014||April 11–13 & 18–20||$78.3 million||579,000 (attendance, agg.)||96,500|
|16th||2015||April 10–12 & 17–19||$84.2 million||198,000 (sales)||99,000|
|17th||2016||April 15–17 & 22–24||$94.2 million||198,000 (sales)||99,000|
|18th||2017||April 14–16 & 21–23||$114.6 million||250,000 (attendance)||125,000|
|19th||2018||April 13–15 & 20–22||N/A||N/A||N/A|
|20th||2019||April 12–14 & 19–21||N/A||N/A||N/A|
|21st||2020||April 10-12 & 17-19||N/A||N/A||N/A|
Awards and nominations
|2011||Top Festival||Coachella Valley Music and Arts Festival||Won|||
|Top Boxscore||Coachella Valley Music and Arts Festival, April 13–22||Won|
|2013||Top Festival||Coachella Valley Music and Arts Festival||Won|||
|2008||Best Music Event||Coachella – Indio, California||Nominated|||
- Pollstar Awards
|1999||Music Festival of the Year||Coachella Valley Music and Arts Festival||Won|||
|2005||Music Festival of the Year (non-touring)||Nominated|||
|2006||Music Festival of the Year||Won|||
|2008||Music Festival of the Year (non-touring)||Won|||
|2011||Major Music Festival of the Year (non-touring)||Won|||
|2012||Major Music Festival of the Year||Won|||
- Cromelin, Richard (January 3, 2004). "Rick Van Santen, 41; L.A. Promoter Helped to Advance Punk Rock Bands". Los Angeles Times. p. B18. Retrieved November 8, 2016.
- Martens, Todd (April 8, 2014). "Goldenvoice releases Coachella set times, adds to the lineup". Los Angeles Times. Retrieved April 9, 2014.
- "7 Top Music Festivals Around The World – Tripoetic Blog". Tripoetic Blog. January 31, 2017. Retrieved February 23, 2017.
- Flanagan, Andrew (November 9, 2012). "Paul Tollett, Goldenvoice Team on the Struggle – And Ultimate Success – of Creating Coachella". Billboard. Retrieved April 11, 2014.
- Hochman, Steve (November 8, 1993). "Pearl Jam Blossoms in Desert". Los Angeles Times. p. F3. Retrieved May 4, 2015.
- Fessier, Bruce (May 1, 2011). "Desert music magician". The Desert Sun. pp. A1, A19, A21. Archived from the original on May 4, 2011. Retrieved May 5, 2015.
- Seabrook, John (April 17, 2017). "The Mastermind Behind Coachella". The New Yorker. Retrieved April 11, 2017.
- Ault, Susanne (March 15, 2003). "Coachella Preserves Its Diverse Lineup of A-List Talent". Billboard. Vol. 115 no. 11. p. 18.
- Armstrong, Mark (July 17, 1999). "Alternative music gig slate for Indio in fall". The Desert Sun. p. A1, A8.
- Armstrong, Mark (July 28, 1999). "Alternative music fest will arrive in Indio". The Desert Sun. p. B1–2.
- Boucher, Geoff (August 7, 1999). "Post-Festival Stage Fright". Los Angeles Times (Valley ed.). pp. F1, F20.
- Boucher, Geoff (October 7, 1999). "If You Build It, Will They Come?". Los Angeles Times (Valley ed.). sec. Weekend, pp. 6, 8. Retrieved June 2, 2015.
- Boucher, Geoff (April 27, 2006). "Coachella Preview: Oasis or mirage? Your call". Los Angeles Times. p. E32. Retrieved June 2, 2015.
- Mirkin, Steven; Goldman, Marlene (October 11, 1999). "Coachella Provided an Antidote to Woodstock 99's Hangover". Rolling Stone. Retrieved January 16, 2015.
- "Performance: Coachella Music and Arts Festival". Rolling Stone. November 5, 1999. ProQuest 1192708.
- Hiestand, Jesse (October 12, 1999). "Festival Goes Off Like Well-Oiled Machine". Los Angeles Daily News.
- Shuster, Fred (September 24, 1999). "Sharps & Flats". Los Angeles Daily News.
- Hochman, Steve (June 18, 2000). "Blame It on Rio: Labels Fear Leaks Via MP3". Los Angeles Times. p. 58. Retrieved April 23, 2015.
- Hilburn, Robert (October 12, 1999). "Triumph of the Anti-Woodstock". Los Angeles Times. p. 1. Retrieved April 23, 2015.
- Fessier, Bruce (April 8, 2016). "Pearl Jam concert helped launch Coachella music festival". The Desert Sun. Retrieved April 9, 2016.
- Hilburn, Robert (April 28, 2003). "Independent in vision, spirit and musical lineup". Los Angeles Times. p. E1. Retrieved April 24, 2015.
- Suddath, Claire (April 12, 2013). "Coachella Wins the Fight for Festival Headliners – and Profit". Bloomberg Business. Retrieved April 11, 2014.
- Times staff (February 14, 2000). "Rosie's Hectic Reduced Schedule". Los Angeles Times. p. F2. Retrieved April 23, 2015.
- Lewis, Randy; Roberts, Randall (April 11, 2019). "How the first Coachella upended the festival business". Los Angeles Times. Retrieved May 17, 2019.
- Boucher, Geoff (September 4, 2000). "Giant Rave Keeps the Focus on Music". Los Angeles Times. p. 3. Retrieved April 23, 2015.
- Hiestand, Jesse (May 1, 2001). "Straddling Rock and Rap, Coachella Festival Sizzles". Los Angeles Daily News.
- Shuster, Fred (April 26, 2001). "Musical Beat, Heat's On for Coachella Desert Festival". Los Angeles Daily News.
- Boucher, Geoff (April 26, 2001). "Trying to Be Real Cool This Time". Los Angeles Times. p. F6. Retrieved April 23, 2015.
- Parker, Chris (April 18, 2013). "Music Fests Like Coachella Drive Concert Sales to New Heights". Phoenix New Times. Retrieved April 3, 2015.
- Leeds, Jeff (March 7, 2001). "Anschutz to Buy Concert Firm Goldenvoice". Los Angeles Times. p. C2. Retrieved April 2, 2015.
- Chang, Vickie (December 16–22, 2011). "Gary Tovar Has His Goldenvoice". OC Weekly. Archived from the original on April 7, 2015. Retrieved April 3, 2015.
- Cahir, Jocelyn (April 26, 2002). "It's No Carrot Festival". Los Angeles Daily News.
- Ault, Susanne (March 20, 2004). "Coachella Brand Stirs Fest Interest". Billboard. Vol. 116 no. 12. p. 37.
- Frank (March 28, 2010). "Simply Fuss Free". simplyfussfree.blogspot.com.
- Appleford, Steve (April 11, 2019). "Why Coachella 2004 was so important — and a lost opportunity". Los Angeles Times. Retrieved May 17, 2019.
- Robertson, Jessica (January 31, 2006). "Depeche Mode, Tool Lead '06 Coachella Lineup". Rolling Stone. Retrieved May 4, 2017.
- Borrelli, Christopher (May 9, 2007). "Big summer festivals offer lots of music for the money". The Blade.
- Waddell, Ray (April 21, 2009). "Coachella Fest Posts Second Biggest Year Ever". Billboard. Retrieved January 8, 2015.
- Martens, Todd (April 21, 2009). "McCartney gives the event a charge". Los Angeles Times. p. D9. Retrieved May 4, 2015.
- Allen, Bob (December 19, 2009). "As Turnstiles Spin". Billboard. Vol. 121 no. 50. p. 138.
- Martens, Todd (January 27, 2010). "Coachella 2010: Say goodbye to single-day tickets". Los Angeles Times. Retrieved April 2, 2015.
- Martens, Todd (March 4, 2010). "Coachella's 2010 ticket policy inspires online petition". Los Angeles Times. Retrieved April 2, 2015.
- Boucher, Geoff; Martens, Todd (January 19, 2010). "Coachella 2010: Jay-Z, Muse, Thom Yorke lead lineup". Los Angeles Times. Retrieved April 3, 2015.
- Martens, Todd; Pham, Alex (April 15, 2010). "Coachella is sweet music to promoters". Los Angeles Times. Retrieved May 5, 2015.
- Waddell, Ray (April 21, 2010). "Coachella Festival Sets Attendance Record". Billboard. Retrieved April 2, 2015.
- Waddell, Ray (December 18, 2010). "All Night Long". Billboard. Vol. 122 no. 50. p. 140.
- "Volcano Forces Coachella Cancellations | Pitchfork". Pitchfork. Retrieved July 2, 2018.
- Martens, Todd; Pham, Alex (March 27, 2012). "Goldenvoice's purchase of Coachella festival land applauded". Los Angeles Times. Retrieved April 3, 2015.
- Vozick-Levinson, Simon (May 12, 2011). "Kanye, Mumford, Arcade Fire Light Up the Desert". Rolling Stone. No. 1130. pp. 13, 16.
- Waddell, Ray (December 17, 2011). "Back for Good?". Billboard. Vol. 123 no. 46. p. 96.
- Waddell, Ray (May 6, 2011). "Goldenvoice Releases Record-Breaking Numbers for Coachella, Big 4, Stagecoach Festivals". Billboard. Retrieved January 8, 2015.
- Perpetua, Matthew (May 31, 2011). "Coachella Expands to Two Weekends in 2012". Rolling Stone. Retrieved April 2, 2015.
- Waddell, Ray (June 18, 2011). "Coachella, Times Two: Behind the Festival's Double Weekend Plan". Billboard. Vol. 123 no. 21. p. 42.
- "Coachella Sells Out". Billboard. January 13, 2012. Retrieved April 2, 2015.
- Woods II, Wes (April 16, 2012). "Dr. Dre, Snoop Dogg, Tupac Shakur hologram create amazing performance at Coachella". San Jose Mercury News. Retrieved April 2, 2015.
- Palmer, Roxanne (April 17, 2012). "How Does the Coachella Tupac 'Hologram' Work?". International Business Times. Retrieved April 2, 2015.
- "TUPAC'S MOM Coachella Hologram Was Frickin' AMAZING". TMZ.
- Waddell, Ray (June 20, 2012). "Coachella Grosses More Than $47 Million". Billboard. Retrieved January 8, 2015.
- Newman, Melinda (April 4, 2013). "Coachella/Stagecoach Promoters Reach Deal to Stay in Indio Through 2030". HitFix. Retrieved April 2, 2015.
- "Check Out the 2013 Coachella Lineup". Complex. January 25, 2013. Retrieved March 3, 2013.
- Lipshutz, Jason (May 14, 2012). "Coachella 2013 Returning For Two Weekends With Increased Ticket Prices". Billboard. Retrieved January 8, 2015.
- Waddell, Ray (April 11, 2014). "Coachella's Promoter on Producing the Festival, a Third Weekend, Permanent Toilets". Billboard. Retrieved January 8, 2014.
- Fessier, Bruce (July 12, 2013). "Goldenvoice purchases Indio's Eldorado Polo Club". The Desert Sun. Retrieved April 2, 2015.
- "Concert Promoter Purchases Coachella Grounds". Rolling Stone. March 26, 2012. Retrieved April 27, 2015.
- Varga, George (April 9, 2014). "Coachella announces performance times". U-T San Diego. Retrieved April 9, 2014.
- Pelly, Jenn; Minsker, Evan (January 8, 2014). "Coachella 2014 Lineup Announced". Pitchfork Media. Retrieved April 11, 2014.
- Waddell, Ray (July 7, 2014). "Coachella Breaks Boxscore Record (Again)". Billboard. Retrieved October 28, 2015.
- Waddell, Ray (July 15, 2015). "Coachella Earns Over $84 Million, Breaks Attendance Records". Billboard. Retrieved October 28, 2015.
- James, Seamus (January 6, 2015). "COACHELLA 2015 LINEUP REVEALED – AC/DC, DRAKE, AND JACK WHITE TO HEADLINE". encdr. Retrieved January 6, 2015.
- "Pollstar Award Winners". Pollstar. February 12, 2016. Retrieved April 9, 2016.
- Fessier, Bruce (April 8, 2016). "Coachella music festival producer spills on art, Guns N' Roses". The Desert Sun. Retrieved April 9, 2016.
- Rumer, Anna (April 6, 2016). "62,000-person expansion OK'd for Coachella, Stagecoach". The Desert Sun. Retrieved April 14, 2017.
- Gensler, Andy (February 23, 2017). "Beyonce Cancels Coachella, Ticket Prices Drop 12 Percent". Billboard. Retrieved February 23, 2017.
- Brooks, Dave (April 6, 2017). "Bonnaroo Places a Massive Bet on 2017 Headliner U2". Billboard. Retrieved April 6, 2017.
- Brennan, Collin (January 4, 2017). "Head of Coachella's parent company AEG has donated to anti-LGBTQ and climate denial groups". Consequence of Sound. Retrieved April 30, 2019.
- Appleford, Steve (January 11, 2019). "As Coachella turns 20, its press-shy co-founder gets candid about sexual harassment and why Kanye dropped out". Los Angeles Times. Retrieved April 30, 2019.
- Grow, Kory (January 5, 2017). "AEG CEO Philip Anschutz: Anti-LGBT Reports 'Fake News'". Rolling Stone. Retrieved April 30, 2019.
- Sharp, Elliott. "Coachella 2017 Lineup Breakdown". Red Bull. Retrieved January 9, 2017.
- Sisario, Ben (February 24, 2017). "Beyoncé Cancels Coachella Performances". The New York Times (New York ed.). p. C2. Retrieved April 11, 2017.
- Brown, August (January 3, 2017). "Coachella's 2017 lineup reflects America and refracts its troubles". Los Angeles Times. Retrieved January 9, 2017.
- Hermann, Andy (January 4, 2017). "Coachella Is Already Sold Out". L.A. Weekly. Retrieved January 9, 2017.
- Khawaja, Jemayel (April 13, 2017). "The music, the fashion, the parties: an insider's guide to Coachella 2017". The Guardian. Retrieved April 14, 2017.
- Brooks, Dave (October 18, 2017). "Coachella Grossed Record-Breaking $114 Million This Year: Exclusive". Billboard. Retrieved October 19, 2017.
- "Coachella Grossed Record-Breaking $114 Million This Year: Exclusive". Billboard. Retrieved April 15, 2018.
- Pena, Xochitl (July 12, 2018). "Trailer for 'A Star is Born' trailer showcases desert festivals". The Desert Sun. pp. 3A–4A. Retrieved May 5, 2019.
- Hudson, Tanay (April 15, 2018). "Beyoncé's Coachella Performance Had HBCU Vibes And We Are Loving It". MadameNoire. Retrieved April 16, 2018.
- Félix, Doreen St (April 16, 2018). "Beyoncé's Triumphant Homecoming at Coachella". The New Yorker. ISSN 0028-792X. Retrieved April 16, 2018.
- Cooper, Brittney (April 16, 2018). "Beyoncé Brought Wakanda to Coachella". Cosmopolitan. Retrieved April 19, 2018.
- Wood, Mikael (April 15, 2018). "Beyoncé's Coachella performance was incredible – and she knew it". Los Angeles Times. Retrieved April 15, 2018.
- Caramanica, Jon (April 15, 2018). "Review: Beyoncé Is Bigger Than Coachella". The New York Times. Retrieved April 15, 2018.
- Willman, Chris (April 15, 2018). "Beyonce Marches to a Different Drumline in Stunning Coachella Performance". Variety. Retrieved April 15, 2018.
- Horowitz, Steven J. (April 15, 2018). "Beyonce Brings Out JAY-Z and Destiny's Child for Historic Coachella Headlining Set". Billboard. Retrieved April 15, 2018.
- Chavez, Nicole (April 15, 2018). "Beyoncé makes history with Coachella performance". CNN. Retrieved April 15, 2018.
- Dzhanova, Yelena (April 15, 2018). "Coachella dubbed 'Beychella' after historic Beyoncé set". NBC News. Retrieved April 15, 2018.
- Korosec, Kirsten (April 17, 2018). "How Beyonce's Coachella Performance Broke Records". Fortune. Retrieved April 20, 2018.
- Honeycutt, Shanté (April 17, 2018). "Beyonce's Coachella Set Is the Most-Viewed Performance on YouTube Live Stream". Billboard. Retrieved April 20, 2018.
- Papisova, Vera (April 18, 2018). "Sexual Harassment Was Rampant at Coachella 2018". Teen Vogue. Retrieved April 27, 2019.
- Brown, August (January 3, 2019). "After widespread complaints, Coachella is enacting a new anti-sexual harassment policy. But is it enough?". Los Angeles Times. Retrieved April 27, 2019.
- "Childish Gambino, Ariana Grande, Tame Impala To Headline Coachella 2019". TicketNews. January 3, 2019. Retrieved January 3, 2019.
- "Coachella 2019: Full Lineup Announced". Pitchfork. January 2, 2019. Retrieved January 3, 2019.
- Powers, Shad (April 15, 2019). "Coachella: Ariana Grande becomes fourth woman to headline, brings out *NSYNC members and others". USA Today. Retrieved April 26, 2019.
- Schatz, Lake (December 6, 2018). "Justin Timberlake cancels remaining 2018 tour dates, Coachella appearance in 2019". Consequence of Sound. Retrieved April 21, 2019.
- Brooks, Dave (April 3, 2019). "How Kanye West's Coachella Gig Was Resurrected as Easter Sunday Service". Billboard. Retrieved April 21, 2019.
- Alex Young (April 21, 2019). "Kanye brings Sunday Service to Coachella: Video + Setlist | Music News". Consequence of Sound. Retrieved April 21, 2019.
- Hogan, Marc (April 16, 2019). "Why Were There So Many Sound Problems at Coachella?". Pitchfork. Retrieved April 26, 2019.
- Zimmerman, Amy (April 20, 2019). "Coachella Security Guards Allege Inhumane Treatment: 'People Over Here Are Starving'". The Daily Beast. Retrieved April 26, 2019.
- Aswad, Jem (January 3, 2020). "Coachella Reveals 2020 Lineup: Rage Against the Machine, Travis Scott, Frank Ocean Headline". Variety. Retrieved January 3, 2020.
- Minsker, Evan (January 3, 2020). "Coachella 2020: Full Lineup Announced". Pitchfork. Retrieved January 3, 2020.
- firstname.lastname@example.org (April 2014). "Temperature: Highest/Lowest". Camp. No. 5. Urb Magazine. p. 2.
- Spangler, Todd (March 31, 2015). "YouTube to Live-Stream Coachella Music Fest for Free for 5th Year Running". Variety. Retrieved April 1, 2015.
- Márquez, Liset (April 16, 2017). "Why Coachella 2017 was the biggest ever". The Press-Enterprise. Retrieved May 6, 2019.
- Fessier, Bruce (April 6, 2017). "New Coachella changes include Antarctic dome, punk rock tent and neighborhood eateries". The Desert Sun. Retrieved May 12, 2019.
- Fessier, Bruce (March 24, 2018). "Coachella's new Sahara tent may be revolutionary". The Desert Sun. pp. 1A, 4A, 5A. Retrieved May 18, 2019.
- Larsen, Peter (April 13, 2018). "Coachella 2018: The festival's beloved Sahara Tent is totally different – here's how". The Press-Enterprise. Retrieved May 6, 2019.
- Franko, Vanessa (April 13, 2018). "Coachella 2018: Your first look at how the festival grounds are totally different this year". The Press-Enterprise. Retrieved May 6, 2019.
- Brown, August (April 13, 2013). "Rave's comfort zone". Los Angeles Times. pp. A1, A8. Retrieved May 19, 2019.
- "Heineken® House Makes Coachella Debut" (Press release). Heineken. MarketWatch. April 3, 2014. Retrieved May 19, 2019.
- Boucher, Rachel Kirkpatrick (April 22, 2019). "Heineken Tears Down the Walls of Its House at Coachella". Eventmarketer.com. Retrieved May 19, 2019.
- Brown, August (April 17, 2016). "Coachella 2016: The Despacio tent is a slower, joyful take on festival dance culture". Los Angeles Times. Retrieved May 12, 2019.
- Yoshida, Emily (April 28, 2016). "Inside Despacio, James Murphy and 2manyDJs' dance music utopia". The Verge. Retrieved May 12, 2019.
- Bein, Kat (April 12, 2019). "See Rüfüs Du Sol's Immersive 'Underwater' Video at Coachella's HP Antarctic Dome". Billboard. Retrieved May 18, 2019.
- Fessier, Bruce (April 9, 2015). "Coachella promoters working to improve festival". The Desert Sun. Retrieved April 23, 2015.
- Cook, Everett (April 17, 2015). "Behind the facade: Art at Coachella". The Desert Sun. Retrieved April 23, 2015.
- Glazer, Joshua (April 2014). "Inside Edition: Art". Camp. No. 5. Urb Magazine. p. 24.
- Gottlieb, Benjamin (April 24, 2013). "Beyond the Snail: The Art and Imagination of the Coachella Festival". KCET. Retrieved April 1, 2015.
- Mendoza, Mariecar (April 18, 2015). "Coachella 2015: Giant butterfly greets fans a day early during second weekend". The San Bernardino Sun. Retrieved March 27, 2016.
- Franko, Vanessa (April 12, 2019). "Coachella's astronaut has returned, go behind the scenes with how Poetic Kinetics brought it back". The Press-Enterprise. Retrieved May 19, 2019.
- Peña, Xochitl (April 19, 2013). "Making a Music Mecca". The Desert Sun. pp. A1, A12. Archived from the original on April 21, 2013. Retrieved May 1, 2019.
- Murphy, Rosalie (April 19, 2015). "Sustainability becomes a game for Coachella festivalgoers". The Desert Sun. Retrieved April 23, 2015.
- Jones, Meegan (2014). Sustainable Event Management: A Practical Guide. New York: Routledge. p. 146. ISBN 978-0-415-84019-4.
- Real, Jack (April 2015). "Carpoolchella". Camp. No. 6. Urb Magazine. p. 2.
- Madill, Leslie (April 2014). "The Pick-Up Artists". Camp. No. 5. Urb Magazine. p. 8.
- Staff (2012). "On-Site Camping". Coachella.com. Retrieved June 9, 2012.
- Ringen, Jonathan (March 30, 2015). "Coachella's Career-Making Magic: It Takes Artists From Cool to A-List". Billboard. Retrieved April 3, 2015.
- Mizoguchi, Karen (April 19, 2019). "Ariana Grande and Beyoncé Were Paid the Same for Coachella — $4M Per Weekend for Total of $8M: Report". People. Retrieved April 19, 2019.
- Cuevas, Steven (April 17, 2012). "Coachella organizers bend rules on bands playing non-festival venues". KPCC. Retrieved April 1, 2015.
- Walters, Amy (April 24, 2012). "Marooned in L.A. For A Week, Coachella Bands Make Do". NPR Music. Retrieved April 1, 2015.
- Woods, Wes (January 26, 2015). "Coachella 2015: Localchella brings Interpol, Kimbra and more to L.A. area between festival weekends". Inland Valley Daily Bulletin. Retrieved April 1, 2015.
- Brown, August (February 25, 2013). "Goldenvoice announces Coachella warm-up shows". Los Angeles Times. Retrieved April 1, 2015.
- Brooks, Dave (June 20, 2018). "Coachella's Radius Clause Details Exposed in Legal Fight With Oregon Festival". Billboard. Retrieved April 19, 2019.
- Roberts, Randall (April 13, 2018). "If you infringe on fest name, expect a big lawsuitchella". Los Angeles Times. p. A1, A8. Retrieved April 27, 2019.
- "The Roots And De La Soul Headline A Newly Designed Heineken House At Coachella" (Press release). Heineken USA. PR Newswire. April 4, 2019. Retrieved May 19, 2019.
- Glazer, Mikey (March 19, 2015). "Coachella 2015: H&M Pops New Tent of Virtual Reality, 360-Degree Professional Selfies (Exclusive)". TheWrap. Retrieved April 24, 2015.
- Geslani, Michelle (March 27, 2015). "H&M unveils Coachella-inspired clothing line". Consequence of Sound. Retrieved April 1, 2015.
- Khatchatourian, Maane (April 24, 2017). "Coachella's Antarctic Dome Takes Viewers on Psychedelic Audio-Visual Journey". Variety. Retrieved May 19, 2019.
- Stream Coachella performances live on YouTube this weekend. Billy Steele. April 11, 2016. Engadget. Retrieved April 13, 2016
- Kennedy, Gerrick D. (November 18, 2014). "AEG to televise Coachella, Stagecoach, more festivals on AXS TV next year". Los Angeles Times. Retrieved April 3, 2015.
- Gallo, Phil (April 2, 2015). "Coachella Festival to Air Live on YouTube, AXS TV". Billboard. Retrieved April 3, 2015.
- Gardner, Elysa (April 7, 2015). "Coachella to be broadcast live". USA Today. Retrieved April 7, 2015.
- Shaffer, Claire (April 11, 2019). "YouTube Expands Coachella Streaming: What to Expect, How to Watch". Rolling Stone. Retrieved April 12, 2019.
- Brennan, Collin (March 10, 2016). "Coachella 2016 will be broadcast in virtual reality". Consequence of Sound. Retrieved March 11, 2016.
- Brennan, Collin (April 22, 2016). "Webcast: 360-degree live stream of Coachella 2016 Weekend 2". Consequence of Sound. Retrieved April 23, 2016.
- Hochman, Steve (April 20, 2003). "Coachella concept gets a Long Island accent". Los Angeles Times. Retrieved April 24, 2015.
- Boucher, Geoff (June 6, 2003). "Festival to go on but in new form". Los Angeles Times. Retrieved April 24, 2015.
- Waddell, Ray (September 17, 2014). "Exclusive: Coachella and Firefly Founders Team Up on Joint Venture". Billboard. Retrieved January 16, 2015.
- Sisario, Ben (January 12, 2015). "Coachella Organizers in Deal With Hangout Music Festival". The New York Times. Retrieved January 16, 2015.
- Kreps, Daniel (January 30, 2016). "Coachella Sues Hoodchella Over Festival Name". Rolling Stone. Retrieved January 31, 2016.
- Peña, Xochitl (February 4, 2015). "Ticket site: Coachella No. 2 most popular music fest". The Desert Sun. Retrieved February 10, 2015.
- Michelle Persad (April 20, 2015). "The Most 'Coachella' Outfits At Coachella 2015". HuffPost.
- "WTF Coachella?! You're a One Stop Cultural Appropriation Festival!". Archived from the original on April 19, 2017. Retrieved April 18, 2017.
- Dave Urbanski. "Teen Vogue writer blasts music fest attendees' 'overtly racist' cultural appropriation". Retrieved April 18, 2017.
- McGovern, Kyle (October 26, 2012). "Desert Windfall: Coachella Pulled in $254 Million for California Region in 2012". Spin. Retrieved February 10, 2015.
- Lewis, Randy (April 30, 2012). "Stagecoach succeeds by promoting from within". Los Angeles Times. Retrieved January 27, 2015.
- Buck, Fielding (March 22, 2016). "COACHELLA: Coachella, Stagecoach have $700 million global impact". The Press-Enterprise. Retrieved March 22, 2016.
- Rumer, Anna (March 22, 2016). "Coachella festival, Stagecoach generate $704M in 2016". The Desert Sun. Retrieved April 9, 2016.
- Appleford, Steve (January 26, 2011). "Inside the Plans for the 'Big 4' Metal Reunion". Rolling Stone. Retrieved May 27, 2019.
- Brown, August (October 5, 2016). "'Old-chella'? Whatever. The all-star lineup at Desert Trip proves you can still rock over 70". Los Angeles Times. Retrieved April 14, 2017.
- "Billboard Touring Awards: U2, Journey, Jason Aldean Win Big". Billboard. November 10, 2011. Retrieved April 28, 2019.
- Waddell, Ray (October 30, 2012). "Roger Waters, Bruce Springsteen, Madonna, Coldplay, Kenny Chesney Among 2012 Billboard Touring Awards Finalists". Billboard. Retrieved April 28, 2019.
- "Bon Jovi, One Direction, P!nk Among Big Winners at 2013 Billboard Touring Awards". Billboard. November 14, 2013. Retrieved April 28, 2019.
- Hampp, Andrew (November 20, 2014). "One Direction, Lionel Richie & Katy Perry Win at Billboard Touring Awards". Billboard. Retrieved April 28, 2019.
- Angermiller, Michele Amabile (November 20, 2015). "One Direction, Ed Sheeran, & The Grateful Dead Big Winners at Billboard Touring Awards". Billboard. Retrieved April 28, 2019.
- Angermiller, Michele Amabile (November 10, 2016). "Bon Jovi, Scooter Braun Honored; Bruce Springsteen, Adele, Coldplay & Justin Bieber Big Winners at Billboard Touring Awards". Billboard. Retrieved April 28, 2019.
- Cirisano, Tatiana (November 15, 2017). "Billboard's Touring Awards: See the Full Winners List". Billboard. Retrieved April 28, 2019.
- "Nominees". Winter Music Conference. 2008. Archived from the original on August 21, 2016. Retrieved September 15, 2018.
- "Nominees". Winter Music Conference. 2009. Archived from the original on March 8, 2016. Retrieved September 15, 2018.
- "Nominees". Winter Music Conference. 2010. Archived from the original on September 2, 2018. Retrieved September 15, 2018.
- "Nominees". Winter Music Conference. 2011. Archived from the original on March 25, 2012. Retrieved September 15, 2018.
- "Nominees". Winter Music Conference. 2012. Archived from the original on January 29, 2012. Retrieved September 15, 2018.
- "Nominees". Winter Music Conference. 2013. Archived from the original on March 7, 2013. Retrieved September 15, 2018.
- "Nominees". Winter Music Conference. 2014. Archived from the original on March 12, 2014. Retrieved September 15, 2018.
- "Nominees". Winter Music Conference. 2015. Archived from the original on April 6, 2017. Retrieved September 16, 2018.
- "Nominees". Winter Music Conference. 2016. Archived from the original on June 30, 2016. Retrieved September 15, 2018.
- "Pollstar Concert Industry Awards Winners Archives - by year: 1999". Pollstar. Archived from the original on January 31, 2012. Retrieved April 28, 2019.
- "Pollstar Concert Industry Awards Winners Archives - by year: 2002". Pollstar. Archived from the original on April 2, 2012. Retrieved April 28, 2019.
- "Pollstar Concert Industry Awards Winners Archives - by year: 2003". Pollstar. Archived from the original on March 18, 2012. Retrieved April 28, 2019.
- "Pollstar Concert Industry Awards Winners Archives - by year: 2004". Pollstar. Archived from the original on April 22, 2012. Retrieved April 28, 2019.
- "17th Annual Pollstar Awards Categories". Pollstar. Archived from the original on April 20, 2006. Retrieved April 28, 2019.
- "The 18th Annual Concert Industry Awards". Pollstar. February 9, 2007. Retrieved April 28, 2019.
- "Concert Industry Awards Winners". Pollstar. February 11, 2008. Retrieved April 28, 2019.
- "Pollstar Awards Archive – 2008". Pollstar. Archived from the original on April 28, 2019. Retrieved April 28, 2019.
- Smith, Jay (February 18, 2010). "21st Annual Pollstar Awards Winners List". Pollstar. Retrieved April 28, 2019.
- "Concert Industry Awards Winners". Pollstar. February 6, 2011. Retrieved April 28, 2019.
- Smith, Jay (February 4, 2012). "Best Of The Best – Concert Industry Awards Winners". Pollstar. Retrieved April 28, 2019.
- Smith, Jay (February 8, 2013). "Pollstar Awards Results". Pollstar. Retrieved April 28, 2019.
- "Pollstar Awards Winners". Pollstar. February 22, 2014. Retrieved April 28, 2019.
- "Pollstar Awards Archive". Pollstar. Archived from the original on April 28, 2019. Retrieved April 28, 2019.
- "Pollstar Awards Nominees". Pollstar. November 11, 2016. Retrieved April 28, 2019.
- Borba, Ryan (February 8, 2018). "Pollstar Awards Winners: Tom Petty, Cara Lewis, Gregg Perloff, Bruno Mars". Pollstar. Retrieved April 28, 2019.
|Wikimedia Commons has media related to Coachella.|