The Columbian Museum (1795–1825) was a museum and performance space in Boston, Massachusetts, established by Daniel Bowen, and continued by William M. S. Doyle. The museum featured artworks, natural history specimens, wax figures, and other curiosities.
Daniel Bowen (ca. 1760–1856) established the Columbian Museum in Boston in 1795. Prior to this time, Bowen had overseen the display of "a few specimens of waxwork, at the American Coffee House, opposite the Bunch-of-Grapes, in State street. ...Additions of natural and artificial curiosities, paintings, &c., were constantly made to the collection till 1795, when it assumed the name of Columbian Museum." Located "at the head of the mall" near the Boston Common, the museum's collection included items from Edward Savage's "New York Museum."; paintings by Robert Edge Pine; and other curiosities. A newspaper advertisement for the museum in 1797 announces some of the top highlights on display:
Elegant Figures of waxwork, Large as Life, among which are ...The late King of France;... George Washington;... Dr. Franklin, sitting at a table, with the late Dr. Stiles, President of Yale College.... The New-York Beauty. The Sleeping Nymph. A Tea Party of Young Ladies, with a Servant Negro Girl. ...Sir Charles Grandison and Miss Harriet Byron. Charlotte weeping at the Tomb of Werter. Humphreys and Mendoza, the celebrated English Boxers.... The assassination of Marat... The late unfortunate Baron Trenck, loaded with large iron chains in a real Prison. An Indian Warrior, with his tomahawk, belts of wampum, &c. Two Chinese Mandarines, drest in the modern stile of that country....
With a great variety of Natural and Artificial Curiosities; Among which are a great variety of Birds, live Owls, Beasts, Reptiles, Serpents, (one of which is a Rattle-Snake, 9 years of age, and 4 feet in length,) Insects, Diamond Beetle, Glass Frigates, two feet in length, compleatly rigged and mounted with Glass Guns, &c."
In addition to exhibiting objects and animals, the museum provided a venue for performing arts such as musical concerts for organ and voice. In 1797, for instance, "Chalmers, Williamson, and Barrett ... gave an olio of readings lectures, recitations and songs... entitled 'Nature in Nubibus, or a Melicosmeotes -- an antidote for the spleen.'" In 1800, "the Columbian Museum will be opened and elegantly illuminated This Evening, Dec. 25. Music suited to the Evening on the Grand Piano Forte by Mr. Dolliver. Also the whole variety of the Concert Organ, and Musical Clocks performed on this occasion." In 1804, "Mr. Bates" performed a program of skits, stories, and songs, and also phantasmagoria (illuminated image-projection) featuring "Old Father Time -- A Female Spirit, rising from the Tomb -- The King of Terror -- The Ghost and Hamlet -- Washington -- The President of the United States -- A Bust of Dr. Franklin -- An Egyptian Pigmy Idol, which instantaneously changes to a Human Skull."
The museum enjoyed considerable popularity. One historian notes the broadening cultural effect of the "famous Columbian Museum, where New England began learning to be less provincial."
Bowen developed a number of side-businesses, including the Columbian Museum Press, an auction room, and retail sales.
The brief, dramatic history of the museum from 1803 through 1807 reflects the commitment and persistence of Bowen, his supporters, and loyal museum patrons. A fire on January 15, 1803, damaged the business; a few months later, the museum re-opened in a new location, on the corner of Milk Street and Oliver Street.
In 1806, Bowen and William M.S. Doyle (1769–1828) moved the museum to Tremont Street, into their newly built "costly brick edifice, five stories high." The new building occupied the lot adjacent to King's Chapel Burying Ground. However another fire in 1807 wreaked havoc. The fire had begun "from the explosion of a preparation ... used in [the] exhibition of the Phantasmagoria, then occupying the upper hall." Several people were killed, and some wounded, when a wall of the burned museum building collapsed into the burying ground next door. "A large crown of spectators had collected in the burying-ground adjoining, when the walls fell, killing nine or ten boys, from 12 to 15 years old. Dr. William Eustis ...with other physicians lent his aid on the occasion." Bowen and Doyle rebuilt again, and re-opened the museum in a two-story building in June, 1807.
However, after 1807, Bowen suffered financial ruin, and withdrew from museum operations. Doyle assumed directorship thenceforth, until 1825, when Ethan Allen Greenwood acquired the collections for his newly established New England Museum.
- Mr. Bates (1804)
- Mr. Dolliver (1800)
- Richard Potter (1811, 1818): "Mr. Potter will perform the part of the anti-combustible Man Salamander and will pass a red hot bar of iron over his tongue, draw it through his hands repeatedly, and afterwards bend it into various shapes with his naked feet, as a smith would on an anvil. He will also immerse his hands and feet in molten lead, and pass his naked feet and arms over a large body of fire. He will also perform a variety of pleasing magical deceptions; which, to give a minute detail of, would fill a volume. The performer, not being willing to anticipate the pleasure the audience may receive from his performance, flatters himself that he is so well known in different parts of this country, as not to require the aid of a pompous advertisement. In addition to his magical and ventriloquial talents, he will introduce a number of songs and recitations."
Some of the visual art ("elegant paintings") shown at the museum were listed in broadside advertisements issued circa 1798-1799:
- William W. Clapp (1853), A Record of the Boston Stage
- Mantle Fielding (1924), "Edward Savage's Portraits of Washington", Pennsylvania Magazine of History and Biography, 48 (3), pp. 193–200
- "(Advertisement)", Boston Chronicle, Dec 19, 1797
- Columbian Centinel, July 27, 1799
- Boston Gazette, Dec 25, 1800 quoted in: Frances Lester Warner (1921), Merry Christmas from Boston, Boston: Atlantic Monthly Press, OCLC 24865909
- Boston Gazette, June 28, 1804 quoted in: Charles Musser (1990), The emergence of cinema: the American screen to 1907, New York: Scribner, pp. 26–27, ISBN 0684184133
- Loyd Haberly (September 1959), "The Long Life of Daniel Bowen", New England Quarterly, 32 (3)
- Arthur Wellington Brayley (1889), Complete History of the Boston Fire Department, J.P. Dale
- Samuel Adams Drake (1873), Old landmarks and historic personages of Boston, James R. Osgood and Co.
- (Advertisement), 1818 quoted in: Jim Haskins and Kathleen Benson (2001), Conjure Times: Black Magicians in America, Walker Publishing Company, ISBN 0802787622
- Early American Imprints, Series 1 (33443 and 35225)
- Boston Weekly Magazine, 1803. (Includes items about the museum)
- H. Brooks, ed. (1886), The olden time series: gleanings chiefly from old newspapers of Boston and Salem, Massachusetts, quaint and curious advertisements, Boston: Ticknor & Co.. (Includes reprinted advertisement from Boston Chronicle, 1797)
- Oscar George Theodore Sonneck (1907), Early concert-life in America (1731–1800), Leipzig: Breitkopf & Härtel
- William P. Marchione, Daniel Bowen: Boston's Pioneer Museumkeeper, Brighton-Allston Historical Society. ("This article by Allston-Brighton historian Dr. William P. Marchione appeared in the Allston-Brighton Tab or Boston Tab newspapers in the period from July 1998 to late 2001.")
- Peter Benes (2006), "'A few monstrous great Snakes': Daniel Bowen and the Columbian Museum, 1789–1816", New England Collectors and Collections, Dublin Seminar for New England Folklife, Boston University
|Wikimedia Commons has media related to Columbian Museum (Boston, Massachusetts).|
- "Columbian Museum (Boston, Mass.)". WorldCat.
- M.J.C. Fraisier (c. 1796), The scholars companion: containing a choice collection of cotillons & country-dances, Boston: Printed by D. Bowen at the Columbian Museum Press
- Harvard Theatre Collection, Houghton Library, Harvard College Library. Early American playbills: Guide; includes materials related to the museum