Come to the Stable
|Come to the Stable|
|Directed by||Henry Koster|
|Produced by||Samuel G. Engel|
|Written by||Sally Benson
Clare Boothe Luce
|Music by||Cyril J. Mockridge|
|Edited by||William Reynolds|
|Distributed by||20th Century Fox|
Come to the Stable is a 1949 American film which tells the true story of the Abbey of Regina Laudis and the two French nuns who come to a small New England town and involved the townsfolk in helping them to build a children's hospital. It stars Loretta Young, Celeste Holm, Hugh Marlowe, Elsa Lanchester, Thomas Gomez, Dooley Wilson and Regis Toomey.
It was nominated for Academy Awards for Best Actress in a Leading Role (Loretta Young), Best Actress in a Supporting Role (Celeste Holm), Best Actress in a Supporting Role (Elsa Lanchester), Best Art Direction-Set Decoration, Black-and-White (Lyle Wheeler, Joseph C. Wright, Thomas Little, Paul S. Fox), Best Cinematography, Best Music, Song (Alfred Newman and Mack Gordon for "Through a Long and Sleepless Night") and Best Writing, Motion Picture Story.
One winter's night, two French nuns, Sister Margaret and Sister Scholastica, come to the small New England town of Bethlehem (most likely modeled after Bethlehem, Connecticut – given the Abbey of Regina Laudis in that real town and the proximity to New York City), where they meet Amelia Potts, a painter of religious pictures. The Sisters announce that they have come to build a hospital there, and Chicago-born Sister Margaret explains that during the war she was in charge of a children's hospital in Normandy when it became a potential target during a military campaign. As many of the children could not be evacuated, Sister Margaret made a personal plea to an American general not to shell the hospital, which the Germans were using as an observation post. The hospital was spared but at the cost of American lives, and Sister Margaret made a promise to God that, in gratitude for saving the children, she would return to America to build a children's hospital.
When Miss Potts is puzzled as to why they chose Bethlehem, and Sister Margaret tells her that they had received a postcard with a reproduction of a nativity scene painted by Miss Potts, entitled "Come to the Stable," with information about the Bethlehem area. The Sisters then decide that a local hill depicted in another of Miss Potts's paintings would be a good site for the hospital.
After composer Bob Masen, who is Miss Potts's neighbor and landlord, tells the Sisters that the hill is owned by Luigi Rossi of New York, the Sisters go to see the Bishop in a nearby city. He is unable to help them with their project, but does give them a small amount of money to tide them over. When they return to Bethlehem, Bob's religious porter, Anthony James, offers them a ride from the railroad station in Bob's jeep (he continues to help them throughout the movie).
As Sister Margaret learned to drive a jeep during the war, they arrange to borrow the jeep to go to New York City to find Mr. Rossi and ask him to donate his land. Rossi runs a "bookie" operation and, despite his security, the Sisters manage to see him. However, he tells the Sisters that he intends to build his retirement home on the site. As they prepare to leave, Sister Margaret notices a picture and they learn that Rossi's son was killed in action near their hospital in Rouen. The sisters then tell Luigi they will pray for his son. Suddenly, Rossi changes his mind and informs them that, if they will install a stained glass window in the hospital in memory of his son, the land is theirs.
Elated, they return to Bethlehem, where Bob and his girl friend, Kitty Blaine, are listening to a demo of a new song he has composed and the Sisters come to thank him for the use of the jeep. Bob then announces that he will be going to Hollywood for a few weeks to work on a picture.
The Sisters acquire for $5,000 a three-month option on a former witch-hazel bottling plant opposite the Rossi property for use as a temporary shelter to stage the construction of the hospital. However, when the Bishop looks over the papers, he discovers that the purchase price carries a $25,000 mortgage, significantly more than the operating funds the Sisters have available. He tells the Sisters that he will have to cancel the contract, but at that moment, eleven more nuns and a chaplain arrive from France, having been previously summoned by the Sisters following their success. The Bishop relents, allowing them to stay for the period of the option with the understanding that if they cannot raise the additional money within that time they must all leave, but later remarks to his monsignor assistant that he feels unstoppable forces at work.
When Bob returns from Hollywood with Kitty and three house guests he discovers the now increased number of nuns having a produce-and-arts sale in Miss Potts's yard, and Bob insists that she evict all the nuns. On the day before the option is to lapse, the nuns find themselves $500 short of the necessary amount. That evening, after Kitty performs Bob's new song for his guests, they hear the nuns singing a hymn which they recognize to be similar to Bob's song. Concerned about the allusions to plagiarism, Bob swears that he first thought of the tune after his Army outfit landed in France four years earlier, but guest Al Newman, a music critic, identifies the melody as a 2000-year-old Gregorian Chant.
The next morning, after Sisters Margaret and Scholastica accidentally drive a stake through Bob's water line while building a shrine mistaking it as a sign. Bob visits the real estate agent and arranges to buy the witch-hazel plant in order to keep it out of the nuns' hands. Sister Margaret, meanwhile, discovers Bob's guests playing doubles tennis and arranges a wager for $500 if Sister Scholastica can help Al beat the other couple. Although Sister Scholastica is a former tennis champion, she loses the match.
Later, after Sister Margaret tells the Sisters that they must leave, Bob apologetically comes to bid them goodbye and overhears their prayers, discovering that their Mother House is in Normandy, near where he was stationed. When the Sisters ask him to pray for them, Bob is moved to change his mind about their project, and the film ends with Bob, Kitty, Anthony, Miss Potts, Mr. Rossi and the Bishop all attending the dedication of the temporary home of the hospital of St. Jude.
- Loretta Young as Sister Margaret (based on Mother Benedict Duss)
- Celeste Holm as Sister Scholastica (based on Sister Mary-Aline Trilles de Warren)
- Elsa Lanchester as Amelia Potts (based on artist Lauren Ford)
- Hugh Marlowe as Robert Masen
- Thomas Gomez as Luigi Rossi
- Dorothy Patrick as Kitty
- Basil Ruysdael as The Bishop
- Dooley Wilson as Anthony James
- Regis Toomey as Monsignor Talbot
- Mike Mazurki as Sam
- Come to the Stable at the Internet Movie Database
- Come to the Stable at AllMovie
- Come to the Stable at the TCM Movie Database
- Come to the Stable at the American Film Institute Catalog