Conquest (1983 film)
Italian theatrical release poster by Enzo Sciotti
|Directed by||Lucio Fulci|
|Produced by||Giovanni Di Clemente|
|Story by||Giovanni Di Clemente|
|Music by||Claudio Simonetti|
|Edited by||Emilio Rodriguez Oses|
Conquest is a 1983 film directed by Lucio Fulci. The film plot involves Ilias (Andrea Occhipinti) a young man who battles monsters and mutants on his journey to manhood. Conquest was reviewed by both AllMovie and the Monthly Film Bulletin, who noted the films low budget and derivative nature, while finding the film to be surprisingly entertaining despite its negative aspects.
In a mystical land, a handsome youth named Ilias (Andrea Occhipinti) embarks on a quest, leaving behind his family in his paradise home for a fog-shrouded wilderness. From the God Cronos, he receives a magic bow to mark his passage into manhood. He enters a strange land where small tribes are terrorized by werewolf-like creatures, acting under orders of Ocron (Sabrina Siani), a nude masked female of great evil. While in a drugged state, Ocron sees a faceless youth with a magic bow who dares to attack her. Ocron sends her werewolf servants out to look for the youth.
A little later, a gang of Ocron's marauders try to steal the bow and capture Ilias. But they are foiled when a rugged man dressed in animal skins leaps to his rescue, beating up the marauders and forcing them to flee. The man introduces himself as Mace (Jorge Rivero), a nomadic outlaw. After admiring the younger man's magic bow, Mace teams up with him on his quest to rid the land of evil. He affects a dismissal of human affairs, but the soon the two are fast friends. Mace reveals that he has concept for people, but cares for animals and has a bond with many species.
Next, Ocron sends Fado, the leader of her brutal werewolves, to capture Ilias and the magic bow. Ilias and Mace stop for the night to rest and eat with a small tribe that live in caves, and offering the people a fresh animal kill as a gift. Ilias recognizes a young girl of the tribe seen earlier in the journey, and the two of them go off together. Suddenly, masked attackers kill the girl and abduct Ilias, stealing his bow. Mace tracks them down to a camp and in a long and bloody fight, rescues his young friend.
Back at Ocron's lair, Fado is burned on a giant hot-plate as punishment for his failure to capture the magic bow. Ocron summons the Great Zora (Conrado San Martin), a spirit who resides in the body of a white wolf. She offers herself, body and soul, to Zora if he can kill Ilias.
Having found out the identity of the person responsible for all this, Ilias declares that he will punish Ocron for her evil crimes over the land and exhorts Mace to join him. Mace refuses, saying that he and Ocron stay clear of each other for she is too powerful to combat. Mace agrees to escort Ilias as far as the seashore, from where he must sail to Ocron's fortress. On the way, the two of them are assailed by hundreds of tiny arrows. Ilias is hit in the arm with one arrow, and soon breaks out in hideous boils. Mace sails with him along the coast to a place where a special plant grows that will cure his affliction from the poisoned arrow. Leaving his friend on the boat, Mace jumps ashore and soon does battle with grotesque zombies, and afterwards, does battle with a double of himself. Mace wins the fight and his double is revealed as Zora, who disappears after reverting to his humanoid form.
The special plant works and Ilias is restored to health. But Ilias has become disenchanted and decides to sail for home, pleading with Mace go with him. Mace refuses and also refuses to take ownership of the magic bow. No sooner they have parted when Mace is attacked by a band of strange, cobweb-covered creatures. They tie him to a wooden cross and interrogate him about the whereabouts of Ilias. Mace refuses to cooperate. Ilias appears and saves Mace from the creatures with his magic bow and arrows. But the captive Mace falls off a cliff and into the sea during the rescue. Super-intelligent dolphins bite at the ropes that tie Mace to the cross and he is washed ashore, barely conscious. Ilias arrives and tells Mace that he has had a change of heart and decided to return to be with his friend and defeat Orcon.
That night, Ilias is grabbed and sucked down into a lair inhabited by subterranean monsters. When Mace follows, he is forced to battle a few of them while chasing after Ilias. Venturing further into the caves, Mace finds Ilias, hanging upside down with his head cut off. Zora delivers the severed head of Ilias to Ocron as well as the magic bow. Mace lights a funeral pyre for his dead friend. Ilias' spirit speaks to Mace inside his mind and tells him to anoint himself with the ashes. This will pass along the power Cronos gave to Ilias and the magic bow will be Mace's.
The next morning, Mace confronts Ocron in her lair and the bow suddenly flies out of her hands, and into his. He takes on all of Ocron's surviving werewolves, shooting them with his magic arrows from the bow. Mace fires a magic arrow at Ocron which penetrates her mask, revealing the hideously ugly face of a ghoul atop her smooth, nubile body. As Ocron dies, her dead body transforms into a wolf, which runs off into the wilderness with the white wolf Zora. The final scene has Mace, alone once again, walking into the wilderness to continue Ilias's quest to rid the land of evil.
In a contemporary review, the Monthly Film Bulletin referred to the film as a "low-budget, deliriously magpie mix of Conan the Barbarian, Quest for Fire and Raiders of the Lost Ark with a few zombies-Fulci's Forte-thrown in for good measure." The review stated that despite "excessive gore", "manifestly implausible plot" and "patchy special effects", that the film was "actually very enjoyable". The review also commented on Claudio Simonetti's score, finding it "wonderfully inappropriate" and reminiscent of Simonetti's work in Goblin and on the scores for Deep Red and Dawn of the Dead.
Jeremy Wheeler (AllMovie) gave the film two stars out of five, while noting that "even with the shoddy production values and downright embarrassing monster masks, it is what it is -- a psychedelic C-Grade fantasy flick by the master of Italian gore done in an incredibly strange time and place in movie history -- Italy in the early '80s. Some might call in junk, but those with their tongue planted firmly in cheek will call it a schlock masterpiece.".
In his analysis of the film, Louis Paul described the film as "far better than similar Italian sword-and-sorcery contrivances of the time." While criticizing part of the dialogue, he particularly praised the cinematography and the performance of the main actor Jorge Rivero.
- Petley, Julian (1984). "Conquest". Monthly Film Bulletin. Vol. 51 no. 600. British Film Institute. pp. 201–202. ISSN 0027-0407.
- Kinnard & Crnkovich 2017, p. 202.
- "Bárbaro, El / Conquista de la tierra perdida, La / Conquest" (in Spanish). National Autonomous University of Mexico. Retrieved May 11, 2016.
- Wheeler, Jeremy. "Conquest (1983)". AllMovie. Retrieved April 18, 2016.
- Paul 2005, p. 135.