Conrad Schmitt Studios
Conrad Schmitt Studios is an architectural arts studio located in New Berlin, Wisconsin. It provides ecclesiastical art, stained glass artistry, art glass, decorative painting, mosaics, murals and sculptural arts. The studio specializes in restoration services for buildings of architectural, historical and religious significance. Founded in 1889 by German-American artist Conrad Schmitt, the company is one of the oldest and largest glass studios in the United States.
In 1889, Bavarian immigrant and formally trained artist, Conrad Schmitt, organized the Conrad Schmitt Studios with a focus on stained glass, decorative painting, and liturgical artwork. Originally located at 223 2nd Street in Milwaukee, Wisconsin, the studio was among the city's pioneer businesses. As one of the few art studios with the capacity to handle large-scale interior design projects, it quickly gained a national reputation and participated in increasingly complex projects across the country. Some of the studio's prominent early commissions included St. Mary's Cathedral in Winnipeg, Canada in 1919, The Milwaukee Public Library in 1920, and Milwaukee's Davidson Theater (now closed) in 1925. During the 1930s, studio branch offices operated out of New York City and Washington, D.C.
Bernard O. Gruenke, who was hired by company founder Conrad Schmitt in 1936, purchased the company in 1951 from members of the Schmitt family. In 1981, his son Bernard E. Gruenke assumed leadership of the company. Since 2010, the studio has been owned and operated by a third generation of the Gruenke family: B. Gunar Gruenke and Heidi Gruenke Emery.
Conrad Schmitt Studios is represented at the Smith Museum of Stained Glass Windows at Navy Pier in Chicago, and a replica of the early studio is featured in the "Streets of Old Milwaukee" display at the Milwaukee Public Museum.
Dalle de Verre
In 1950, Bernard O. Gruneke, then art director of Conrad Schmitt Studios, was one of the first American artists to experiment with the dalle de verre technique of producing stained glass (also known as "slab glass" or "faceted glass"). Gruenke was inspired while traveling in France during the 1940s, and is credited with what may be the first dalle de verre window created in the United States. Experiments with epoxy and support structure at Conrad Schmitt Studios led to the first large-scale installations of faceted glass in the country, including a chapel at Notre Dame University's Moreau Seminary in South Bend, Indiana in 1959.
Leptat glass is a signature etched glass patented and produced by Conrad Schmitt Studios. After viewing a Czechoslovakian glass exhibit at the 1969 World's Fair in Osaka, Japan, Bernard O. Gruenke began to explore etching techniques at his New Berlin studio. He and his son experimented with new methods that produced results unlike the evenly frosted effect achieved by traditional acid-etching methods. The process, called "Leptat" from the Czech word meaning "to etch", creates a deeply etched and varied crystalline surface. In some instances, gold leaf or colored enamels can be inlaid for further decoration of the glass. Leptat windows can be seen at the Waldorf-Astoria Hotel in New York City.
The studio is under the direction of President B. Gunar Gruenke and Vice-President Heidi Gruenke Emery. At the 34,000-square-foot (3,200 m2) facility in New Berlin, Wisconsin, artisans create, conserve and restore stained glass. The company also provides ecclesiastical art, art glass, decorative painting, interior design, mosaics, murals, and sculptural arts.
- Schmitt, Conrad. "The Al Secco Method of Mural Painting", Church Property Administration Magazine, 1937.
- Schmitt, Edward J. "Protecting Church Decorations" Church Property Administration Magazine, 1938.
- William George Bruce and Josiah Seymour Currey, History of Milwaukee, City and County: Volume 2. NY: S.J. Clarke Publishing Co, 1922, p. 810.
- Emma Lila Fundaburk and Thomas G. Davenport. "Art in Public Places in the United States". Bowling Green University Popular Press, 1975, p.63.
- Bruce & Currey, p. 810.
- Peter C. Merril, German-American Artists in Early Milwaukee: A Biographical Dictionary. Madison, WI: Friends of the Max Kade Institute for German American Studies, 2009, p.33. See also Jean M. Farnsworth, Carmen R. Croce & John F Chorpenning, Stained Glass in Catholic Philadelphia. Philadelphia, PA: St Joseph's University Press, 2002, p. 449.
- Bertha Kitchell Whyte, Craftsmen of Wisconsin. Racine, WI: Western Publishing Company, 1971, pp. 178-185.
- Erne R. Frueh & Florence Frueh, Chicago Stained Glass. 2nd ed. Chicago: Wild Onion Books, 1998, p. 124. See also Gary Gray & Carrie Crow, The Stained Glass Appraisal Guide. Edmund, OK: Presidential Press, 2007, pp. 212-213.
- John Gilbert Lloyd, Stained Glass in America. Jenkintown, PA: Foundation Books. 1963, p. 90.
- Virginia Chieffo Raguin & Mary Clerkin Higgins, Stained Glass, From Its Origins to the Present. New York: H. N. Abams, 2003, pp.188-191.