Wrath (Lamb of God album)
|Studio album by|
|Released||February 23, 2009|
|Genre||Groove metal, thrash metal, metalcore|
|Lamb of God chronology|
|Singles from Wrath|
Wrath is the sixth studio album by American groove metal band Lamb of God. It was internationally released on February 23, 2009 via Roadrunner Records in Europe, Japan and Australia, and on February 24, 2009 via Epic Records in the U.S and Canada. It achieved number 2 on Billboard 200, with sales of 68,000 in the U.S. during its first week of release. As of 2010, it has sold over 202,000 copies in the United States.
Background and production
In August, 2008, it was announced that the band had commenced work on the follow-up to Sacrament, and that it was expected to be released on February 24, 2009. Josh Wilbur was confirmed as the producer for the album. Wilbur takes the place of the band's previous producer, Machine, who worked with them on Ashes of the Wake and Sacrament.
The recording process of Wrath was made available for online viewing through the band's website, with two webcams installed in the studio (specifically in the drum room and mixing room).
A producer version of the album with 4 split tracks per song (vocals, guitars, bass, drums) is available on the Deluxe Producer Edition Bonus CD (2009) allowing people to analyse and remix the individual elements of the album.
Music and album direction
Speaking about the record, drummer Chris Adler stated:
"This album is going to surprise a lot of people. Typically bands that get to where we are in our career begin to slack off, smell the roses and regurgitate. We chose a different path. No one wants to hear another band member hyping a new record. Wrath needs no hype. We have topped ourselves and on February 24 (as 2009) you will feel it."
"We are excited to be changing things up this time and working with Josh. We've never stayed in one place too long, and the band's evolution continues. There is an aggressive shift in the material and our approach. The bar has been raised."
Guitarist Mark Morton was also quoted in an interview stating:
"We usually try to do something fresh every time. This one, I think, is deliberately a little more raw and more aggressive than Sacrament was. Sacrament was a really, really dynamic record on every level, and the songs were all over the place - it was also heavily produced. This one's really raw and real-sounding, from every angle, and we're celebrating imperfections on this record. We're choosing what takes stay on the record based more on their character and personality than how completely mechanically precise they are. It's more about vibe and attitude in the takes than it is about, 'Wow, that was perfect.' It's the perfect ones that get thrown away, because they're just too sterile."
"The guitar tones are a little cleaner than normal. We're kind of getting into this mind-set that clean is heavy. Clarity is a lot heavier than oversaturated. It's just real raw and natural and organic-sounding, which, in itself, is kind of revolutionary these days, when kids are making pro audio-sounding recordings in their dorm rooms, on their laptops, and cutting and pasting verses and choruses. It's no longer cutting edge to make a completely space-aged, robotic-sounding record. I think it's almost fresh now to make one that sounds like an actual band played it. Don't get me wrong - it still sounds airtight and rehearsed, because it is all those things. But it's just real."
This section contains too many or overly lengthy quotations for an encyclopedic entry. (December 2016)
|The A.V. Club||A|
|Consequence of Sound|||
|Los Angeles Times|||
Initial critical response to Wrath was positive. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 74, based on 14 reviews.
The Los Angeles Times stated:
IGN gave it an 8 out of 10 and stated:
The highlight of Wrath, however, is the band's technical prowess, which is omnipresent. And Blythe leads the charge valiantly, with a passel of angry proclamations. While Lamb of God doesn't exactly reinvent the wheel this time out, this is an impressive album-meaning it should be taken as a whole, cohesive listening experience. That's the best way of soaking up all the nuances and subtleties that make Lamb of God a standout American-metal band.
Spin gave it a six out of ten and stated:
The latest outburst of controlled aggression from these veteran Virginia metallurgists proves that consistency is a blessing and a curse. As always, the palm-muted jackhammer riffs and Randy Blythe's elastic denunciations of liars, hypocrites, and lying hypocrites are frightfully precise. [...] But primally satisfying as it is, the band's meat-and-taters thrash leaves one hungry for some Mastodon-style lateral thinking. Or not.
AllMusic has given it mixed comments, stating:
There's no denying the sheer "angry basement workout/summer garage weightlifting" potential that Wrath's perfectly acceptable 45-minute running time offers, but without a single hook that sticks around long enough to reel in the fish, all you've got is bait.
Rolling Stone also gave a little negative review on it, saying:
On their sixth album, Wrath, the fearsome fivesome opt for a somewhat varied but hardly visionary attack mode, occasionally lurching into a groove or tune. The song titles betray a cynicism over military and religious affairs, but growl-to-screech front-monster Randy Blythe never makes his anger coherent [...] Wrath opens and closes with spans of placid subtlety - a welcome touch that doesn't make up for all the raging roteness in between.
Blabbermouth.net has stated:
Despite Grammy nods, being hand-picked as direct support for Metallica, album sales out the ass and other invasions into the mainstream, Lamb of God haven't lightened up one damn bit. In fact, Wrath is nowhere near the over-produced product of a major label success story many of us were waiting for. Nope, Wrath is one raw, vicious and relentless mother fucker; the proverbial snarling beast that has finally broken from its cage and is out for blood...Thankfully, Lamb of God has yet to reach that point where they feel the need to re-invent the wheel, or even themselves for that matter. Since Ashes of the Wake, this has been a band who are very comfortable in their own shoes and will continue to wear them with pride as they kick the shit out of all of us.
About.com gave positive reviews on the album by stating:
The album closer "Reclamation" also starts acoustically before taking the listener on a 7 minute trip through various tempos, intensities and vocal styles. Wrath may not have a signature single like "Redneck" from their last CD Sacrament, but overall it's just as powerful and potent.
In 2010, Lamb of God was nominated for a Grammy, at the 52nd Grammy Awards, for "Set To Fail" in the Best Metal Performance category, but lost out to Judas Priest's "Dissident Aggressor". In 2011, the band was nominated for a Grammy, at the 53rd Grammy Awards, for "In Your Words" in the Best Metal Performance category, but lost to Iron Maiden's "El Dorado". The album won Best Album at the 2009 Metal Hammer Golden Gods Awards ceremony.
All tracks written by Lamb of God.
|2.||"In Your Words"||5:25|
|3.||"Set to Fail"||3:46|
|9.||"Everything to Nothing"||3:50|
|Special Edition bonus tracks|
|12.||"We Die Alone"||4:37|
|13.||"Shoulder of Your God"||5:52|
|Japanese edition bonus tracks|
|12.||"We Die Alone"||4:37|
|13.||"Shoulder of Your God"||5:52|
|14.||"Condemn the Hive"||3:41|
|iTunes bonus track|
|12.||"Now You've Got Something to Die For" (live at Download Festival 2007)||3:41|
Lamb of God
- Chris Adler – drums
- Willie Adler – rhythm guitar
- Randy Blythe – vocals
- Mark Morton – lead guitar
- John Campbell – bass guitar
- Produced and mixed by Josh Wilbur
- Engineered by Dave Holdredge, Paul Saurez
- Mastered by Brian Gardner
|Australian Albums (ARIA)||8|
|Austrian Albums (Ö3 Austria)||53|
|Belgian Albums (Ultratop Flanders)||80|
|Canadian Albums (Billboard)||1|
|Dutch Albums (Album Top 100)||52|
|Finnish Albums (Suomen virallinen lista)||5|
|French Albums (SNEP)||137|
|German Albums (Offizielle Top 100)||61|
|Irish Albums (IRMA)||32|
|Japanese Albums (Oricon)||59|
|New Zealand Albums (RMNZ)||14|
|Norwegian Albums (VG-lista)||20|
|Swedish Albums (Sverigetopplistan)||35|
|Swiss Albums (Schweizer Hitparade)||56|
|UK Albums (OCC)||25|
|UK Rock & Metal Albums (OCC)||1|
|US Billboard 200||2|
|US Digital Albums (Billboard)||2|
|US Top Hard Rock Albums (Billboard)||1|
|US Top Rock Albums (Billboard)||1|
|US Top Tastemaker Albums (Billboard)||1|
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