Cool Japan

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Cool Japan Fund Inc. has an office in Roppongi Hills Mori Tower

Cool Japan (クールジャパン Kūru Japan?), along with "Gross National Cool" is a concept coined in 2002 as an expression of Japan's emergent status as a cultural superpower. Gaining broad exposure in the media and academia, the brand of "Cool Japan" has been adopted by the government of Japan as well as trade bodies seeking to exploit the commercial capital of the country's culture industry. It has been described as a form of soft power, "the ability to indirectly influence behaviour or interests through cultural or ideological means".[1][2]


In a 2002 article in Foreign Policy titled "Japan's Gross National Cool", Douglas McGray wrote of Japan "reinventing superpower" as its cultural influence expanded internationally despite the economic and political problems of the "lost decade". Surveying youth culture and the role of J-pop, manga, anime, fashion, film, consumer electronics, architecture, cuisine, and phenomena of cuteness such as Hello Kitty, McGray highlighted Japan's considerable soft power, posing the question of what message the country might project. He also argued that Japan's recession may even have boosted its national cool, due to the partial discrediting of erstwhile rigid social hierarchies and big-business career paths.[3][4][5]


Taken up in the international media, with the New York Times running a retrospect "Year in Ideas: Pokémon Hegemon",[6] an increasing number of more reform-minded government officials and business leaders in Japan began to refer to the country's "gross national cool" and to adopt the unofficial slogan "Cool Japan".[7][8][9] In a 2005 press conference, the Ministry of Foreign Affairs linked the idea to Bhutan's concept of Gross National Happiness.[10]

The phrase gained greater exposure in the mid-noughties as NHK began a series Cool Japan Hakkutsu: Kakkoii Nippon! which by the end of 2009 had reached over a hundred episodes.[11] Academic initiatives include the establishment of a "Cool Japan" research project at the Massachusetts Institute of Technology,[12] while some western universities have reported an increase in the number of applicants for Japanese Studies courses due to the "cool" effect.[13]


A 2010 editorial in the Yomiuri Shimbun argued that the government was not doing enough to advance the country's business interests in this sphere, allowing South Korea to emerge as a competitor. The editorial highlighted structural inefficiencies, with the Ministry of Economy, Trade and Industry promoting "Cool Japan", the Ministry of Foreign Affairs responsible for cultural exchange, and the Ministry of Agriculture, Forestry and Fisheries in charge of Japanese foods.[14][15][16] Lecturer Roland Kelts has also suggested that a failure to fully distinguish, brand and engage the overseas audience and market may mean that "Cool Japan" is "over".[17][18] Laura Miller has critiqued Cool Japan campaign as exploiting and misrepresenting youth subcultural fashion and language.[19] Nancy Snow refers to Cool Japan as a form of state-sponsored cultural retreading she calls Gross National Propaganda.[20] Japanese singer-songwriter Gackt criticized the government for having set up a huge budget, yet "have no idea where that money should go. It’s no exaggeration to say it has fallen into a downward spiral of wasted tax money flowing into little known companies", and that such lack of support is causing Japan to "fall behind its Asian neighbors in terms of cultural exports".[21]

Creative Industries Promotion Office[edit]

The Japanese government has identified the culture industry as one of five potential areas of growth.[22] In June 2010, the Ministry of Economy, Trade and Industry established a new Creative Industries Promotion Office to promote cultural and creative industries as a strategic sector "under the single, long term concept of "Cool Japan", to coordinate different government functions, and to cooperate with the private sector".[23]

The Ministry of Economy, Trade and Industry announced that Japanese pop culture is one of the key elements for Cool Japan and that pop culture includes idol, anime, and B class gourmet (B級グルメ?).[24]

The deputy director described its mission as to "brand Japanese products with the uniqueness of Japanese culture".[25][26] For 2011 it has a budget of ¥19 billion.[26] In fiscal 2008, public spending on cultural activities was ¥116.9 billion in South Korea, ¥477.5 billion in China, and ¥101.8 billion in Japan, respectively 0.79%, 0.51%, and 0.12% of total government spending.[25]

See also[edit]


  1. ^ Yano, Christine R. (2009). "Wink on Pink: Interpreting Japanese Cute as It Grabs Global Headlines". The Journal of Asian Studies. Cambridge University Press. 68 (3): 681–688 [683]. doi:10.1017/s0021911809990015. Retrieved 18 March 2011. 
  2. ^ Nagata, Kazuaki, "Exporting culture via 'Cool Japan'", The Japan Times, 15 May 2012, p. 3
  3. ^ McGray, Douglas (1 May 2002). "Japan's Gross National Cool". Foreign Policy. Retrieved 11 September 2012. 
  4. ^ McGray, Douglas (1 May 2002). "Japan's Gross National Cool (subscription required)". Foreign Policy. Retrieved 18 March 2011. 
  5. ^ Allison, Anne (5 October 2007). "J-brand: What image of youth is getting sold in Japan's "gross national cool"?" (PDF). University of California, Berkeley. Retrieved 18 March 2011. 
  6. ^ Talbot, Margaret (15 December 2002). "The Year in Ideas; Pokemon Hegemon". The New York Times. Retrieved 18 March 2011. 
  7. ^ "Japan counts on cool culture". BBC. 13 December 2004. Retrieved 18 March 2011. 
  8. ^ Faiola, Anthony (27 December 2003). "Japan's Empire of Cool". Washington Post. Retrieved 18 March 2011. 
  9. ^ Frederick, Jim (4 August 2003). "Forget about salarymen, gridlocked politics and zombie corporations". Time. Retrieved 18 March 2011. 
  10. ^ "Press Conference 27 September 2005 - III". Ministry of Foreign Affairs of Japan. Retrieved 18 March 2011. 
  11. ^ ""Cool Japan" Goes Global" (PDF). Government of Japan. November 2009. Retrieved 18 March 2011. 
  12. ^ "Cool Japan Research Project". Massachusetts Institute of Technology. Retrieved 18 March 2011. 
  13. ^ Corbyn, Zoe (5 October 2007). ""Cool Japan" suffers from cruel cuts". The Times. Retrieved 18 March 2011. 
  14. ^ "Time to capitalise on "Cool Japan" boom". Yomiuri Shimbun. 30 August 2010. Retrieved 18 March 2011. 
  15. ^ "South Korea, China overtaking Japan in "cool" culture battle". Asahi Shimbun. 26 July 2010. Retrieved 18 March 2011. 
  16. ^ Yasumoto, Seiko (2006). "Japan and Korea as a Source of Media and Cultural Capital" (PDF). University of Sydney. Retrieved 18 March 2011. 
  17. ^ Kelts, Roland (17 May 2010). "Japanamerica: Why "Cool Japan" is over". 3:AM Magazine. Retrieved 18 March 2011. 
  18. ^ Kelts, Roland (5 June 2010). "The Politics of Popular Culture - Panel 2" (PDF). Temple University. Retrieved 18 March 2011. 
  19. ^ Miller, Laura. “Cute masquerade and the pimping of Japan.” International Journal of Japanese Sociology. Vol. 20, Issue. 1, pp. 18–29, 2011.
  20. ^ Snow, Nancy. "Uncool Japan: Japan's Gross National Propaganda." Metropolis, Issue 1024, 7 November 2013
  21. ^ "Gackt lashes out at Cool Japan: 'Almost no results of Japanese culture exported overseas'". Japan Today. July 6, 2015. Retrieved September 3, 2016. 
  22. ^ Amano, Tomomichi (14 June 2010). "How to Promote "Cool Japan"". The Wall Street Journal. Retrieved 18 March 2011. 
  23. ^ "Establishment of the Creative Industries Promotion Office". Ministry of Economy, Trade and Industry. Retrieved 18 March 2011. 
  24. ^ "クール・ジャパン/クリエイティブ産業政策". Ministry of Economy, Trade and Industry (in Japanese). Retrieved June 29, 2013. 
  25. ^ a b "Promoting "Cool Japan"". The Japan Times. 15 August 2010. Retrieved 18 March 2011. 
  26. ^ a b Mackay, Mairi (19 November 2010). "Can Japan profit from its national "cool"?". CNN. Retrieved 18 March 2011. 

External links[edit]