|Studio album by|
|Released||September 4, 1992|
|Studio||The Outpost, Stoughton, Massachusetts|
|Producer||Bob Mould, Lou Giordano|
|Singles from Copper Blue|
Copper Blue is the debut studio album by American alternative rock band Sugar. It was voted 1992 Album of the Year by the NME. All of the songs were written by guitarist/vocalist Bob Mould, who also co-produced with Lou Giordano. The song "The Slim" is about losing someone to AIDS. Musically, the band continues the thick punk guitar of Mould's previous band, Hüsker Dü, while slowing the tempo and emphasizing melody even more.
During the 1980s, Bob Mould was the guitarist and lead vocalist of the rock band Hüsker Dü. Initially rooted in hardcore punk, Hüsker Dü eventually developed a sound based around alternative rock, with an emphasis on melody. Although Hüsker Dü broke up before it achieved commercial success, the band is renowned for its impact on the budding college rock music scene, and influenced several other bands like Nirvana and the Pixies. Michael Azerrad wrote in his 2001 book Our Band Could Be Your Life: "Hüsker Dü played a huge role in convincing the underground that melody and punk rock weren't antithetical."
When Hüsker Dü disbanded in 1987, Mould continued as a solo artist, and released two albums in 1989 and 1991. His debut solo album in particular, Workbook, eschewed the hardcore sound that had previously defined his career, and instead featured a lighter sound with folk influence. In 1991, Nirvana released its seminal album Nevermind, which was in part responsible for bringing alternative rock and grunge to mainstream popularity. The popularity of Nevermind and its grunge sound had a profound impact on Mould. In an interview with NPR, Mould said: "When Nevermind came out, that album changed the way people listen to music. A lot of the songs that I had been writing in 1991 led up to my next group, Sugar — and had it not been for Nevermind, I don't know if Sugar's Copper Blue would have stood a chance in '92. But people were now receptive to this sound." Around this time, Mould lost the publishing rights to his solo albums, and was dropped from Virgin Records. This necessitated a nine month solo tour throughout Europe. During this tour, Mould wrote and performed new songs to see how people reacted.
Mould described the music he wrote on tour as "more melodic and immediate than on the other solo records". He had written over thirty songs for a third solo album, and recorded a home demo tape. After some recommendations from one of his friends, Mould signed with Rykodisc and Creation Records, who would release his next album in the United States and Europe respectively. Mould then began looking for studio musicians, and recruited bassist David Barbe and drummer Malcolm Travis in late 1991. He also hired Lou Giordano to produce the album at the Outpost in Stoughton, Massachusetts. The band's name came from a sugar packet Mould noticed while eating at a diner with the other two members.
Release and reissues
|Los Angeles Times|||
|The Rolling Stone Album Guide|||
|The Village Voice||A−|
A limited edition initial run of the CD was released by Rykodisc in a front-and-back metal copper sleeve with each of the 2,500 copies containing a one-of-a-kind Polaroid photo taken by one of the three band members and stamped on the back with "Sugar Copper Blue Summer '92."
Several tracks were recorded for this album, but were not included. Mould decided to release them separately as an EP entitled Beaster.
In July 24, 2012, the album was reissued by Merge Records as a 3-disc set containing the full album accompanied by B-sides (disc 1), the Beaster EP (disc 2), and a 1992 live performance at the Cabaret Metro (disc 3).
Copper Blue Tour
In August 2012, Bob Mould and his band embarked on a "Copper Blue Tour", playing the album in its entirety at several European venues.
|1.||"The Act We Act"||5:10|
|2.||"A Good Idea"||3:47|
|7.||"If I Can't Change Your Mind"||3:18|
|10.||"Man on the Moon"||4:32|
- Bob Mould - guitars, vocals, keyboards, percussion
- David Barbe - bass
- Malcolm Travis - drums, percussion
- Lou Giordano – production, engineering
- Bob Mould – production, engineering
- Tom Bender – mixing
- Howie Weinberg – mastering
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