Crimes and Misdemeanors
Crimes and Misdemeanors | |
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![]() Theatrical release poster | |
Directed by | Woody Allen |
Written by | Woody Allen |
Produced by | Robert Greenhut |
Starring |
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Cinematography | Sven Nykvist |
Edited by | Susan E. Morse |
Music by | Franz Schubert |
Production company | Jack Rollins & Charles H. Joffe Productions |
Distributed by | Orion Pictures |
Release date |
|
Running time | 104 minutes[1] |
Country | United States |
Language | English |
Box office | $18.3 million[2] |
Crimes and Misdemeanors is a 1989 American existential comedy-drama film written and directed by Woody Allen, who stars alongside Martin Landau, Mia Farrow, Anjelica Huston, Jerry Orbach, Alan Alda, Sam Waterston and Joanna Gleason.
Although a box-office flop, the film was met with critical acclaim, receiving three Oscar nominations: Woody Allen, for Best Director and Best Original Screenplay, and Martin Landau, for Best Actor in a Supporting Role. In several publications, Crimes and Misdemeanors has been ranked as one of Allen's greatest films.
Plot[edit]
The story follows two main characters: Judah Rosenthal (Martin Landau), a successful and reputable ophthalmologist, and Clifford Stern (Woody Allen), a small-time documentary filmmaker.
Judah, an upper-class respected family man, is having an affair with flight attendant Dolores Paley (Anjelica Huston). After it becomes clear to her that Judah will not end his marriage, Dolores threatens to disclose the affair to Judah's wife, Miriam (Claire Bloom). She is also aware of some questionable financial deals Judah made before becoming a wealthy ophthalmologist, which adds to his stress. He confides in a patient, Ben (Sam Waterston), a rabbi who is rapidly losing his eyesight. Ben advises openness and honesty between Judah and his wife, but Judah does not wish to imperil his marriage. Desperate, Judah turns to his brother, Jack (Jerry Orbach), a gangster, who hires a hitman to kill Dolores. Before her corpse is discovered, Judah retrieves letters and other items from her apartment in order to cover his tracks. Stricken with guilt, Judah turns to the religious teachings he had rejected, believing for the first time that a just God is watching him and passing judgment.
Cliff, meanwhile, has been hired by his pompous brother-in-law, Lester (Alan Alda), a successful television producer, to make a documentary celebrating Lester's life and work. Cliff grows to despise him. While filming and mocking the subject, Cliff falls in love with Lester's associate producer, Halley Reed (Mia Farrow). Despondent over his failing marriage to Lester's sister Wendy (Joanna Gleason), he woos Halley, showing her footage from his ongoing documentary about Prof. Louis Levy (psychologist Martin S. Bergmann[3]), a renowned philosopher. He makes sure Halley is aware that he is shooting Lester's documentary merely for the money so he can finish his more meaningful project with Levy.
Cliff learns that Professor Levy, whom he had been profiling for a documentary centered on his philosophical views and the strength of his celebration of life, has committed suicide, leaving a curt note that only says: "I've gone out the window". When Halley visits to comfort him, he makes a pass at her, which she gently rebuffs, telling him she isn't ready for another romance. Cliff's dislike for Lester becomes evident during the first screening of the film. Cliff has maliciously edited the movie, which juxtaposes footage of Lester with clownish poses of Benito Mussolini addressing a throng of supporters from a balcony. It also shows Lester yelling at his employees and clumsily making a pass at an attractive young actress. Lester fires him.
Adding to Cliff's burdens, Halley leaves for London, where Lester is offering her a producing job; when she returns several months later, Cliff is astounded to discover that she and Lester are engaged. Hearing that Lester sent Halley white roses "round the clock, for days" while they were in London, Cliff is crestfallen as he realizes he is incapable of that kind of ostentatious display. His last romantic gesture to Halley had been a love letter which he had mostly plagiarized from James Joyce.
In the final scene, Judah and Cliff meet by happenstance at the wedding of the daughter of Rabbi Ben, who is Cliff's brother-in-law and Judah's patient. Judah has worked through his guilt and is enjoying life once more; the murder had been blamed on a drifter with a criminal record. He draws Cliff into a supposedly hypothetical discussion that draws upon his moral quandary. Judah says that with time, any crisis will pass; but Cliff morosely claims instead that one is forever fated to bear one's burdens for "crimes and misdemeanors". Judah cheerfully leaves the wedding party with his wife, and Cliff is left sitting alone, dejected.
The wedding party continues. Ben the rabbi, who is now blind, shares a dance with his daughter while the voice of Prof. Levy is heard, saying that the universe is a dark and indifferent place which human beings fill with love, in the hope that it will give the void a meaning.
Cast[edit]
- Alan Alda as Lester
- Woody Allen as Cliff Stern
- Martin Landau as Judah Rosenthal
- Mia Farrow as Halley Reed
- Anjelica Huston as Dolores Paley
- Jerry Orbach as Jack Rosenthal
- Sam Waterston as Ben
- Joanna Gleason as Wendy Stern
- Caroline Aaron as Barbara
- Claire Bloom as Miriam Rosenthal
- Jenny Nichols as Jenny
- Martin S. Bergmann as Prof. Louis Levy
- Frances Conroy as House Owner
- Daryl Hannah (uncredited) as Lisa Crosley
- Nora Ephron as Wedding Guest
- Zina Jasper as Carol
Production[edit]
After viewing the first cut of the film, Allen decided to throw out the first act, call back actors for reshoots, and focus on what turned out to be the central story.[4][clarification needed]
Music[edit]
Allen makes use of classical and jazz music in many of the film's scenes. The soundtrack includes Franz Schubert's String Quartet No. 15 (a recording by the Juilliard String Quartet), which is used in the scenes leading up to Dolores' death, and Judah discovering her body.
Influences[edit]
The outline of Judah's moral dilemma—whether a person can continue everyday life with the knowledge of having committed murder—evokes[5] the pivotal idea of Russian novelist Fyodor Dostoyevsky's Crime and Punishment (1866), despite suggesting a resolution nearly opposite to that of the novel. Allen would revisit the theme in his films Match Point, Cassandra's Dream, and Irrational Man.
Soundtrack[edit]
- Rosalie (1937) – Written by Cole Porter – Performed by The Jazz Band
- Excerpt from the Soundtrack of 'Mr. & Mrs. Smith' (1941) – Music by Edward Ward
- Dancing on the Ceiling (1930) – Music by Richard Rodgers – Performed by Bernie Leighton
- Taking a Chance on Love (1940) – Music by Vernon Duke – Lyrics by John La Touche
- I Know That You Know (1926) – Music by Vincent Youmans – Lyrics by Anne Caldwell
- English Suite No. 2 in A minor (1722) – Music by Johann Sebastian Bach – Performed by Alicia de Larrocha
- Home Cooking – Written by Hilton Ruiz – Performed by The Hilton Ruiz Quartet
- Happy Birthday to You (1893) – Written by Mildred J. Hill & Patty S. Hill
- Sweet Georgia Brown (1925) – Music by Ben Bernie & Maceo Pinkard – Lyrics by Kenneth Casey
- I've Got You (1942) – Music by Jacques Press – Lyrics by Frank Loesser
- This Year's Kisses (1937) – Written by Irving Berlin – Performed by Ozzie Nelson
- All I Do Is Dream of You (1934) – Music by Nacio Herb Brown – Lyrics by Arthur Freed
- String Quartet in G major, Op. 161, D.887, 1st movement(1826) – Music by Franz Schubert – Performed by the Juilliard String Quartet
- Murder He Says (1942) – Music by Jimmy McHugh – Lyrics by Frank Loesser
- Beautiful Love (1931) – Music by Victor Young, Wayne King and Egbert Van Alstyne – Lyrics by Haven Gillespie
- Great Day (1929) – Music by Vincent Youmans – Lyrics by Billy Rose & Edward Eliscu
- Star Eyes (1943) – Music by Gene de Paul – Lyrics by Don Raye – Performed by Lee Musiker
- Because (1902) – Music by Guy d'Hardelot – Lyrics by Edward Teschemacher
- Crazy Rhythm (1928) – Music by Roger Wolfe Kahn & Joseph Meyer – Lyrics by Irving Caesar
- I'll See You Again (1929) – Written by Noël Coward
- Cuban Mambo (1958) – Music by Xavier Cugat & Rafael Angulo – Lyrics by Jack Wiseman
- Polkadots and Moonbeams (1939) – Music by Jimmy Van Heusen – Lyrics by Johnny Burke
- I'll Be Seeing You (1938) – Music by Sammy Fain – Lyrics by Irving Kahal – Performed by Liberace[6]
Reception[edit]
Box office[edit]
The film grossed a domestic total of $18,254,702.[2]
Critical response[edit]
Crimes and Misdemeanors received mostly positive reviews. It currently holds a 92% "Certified Fresh" rating on review aggregator Rotten Tomatoes, based on 50 critics, with an average rating of 7.90/10.[7] It also holds a 77/100 weighted average score on Metacritic, based on 10 critics, indicating "generally favorable reviews".[8]
Vincent Canby of The New York Times lauded the film, remarking:
The wonder of Crimes and Misdemeanors is the facility with which Mr. Allen deals with so many interlocking stories of so many differing tones and voices. The film cuts back and forth between parallel incidents and between present and past with the effortlessness of a hip, contemporary Aesop. The movie's secret strength—its structure, really—comes from the truth of the dozens and dozens of particular details through which it arrives at its own very hesitant, not especially comforting, very moving generality."[9]
Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, writing:
The movie generates the best kind of suspense, because it's not about what will happen to people—it's about what decisions they will reach. We have the same information they have. What would we do? How far would we go to protect our happiness and reputation? How selfish would we be? Is our comfort worth more than another person's life? Allen does not evade this question, and his answer seems to be, yes, for some people, it would be.[10]
Though normally a fierce critic of Allen's work, John Simon of National Review declared the film to be "Allen's first successful blending of drama and comedy, plot and subplot," and also wrote:
The chief strength of the movie is its courage in confronting grave and painful questions of the kind the American cinema has been doing its damnedest to avoid.[11]
Variety gave the film a more mixed review, however, writing, "Woody Allen ambitiously mixes his two favoured strains of cinema, melodrama and comedy, with mixed results in Crimes and Misdemeanours."[12]
In 2016, film critics Robbie Collin and Tim Robey ranked it as the second best movie by Woody Allen.[13]
Accolades[edit]
The film was met with critical acclaim, and was nominated for three Academy Awards: Woody Allen for Best Director and Best Original Screenplay, and Martin Landau for Best Actor in a Supporting Role.
In Empire magazine's poll of the 500 greatest movies of all time, Crimes and Misdemeanors was ranked number 267.[14] In 2010, it was the first film to win the 20/20 Award[15] for Best Picture, Best Original Screenplay (Woody Allen), and Best Supporting Actor (Martin Landau). It also received three additional nominations, for Best Director (Woody Allen), Best Supporting Actor (Jerry Orbach) and Best Supporting Actress (Anjelica Huston). In a 2016 Time Out contributors' poll, it ranked second only to Annie Hall among Allen's efforts, with Dave Calhoun praising it as "the film in which Woody's comic and serious sides most comfortably align".[16] The film achieved the same rank in an article by The Daily Telegraph critics Robbie Collin and Tim Robey, who wrote, "Here [Allen is] thinking deeply about moral choice, the question of whether guilt in your own eyes or the eyes of the world matters more. This bubblingly wise film, rich with beautifully dovetailing metaphors about blindness and conscience and the perils of self-knowledge, [...] is Allen on soaring form, gliding so elegantly through its maze of ideas it's as if the spirit of Fred Astaire gave it lift-off."[17] Crimes and Misdemeanors was also named Allen's second best by Chris Nashawaty of Entertainment Weekly[18] and Barbara VanDenbergh of The Arizona Republic,[19] third by Darian Lusk of CBS,[20] and fourth by Zachary Wigon of Nerve.[21] In a 2015 BBC critics' poll, it was voted the 57th greatest American film ever made.[22]
In October 2013, the film was voted by The Guardian readers as the third best film directed by Woody Allen.[23]
Year | Award | Category | Nominated work | Result |
---|---|---|---|---|
1989 | Academy Awards | Best Director | Woody Allen | Nominated |
Best Supporting Actor | Martin Landau | Nominated | ||
Best Original Screenplay | Woddy Allen | Nominated | ||
1989 | Golden Globe Awards | Best Motion Picture – Drama | Crimes and Misdemeanors | Nominated |
1990 | British Academy Film Awards | Best Film | Robert Greenhut Woody Allen |
Nominated |
Best Director | Woody Allen | Nominated | ||
Best Original Screenplay | Nominated | |||
Best Supporting Actor | Alan Alda | Nominated | ||
Best Supporting Actress | Anjelica Huston | Nominated | ||
Best Film Editing | Susan E. Morse | Nominated | ||
1990 | Directors Guild of America Awards | Outstanding Directing - Motion Pictures | Woody Allen | Nominated |
1990 | Writers Guild of America Awards | Outstanding Original Screenplay | Won | |
1989 | National Board of Review | Top 10 Films | Crimes and Misdemeanors | Won |
Best Supporting Actor | Alan Alda | Won | ||
1989 | New York Film Critics Circle | Best Supporting Actor | Won | |
1989 | Los Angeles Film Critics Association | Best Supporting Actor | Martin Landau | Nominated |
Release[edit]
Home media[edit]
Crimes and Misdemeanors was released through MGM Home Entertainment on DVD on June 5, 2001. A limited edition Blu-ray of 3,000 units was later released by Twilight Time on February 11, 2014.[24]
Further reading[edit]
- Litch, Mary M. (2010) [1st ed. 2002]. "9. EXISTENTIALISM - The Seventh Seal (1957), Crimes and Misdemeanors (1988), and Leaving Las Vegas (1995) [pp. 209-226]". Philosophy Through Film (2nd ed.). London: Routledge. ISBN 978-0415938754.
{{cite book}}
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References[edit]
- ^ "Crimes and Misdemeanors (15)". British Board of Film Classification. December 6, 1989. Archived from the original on November 4, 2021. Retrieved March 1, 2012.
- ^ a b Crimes and Misdemeanors at Box Office Mojo
- ^ "In the Shadow of Moloch", New York Times Book Review, vol. 98, p. 43, 1993, archived from the original on November 4, 2021, retrieved March 27, 2012
- ^ "2046". Chicago Sun-Times. Archived from the original on 2012-02-18. Retrieved 2021-11-04.
- ^ Nichols, Mary P. (2000). "The Ophthalmologist and the Filmmaker". Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen. Lanham, Maryland: Rowman and Littlefield. pp. 149–164. ISBN 978-0-8476-8990-3.
- ^ Harvey, Adam (2007). The Soundtracks of Woody Allen. US: Macfarland & Company, Inc. p. 42. ISBN 9780786429684.
- ^ Crimes and Misdemeanors at Rotten Tomatoes
- ^ Crimes and Misdemeanors at Metacritic
- ^ Canby, Vincent (October 13, 1989). "Review/Film; 'Crimes and Misdemeanors,' New From Woody Allen". The New York Times. Archived from the original on January 25, 2016. Retrieved September 19, 2015.
- ^ Ebert, Roger (October 13, 1989). "Crimes and Misdemeanors". The Chicago Sun-Times. Archived from the original on September 20, 2015. Retrieved September 19, 2015.
- ^ Simon, John (December 8, 1989). "And Justice for None: Review of Crimes and Misdemeanors". National Review: 46–48.
- ^ "Review: 'Crimes and Misdemeanors'". Variety. December 31, 1988. Archived from the original on March 11, 2020. Retrieved September 19, 2015.
- ^ Collin, Robbie; Robey, Tim (October 12, 2016). "All 47 Woody Allen movies - ranked from worst to best". The Daily Telegraph. Archived from the original on January 18, 2021. Retrieved February 12, 2017.
- ^ "Empire Online". Archived from the original on 2013-09-08. Retrieved 2012-08-27.
- ^ "20/20 Award". Archived from the original on 2013-01-26. Retrieved 2013-02-11.
- ^ The Editors (March 24, 2016). "The best Woody Allen movies of all time". Time Out. Archived from the original on May 29, 2017. Retrieved January 31, 2017.
{{cite magazine}}
:|author=
has generic name (help) - ^ Collin, Robbie; Robey, Tim (October 12, 2016). "All 47 Woody Allen movies - ranked from worst to best". The Daily Telegraph. Archived from the original on January 18, 2021. Retrieved February 1, 2017.
- ^ Nashawaty, Chris (July 18, 2016). "Woody Allen Films, Ranked". Entertainment Weekly. Archived from the original on February 5, 2017. Retrieved February 2, 2017.
- ^ VanDenbergh, Barbara (July 29, 2014). "Woody Allen's top 10 best films". The Arizona Republic. Archived from the original on November 4, 2021. Retrieved February 2, 2017.
- ^ Lusk, Darian (August 7, 2013). "Top 10 Woody Allen movies". CBS. Archived from the original on February 3, 2017. Retrieved February 2, 2017.
- ^ Wigon, Zachary. "Ranked: woody Allen Films from Worst to Best". Nerve. Archived from the original on December 14, 2016. Retrieved February 2, 2017.
- ^ "The 100 greatest American films". BBC. July 20, 2015. Archived from the original on September 16, 2016. Retrieved February 1, 2017.
- ^ "The 10 best Woody Allen films". The Guardian. October 4, 2013. Archived from the original on November 29, 2014. Retrieved November 22, 2014.
- ^ "Crimes And Misdemeanors (1989) (Blu-Ray)". Screen Archives Entertainment. Archived from the original on February 8, 2014. Retrieved February 13, 2014.
External links[edit]
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Wikiquote has quotations related to Crimes and Misdemeanors. |
- Crimes and Misdemeanors at IMDb
- Crimes and Misdemeanors at AllMovie
- Crimes and Misdemeanors at Box Office Mojo
- Crimes and Misdemeanors at Rotten Tomatoes
- Crimes and Misdemeanors at Metacritic
- Crimes and Misdemeanors at the American Film Institute Catalog
- Roger Ebert's review of Crimes and Misdemeanors
- 1989 films
- English-language films
- 1989 comedy-drama films
- American films
- American comedy-drama films
- American satirical films
- Films directed by Woody Allen
- Films about film directors and producers
- Films set in Manhattan
- Films set in New York City
- Films shot in New Jersey
- Films shot in New York City
- American independent films
- Films about Jews and Judaism
- Orion Pictures films
- Anthony Award-winning works
- Films with screenplays by Woody Allen
- Adultery in films
- Films produced by Robert Greenhut
- Uxoricide in fiction
- 1980s satirical films
- 1989 independent films