|Stylistic origins||Anarcho-punk, extreme metal, hardcore punk, d-beat|
|Cultural origins||Mid 1980s, England|
|Typical instruments||Electric guitar, bass, drums, vocals|
Crust punk (often simply crust) is a form of music influenced by anarcho-punk, hardcore punk and extreme metal. The style, which evolved in the mid-1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo.
Crust is partly defined by its "bassy" and "dirty" sound. It is often played at a fast tempo with occasional slow sections. Vocals are usually guttural and may be grunted, growled or screamed. Crust punk takes cues from the anarcho-punk of Crass and Discharge and the extreme metal of bands like Venom, Hellhammer/Celtic Frost and Motörhead. While the term was first associated with Hellbastard, Amebix have been described as the originators of the style.
- 1 Characteristics
- 2 History
- 3 Fusion with other genres
- 4 Clothing
- 5 List of bands
- 6 Crust punk record labels
- 7 See also
- 8 References
- 9 Further reading
Crust punk is a derivative form of hardcore punk and anarcho-punk, mixed with metal riffs. The tempos are often fast, but just short of thrashcore or grindcore. However, many groups confine themselves to a crawling, sludgy pace. The overall musical sound has been described as being "stripped down". Drumming is typically done at high speed, with D-beats sometimes being used.
Vocals and lyrics
Vocals in crust punk are often shrieked or shouted, and may be shared between two or more vocalists. The lyrical content of crust punk tends to be bleak and nihilistic, yet politically engaged. Crust punk songs are often about nuclear war, militarism, animal rights, police, personal grievances, oppressive states and fascism. Amebix were also interested in various forms of mysticism and Gnosticism. Malcolm "Scruff" Lewty, guitarist and vocalist of Hellbastard, describes the distinction between metal and crust punk lyrics:
Metal lyrics were so dumb, so far removed from daily life. Venom were going on about Satan... and bikes... and Satan... and women... and Satan! You know what? I never got up in the morning and said, 'Fuck yeah! Satan! Let's go and meet my disciples from Hell!' I'd switch on the TV and know I was going to see hundreds of people dying because there'd been an earthquake in the third world... and all these people starving to death while military expenditure still increased... That was — and still is — the reality of it. The whole heavy metal thing is just an escape from reality, into this other world of... well, bullshit basically.—
The initial inspiration for the crust punk scene came from the anarcho-punk of Crass and D-beat of Discharge. Swedish D-beat groups such as Crude SS, Skitslickers/Anti Cimex and Mob 47 and the Finnish Rattus were also early influences. Amebix also brought in influences from various post-punk bands, including Public Image Ltd., Bauhaus, Joy Division, and especially Killing Joke. The proto-metal sound of Black Sabbath and Motörhead was also a big influence on both Amebix and Antisect.
Crust was founded by the bands Amebix and Antisect, in 1985, with the Arise LP and Out from the Void single, respectively. The term "crust" was coined by Hellbastard on their 1986 Ripper Crust demo. As punk historian Ian Glasper puts it,
'Rippercrust' is widely regarded as the first time the word 'crust' was used in the punk context, and hence the specific starting point of the whole crustcore genre, although some would attribute that accolade to the likes of Disorder, Chaos UK, and Amebix several years earlier.—
Malcolm "Scruff" Lewty, vocalist and guitarist of the group, commented,
A lot of people say we started the crust-punk genre, but whatever. If they wanna say that, I don't mind, but I'm certainly no Malcolm McLaren, saying I invented something I didn't.—
Punk journalist Felix von Havoc contends that Doom, Excrement of War, Electro Hippies and Extreme Noise Terror were among the first bands to have the traditional UK "crust" sound. Additional subgenres of this style began to develop. Deviated Instinct, from Norwich, created "stenchcore", bringing "both the look and sound — dirty and metallic, respectively — to their natural conclusion". Initially an anarcho-punk group, they began to take increasing influence from metal. As vocalist Julian "Leggo" Kilsby comments,
We were very much a part of the anarcho scene, to start with, very politically motivated... all the way through the band's existence, really, although it got less obvious as time went by. But I never really liked the straightforward 'War is bad...' lyrics that were so prevalent at the time, so as my writing skills improved I wanted to add more depth to our lyrics and make them more metaphorical; I'd always been into horror films, so that started to manifest itself in the imagery I was using...—
Extreme Noise Terror is credited with developing this style into grindcore. However, Pete Hurley, the guitarist for the group, declared that he had no interest in being remembered as a pioneer of this style: "'grindcore' was a legendarily stupid term coined by a hyperactive kid from the West Midlands, and it had nothing to do with us whatsoever. ENT were, are, and — I suspect — always will be a hardcore punk band... not a grindcore band, a stenchcore band, a trampcore band, or any other sub-sub-sub-core genre-defining term you can come up with."
American crust punk began in New York City, also in the mid-'80s, with the work of Nausea. The group emerged from the Lower East Side squat scene and New York hardcore, living with Roger Miret of Agnostic Front. The early work of Neurosis, from San Francisco, also borrowed from Amebix, and inaugurated crust punk on the West Coast. Disrupt (Boston), Antischism (South Carolina), MISERY and Destroy (Minneapolis) were also significant U.S. crust groups.
An important American crust punk band was Aus Rotten from Pittsburgh, Pennsylvania. Crust punk also flourished in Minneapolis, shepherded by the Profane Existence label. In this period, the ethos of crust punk became particularly codified, with vegetarianism, feminism, and sometimes straight edge being prescribed by many of the figures in the scene. The powerviolence scene associated with Slap-a-Ham Records was in close proximity to crust punk, particularly in the case of Man Is the Bastard and Dropdead. Crust was also prominent in the American South, where Prank Records and CrimethInc. acted as focal points of the scene. The most well-known representative of Southern crust was His Hero Is Gone. Prominent crust punk groups (Driller Killer, Totalitär, Skitsystem, Wolfbrigade, and Disfear) also emerged from Sweden, which had always had a strong D-beat scene. Many of these groups developed in parallel with the much more commercial Scandinavian death metal scene.
Fusion with other genres
As Amebix was heavily influenced by Killing Joke, who are among the founders of industrial rock, crust punk has always had some relationship to this style. Nausea also eventually incorporated elements of industrial rock.
Crust had a major impact on grindcore. The first grindcore, practiced by the British groups Napalm Death and Extreme Noise Terror emerged from the crust punk scene. This style is dubbed "crustgrind".
Thrashcore and powerviolence
Black metal influences
Crust punk groups, such as Amebix, took some influence from the early black metal of Venom and Hellhammer/Celtic Frost. Similarly, Bathory was initially inspired by crust punk as well as metal. Crust was affected by a second wave of influence in the 1990s, with some bands emphasizing these black metal elements. Iskra are probably the most obvious example of second wave black metal-influenced crust punk; Iskra coined their own phrase "blackened crust" to describe this new style. The Japanese group Gallhammer also blend crust with black metal while the English band Fukpig has been said to have elements of crust, black metal, and grindcore. In addition, Norwegian band Darkthrone have incorporated crust punk traits in their more recent material. As Daniel Ekeroth wrote in 2008,
In a very ironic paradox, black metal and crust punk have recently started to embrace one another. Members of Darkthrone and Satyricon have lately claimed that they love punk, while among crusties, black metal is the latest fashion. In fact, the latest album by crust punk band Skitsystem sounds very black metal--while the latest black metal opus by Darkthrone sounds very punk! This would have been unimaginable in the early 90s.—
Crust punk also has an associated DIY-oriented branch of punk garb. Similar to anarcho-punk, most clothing is black in color. Denim jackets and hooded sweatshirts with sewn-on patches, or vests covered in studs, spikes and band patches are characteristic elements of the crust punk style of dress or pants covered in band patches. Crusties sometimes wear dreadlocks.
List of bands
|Behind Enemy Lines||USA||2000|||
|Fleas and Lice||The Netherlands||1993|||
|His Hero Is Gone||USA||1995|||
Crust punk record labels
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- Peter Jandreus, The Encyclopedia of Swedish Punk 1977-1987, Stockholm: Premium Publishing, 2008, p. 11.
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- es:Crust punk#D.C3.A9cada de los 90s.2F00s .28Portland.2C Suecia.2C Espa.C3.B1a.29
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- Ekeroth, p. 27.
- "Hard of Hearing", Terrorizer no. 171, June 2008, p. 56.
- Fuckpig at 2010 Supersonic Festival
- "C: Do you think that FUKPIG has founded a style of his own? Misery: Nah its just d-beat crust, with added horror C: and then What difference to FUKPIG from the rest of the bands? Misery: We add more black metal / horror influences, but are still inspired by the same things C: Is Necro-Punk your style? Misery: Yeah, necro in the black metal style playing crust punk, so yeah Necro Punk." Interview: Fukpig
- Ekeroth, p. 258.
- Kevin Stewart-Panko, "I Saw Disfear Three Times in Three Days", Decibel, no. 46, August 2008, p. 22.
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- Ekeroth, Daniel (2008). Swedish Death Metal. Bazillion Points Books. ISBN 978-0-9796163-1-0
- Glasper, Ian (2004). Burning Britain: The History of UK Punk 1980-1984. Cherry Red Books. ISBN 1-901447-24-3
- Glasper, Ian (2006). The Day the Country Died: A History of Anarcho Punk 1980 to 1984. Cherry Red Books. ISBN 1-901447-70-7
- Glasper, Ian (2009). Trapped in a Scene: UK Hardcore 1985-1989. Cherry Red Books. ISBN 978-1-901447-61-3
- "In Grind We Crust," Terrorizer #181, March 2009, p. 46, 51.
- Mudian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X
- Profane Existence (1997). Making Punk a Threat Again: Profane Existence: Best Cuts 1989-1993. Loincloth. ASIN: B000J2M8GS