This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)(Learn how and when to remove this template message)
|Other names||Puíta, Quíca|
|Classification||Membranophone, single-head tubular drum, conical, ring-screw-mount hardware|
|Developed||Brazil - Afro-Brazilian|
The cuíca (Portuguese pronunciation: [kuˈikɐ]) is a Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. Cuíca is Portuguese for the gray four-eyed opossum (Philander opossum) which is known for its high-pitched cry. It is frequently used in carnivals, as well as often in samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. Many also liken its sound to that of a monkey.
There are a number of styles of cuíca found around the globe. Its origins are disputed: Different sources trace it to Bantu slaves, to Spain, and to Muslim traders. The cuica was used in Africa as a call for the male lion since the sound mimics the roar of the female lioness. The instrument was introduced to Brazil by African slaves, where it found its place in samba music.
The cuíca has a wooden stick fastened at one end inside the drum in the center of the drumhead. This stick is rosined and rubbed with a cloth. Changing the pressure on this stick produces the different pitches and timbres. The body of the cuíca is normally made of metal, gourd or synthetic material. It has a single head, normally 6 to 10 inches (15 to 25 centimetres) in diameter, made of animal skin. A thin bamboo stick is attached to the center of, and perpendicular to, the drum head, extending into the drum's interior. The instrument is held under one arm at chest height with the help of a shoulder strap. To play the cuíca, the musician rubs the stick up and down with a wet cloth held in one hand, using the fingers of the other hand to press down on the skin of the drum near the place where the stick is attached. The rubbing motion produces the sound and the pitch is increased or decreased by changing the pressure on the head.
The cuíca is used to accompany a variety of different folk and urban popular dances. For example, it may be part of the instrumental ensemble for the May dança de Santa Cruz or for the moçambique dramatic dance (bailado) in Minas Gerais. It also is used in Holy Cross dances and processions and in performances of São Paulo rural sambas.
The cuíca plays an important rhythmic role in samba music of all kinds. It is particularly notable as a fixture of Rio de Janeiro's Carnival groups, which feature entire sections of cuíca players. It is so commonly used in radio-oriented samba music that in the absence of a cuíca player, Brazilian singers or other musicians imitate the sound of the cuíca with their voices. An example of this imitation can be heard on the intro part of Dizzy Gillespie's version of Chega de Saudade (from the "Dizzy on the French Riviera" album, 1965) composed by Antonio Carlos Jobim. The cuíca can also be heard played by the Brazilian percussionist Airto Moreira on the 1999 reissue bonus track "Feio", on Miles Davis' album Bitches Brew. The instrument was also used in the song "Me and Julio Down by the Schoolyard" by American singer-songwriter Paul Simon. Along with samba, the cuíca is one of the mainly used Brazilian instruments in jazz-rock, free jazz, and Latin jazz.
- Friction drum
- Lion's roar (instrument)
- Dandeny Muñoz Mosquera, also known as "La Quica", was purported to be the chief assassin for the Medellín Cartel of Colombia
- Schechter, John. "Cuica". Grove Music Online. Oxford Music Online. Retrieved 18 September 2012.
- "Cuica". BBC Guide Entry. June 2008. Retrieved 18 September 2012.
- "Cuica". Grinnell College Music Instrument Collection. Retrieved 18 September 2012.
- "The Cuica" (PDF). Mid-East Ethnic Instruments. Archived from the original (PDF) on April 26, 2012. Retrieved December 30, 2011.
- Kernfeild, Barry. "Cuica". The New Grove Dictionary of Jazz, 2nd Edition. Oxford Music Online. Missing or empty