|Address||18 Hewett Street
The Curtain Theatre was an Elizabethan playhouse located in Hewett Street, Shoreditch (part of the modern London Borough of Hackney), just outside the City of London. It opened in 1577, and continued staging plays until 1624.
The Curtain was built some 200 yards south of London's first playhouse, The Theatre, which had opened a year before, in 1576. It was called the "Curtain" because it was located near a plot of land called Curtain Close, not because of the sort of front curtain associated with modern theatres, but of its proximity of the City walls, curtain or curtain wall referring to the part of city walls between two bastions.
The Curtain Theatre was built in 1577 in Shoreditch, and was London's second playhouse. The exact location was for many years unknown, although it was believed to have been built near to The Theatre. Little is known of the plays performed at the Curtain or of the playing companies that performed there. Henry Lanman appears to have been its proprietor, who is described as a "gentleman." In 1585, Lanman made an agreement with the proprietor of the Theatre, James Burbage, to use the Curtain as a supplementary house, or "easer," to the more prestigious older playhouse. The first recorded mention of the Curtain is in 1584, when the City of London petitioned Shoreditch Council to shut down their playhouses.:63 From 1597 to 1599, it became the premier venue of Shakespeare's Company, the Lord Chamberlain's Men, who had been forced to leave their former playing space at The Theatre after the latter closed in 1596. It was the venue of several of Shakespeare's plays, including Romeo and Juliet (which gained "Curtain plaudits") and Henry V. In this latter play the somewhat undistinguished Curtain gains immortal fame by being described by Shakespeare as "this wooden O." The Lord Chamberlain's Men also performed Ben Jonson's Every Man in His Humour here in 1598, with Shakespeare in the cast. Later that same year Jonson gained a certain notoriety by killing actor Gabriel Spencer in a duel in nearby Hoxton Fields. The Lord Chamberlain's Men departed the Curtain when the Globe Theatre, which they built to replace the Theatre, was ready for use in 1599. For seven years Henry Lanman (owner of the Curtain) had an agreement with James Burbage (owner of the Theatre) that all profit would be shared between them. This deal is how many believe Lanman was able to afford to open the Curtain, the rest is all very unclear. J. Leeds Barroll focuses in Shakespeare studies: An annual gathering of Research, Criticism and Reviews on the fact that Henry Lanman had offered the Curtain as an easer to James Burbage, proprietor of the Theatre. Thereby, he assumes that Lanman’s business, the Curtain, must have been doing as well as Burbage’s business, the Theatre, since both, Lanman and Burbage, had agreed on a pooling arrangement for seven years in 1585, to pool profits. As far as is known, Lanman ran the Curtain as a private concern for the first phase of its existence; He died in 1606 and it is assumed by Edmund Chambers that the theatre had been re-arranged into a shareholder’s enterprise before his death at some point. Thomas Pope, one of the Lord Chamberlain's Men, owned a share in the Curtain and left it to his heirs in his last will and testament in 1603. King's Men member John Underwood did the same in 1624.:63 The fact that both of these shareholders belonged to Shakespeare's company may indicate that the re-organization of the Curtain occurred when the Lord Chamberlain's Men were acting there. Otherwise, it would be very unwise of Burbage to pool profits if he did better in the first place. Thus, the suggestion is given that both proprietors were doing equal business. Burbage's father Richard had shares in the theatre at the time of his death.:144
The London theatres, including the Curtain, were closed for much of the period from September 1592 to April 1594 due to the bubonic plague according to Alchin in his complete works on Shakespeare. In 1597, people wrote to the local magistrates' court demanding that no plays take place at the Curtain or the Theatre that year.:37 The Curtain was named in John Stow's Survey of London in 1598, but was not listed in the 1603 edition. In 1600, the Privy Council tried unsuccessfully to shut down the Curtain theatre, and in 1603, the Curtain became the playhouse of Queen Anne's Men (formerly known as Worcester's Men, and formerly at the Rose Theatre, where they'd played Heywood's A Woman Kill'd With Kindness in February of that year).:64 In 1607, The Travels of the Three English Brothers, by Rowley, Day, and Wilkins, was performed at the Curtain.
The Curtain had been in use from 1577 until at least 1624, after which its ultimate fate is obscure as there is no record of it after 1627. The exact location of the Curtain is now known, following excavations in 2016, and there is a commemorative plaque for the theatre at 18 Hewett Street.:62
Even though the Curtain was closed sometime after 1624 without any clear causes, the issue of financial problems cannot be addressed to that event without evidence.
Archaeological remains uncovered
In June 2012, archaeologists from MOLA announced that they had discovered the remains of the theatre during trial excavation. The remains will be available for public access when work is complete. In 2013 plans were submitted to develop the site with a 40-storey tower of 400 apartments plus Shakespeare museum, 250-seat outdoor auditorium and park, with the archaeological remains visible in a glass enclosure called The Stage, Shoreditch. In May 2016, excavators announced that the theatre was not round, but rectangular, fitting into the space between existing structures along the city wall. The galleries were straight. 
In popular culture
- N. W. Bawcutt, The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels, 1623-1673, Oxford, 1996, p. 141, 150.
- Joseph Quincy Adams, Shakespearean Playhouses, Boston, 1917, p. 76
- "The Curtain". Shakespeare Online. Retrieved 7 May 2016.
- "Curtain Elizabethan Theatre". Elizabethan Era Online. Retrieved 7 May 2016.
- Bowsher, Julian (July 2012). Shakespeare's London Theatreland: Archaeology, History and Drama. Museum of London Archaeology. ISBN 9781907586125.
- E.K. Chambers, The Elizabethan Stage volume III, Oxford, 1923, p. 359
- Stern, Tiffany (February 2004). Making Shakespeare: From Stage to Page. Routledge. p. 15. ISBN 978-0415319652. Retrieved 7 May 2016.
- William Ingram, The Business of Playing: The Beginnings of the Adult Professional Theater in Elizabethan London, Cornell University Press, 1992, p. 222
- Chambers, Vol. 2, p. 403.
- Collier, John Payne (2012). The works of William Shakespeare, the text formed from an entirely new collation of the old editions, with notes. General Books. ISBN 9780217290210. Retrieved 7 May 2016.
- Smith, David L.; Strier, Richard; Bevington, David (2002). The Theatrical City: Culture, Theatre and Politics in London, 1576-1649. Cambridge University Press. p. 50. ISBN 0521526159.
- "The Curtain Theatre". London Borough of Hackney. 28 Feb 2007. Retrieved 2010-06-10.
- "Remains of Shakespeare's Curtain Theatre discovered in Shoreditch" (Press release). Museum of London Archaeology. 6 June 2012. Retrieved 7 June 2012.
- Kennedy, Maev (2012-06-05). "Shakespeare's Curtain theatre unearthed in east London". The Guardian. Retrieved 6 June 2012.
- "Curtain lifts on open-air stage at Shakespeare theatre site in Shoreditch". Evening Standard. 24 January 2013. Retrieved 5 July 2013.
- "The Stage, Shoreditch". The Stage, Shoreditch. 12 April 2016. Retrieved 12 April 2016.
- Shakespeare in Love (1998) at the Internet Movie Database
- Chambers, E. K. The Elizabethan Stage. 4 Volumes, Oxford, Clarendon Press, 1923.
- Shapiro, J. (2005) 1599: A Year in the Life of Shakespeare. Faber and Faber.
- Schoenbaum, S. (1987) William Shakespeare: A Compact Documentary Life. OUP.
- Wood, M. (2003) In Search of Shakespeare. BBC Worldwide.
- Alchin, L. K. "William Shakespeare - The complete works". william-shakespeare.info. Retrieved 16 November 2008.
- Chambers, Edmund K. The Elizabethan Stage. Vol.5. New York: Oxford University Press,
2009. Print. 5 vols.
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- Shakespearean Playhouses, by Joseph Quincy Adams, Jr. from Project Gutenberg