|Relative key||B minor|
|Parallel key||D minor|
|Dominant key||A major|
|D, E, F♯, G, A, B, C♯|
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature consists of two sharps. Its relative minor is B minor and its parallel minor is D minor.
The D major scale is:
D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings.
It is thus no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart (No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini (No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev (No. 1, 1917); Stravinsky (1931); and Korngold (1945).
The key is also appropriate for guitar music, with drop D tuning making two D's available as open strings. For some beginning wind instrument students, however, D major is not a very suitable key, since it transposes to E major on B♭ wind instruments, and beginning methods generally tend to avoid keys with more than three sharps.
Even so, the clarinet in B♭ is still often used for music in D major, and it is perhaps the sharpest key that is practical for the instrument. There are composers however who, in writing a piece in D minor with B♭ clarinets, will have them change to clarinets in A if the music switches to D major, two examples being Rachmaninoff's Third Piano Concerto and Beethoven's Ninth Symphony in the fourth movement.
In the Baroque period, D major was regarded as "the key of glory"; hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and Torelli. "The Trumpet Shall Sound" and the "Hallelujah" chorus from Handel's Messiah, and his coronation anthem Zadok the Priest are in D major.
23 of Haydn's 104 symphonies are in D major, making it the most-often used main key of his symphonies. The vast majority of Mozart's unnumbered symphonies are in D major, namely K. 66c, 81/73, 97/73m, 95/73n, 120/111a and 161/163/141a. The symphony evolved from the overture, and "D major was by far the most common key for overtures in the second half of the eighteenth century." This continued even into the Romantic Period, and was used for the "triumphant" final movements of several D minor symphonies, including Beethoven's Ninth Symphony, the only symphony by César Franck, Sergei Rachmaninoff's First Symphony, and Felix Mendelssohn's Fifth Symphony.
Famous symphonies written in D major include Mozart's symphonies No. 31 (Paris) and No. 38 (Prague), Beethoven's No. 2 Op. 36, Brahms's No. 2 Op. 73, Sibelius's No. 2 Op. 43, Mahler's No. 9 (though it ends in the remote key of D♭ major) and Prokofiev's No. 1 (Classical) Op. 25.
Scriabin considered D major to be golden in color (see chromesthesia) and, in a discussion with Rimsky-Korsakov, he gave an example from one of Rimsky-Korsakov's own operas where a character sang in D major about gold.
Notable compositions in D major
- Claudio Monteverdi
- Vespro della Beata Vergine: I. Deus in adjutorium
- Antonio Vivaldi
- Gloria RV 589
- Johann Sebastian Bach
- Johann Pachelbel
- George Frideric Handel
- Joseph Haydn
- Cello Concerto No. 2, Op. 101, Hob. VIIb/2
- String Quartet No. 41, Hob.III:49 ("The Frog")
- String Quartet No. 53, Hob.III:63 ("The Lark")
- String Quartet No. 64, Hob.III:79 ("Largo")
- Symphony No. 86, Hob.I:86
- Symphony No. 96, Hob.I:96 ("The Miracle")
- Symphony No. 101, Hob.I:101 ("The Clock")
- Symphony No. 104, Hob.I:104 ("London")
- Wolfgang Amadeus Mozart
- Symphony No. 8, KV 48
- Symphony No. 20, KV 133
- Symphony No. 30, KV 202
- Symphony No. 31, KV 297 ("Paris")
- Symphony No. 35, KV 385 ("Haffner")
- Symphony No. 38, KV 504 ("Prague")
- Piano Concerto No. 5, KV 175
- Piano Concerto No. 16, KV 451
- Piano Concerto No. 26, KV 537 ("Coronation")
- String Quartet No. 20, KV 499 ("Hoffmeister")
- String Quartet No. 21, KV 575
- String Quintet No. 5, KV 593
- Piano Sonata No. 6, KV 284 ("Dürnitz")
- Piano Sonata No. 9, KV 311
- Piano Sonata No. 18, KV 576
- Sonata in D major for Two Pianos, KV 448
- Overture to The Marriage of Figaro, KV 492
- Ludwig van Beethoven
- Franz Schubert
- Felix Mendelssohn
- Frédéric Chopin
- Johannes Brahms
- Pyotr Ilyich Tchaikovsky
- Antonín Dvořák
- Gustav Mahler
- Jean Sibelius
- Symphony No. 2, Op. 43
- Ralph Vaughan Williams
- Symphony No. 5 in D major
- Sergei Prokofiev
- Dmitri Shostakovich
- Jules Massenet
- Rita Steblin: A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries (Rochester, University of Rochester Press: 1996) p. 124 "The key of triumph, of Hallelujahs, of war-cries, of victory-rejoicing."
- Rice, John (1998). Antonio Salieri & Viennese Opera. Chicago: University of Chicago Press. p. 124.
- Media related to D major at Wikimedia Commons
|The table indicates the number of sharps or flats in each scale. Minor scales are written in lower case.|