|Single by Daft Punk|
|from the album Homework|
|Daft Punk singles chronology|
"Da Funk" is an instrumental track by Daft Punk initially released as a single in 1995 and later included on their debut album Homework. "Da Funk" and its accompanying video directed by Spike Jonze are considered classics of 1990s house music. A reversed clip of "Da Funk" was also released on Homework as "Funk Ad", which is the final track on the album.
"Da Funk" was initially released as a 12-inch single in 1995 under the Soma Quality Recordings label, with the B-side "Rollin' & Scratchin'". The pressing was limited to 2,000 copies and was "virtually ignored" according to a Muzik magazine feature at the time. The single received a boost in popularity when The Chemical Brothers incorporated it into their live shows. Subsequently, the British duo's song "Life Is Sweet" was remixed by Daft Punk for a single release in August 1995.
Daft Punk eventually signed with Virgin Records in late 1996 after a bidding war amongst several labels. "Da Funk" was re-released by Virgin with the B-side "Musique", a track that later appeared on the anthology Musique Vol. 1 1993–2005. The duo's debut album Homework features "Da Funk" as well as a reversed excerpt titled "Funk Ad". Daft Punk expressed that they wanted to make the album balanced by distributing tracks evenly across each of the four vinyl sides.
"Da Funk" went on to sell 30,000 copies in 1997. The prominent French club magazine Coda named it the number one single with 33 percent of the vote. In September 2010 Pitchfork Media included the song at number 18 on their Top 200 Tracks of the 90s. In 2011, the song was featured in the video games Top Spin 4 and Ubisoft's Just Dance 3. And in 2012, NME listed the song in the "100 Best Songs of the 1990s" at number 8.
In an interview with Fredrik Strage for Swedish magazine Pop #23, Bangalter revealed that "Da Funk" was made after listening to American G-funk for weeks:
- It was around the time Warren G's "Regulate" was released and we wanted to make some sort of gangsta rap and tried to murk our sounds as much as possible. However, no one has ever compared it to hip hop. We've heard that the drums sound like Queen and The Clash, the melody is reminiscent of Giorgio Moroder, and the synthesisers sound like electro and thousand of other comparisons. No one agrees with us that it sounds like hip hop.
The riff was originally a siren sound, but was changed to reflect the "gangsta rap" aesthetic they were trying to achieve. The bassline was created with a Roland TB-303 synthesizer Bangalter purchased in 1993. He had created several patterns with the 303 beforehand: "When we were looking for a bassline, we listened to some of [the] ones I'd already programmed and took the one that fit best."
The track's music video was directed by Spike Jonze and entitled Big City Nights. It focuses on the character Charles (Tony Maxwell), an anthropomorphic dog in a leg cast with a crutch wearing urban clothing. Charles, who has lived in New York City for only one month, is shown walking around with a boombox blasting "Da Funk" at a high volume. His hobbled walk is made fun of by a pair of children. He is turned down when he attempts to participate in a public survey. His boombox annoys a bookseller on the sidewalk from whom Charles buys a paperback novel entitled Big City Nights. Charles meets a woman named Beatrice (Catherine Kellner), who was once his childhood neighbor. They agree to have dinner together at her home, traveling by way of a city bus. Beatrice boards the bus, but Charles is startled by a sign stating "NO RADIOS". As he is unable to turn off his boombox (which is earlier indicated to have a broken/missing volume button) he reluctantly remains at the bus stop, as the bus drives off with Beatrice.
Although the video has drawn several interpretations, Thomas Bangalter has stated:
There's no story. It is just a man-dog walking with a ghetto-blaster in New York. The rest is not meant to say anything. People are trying to explain it: Is it about human tolerance? Integration? Urbanism? There's really no message. There will be a sequel someday.
|Belgium (Ultratop 50 Flanders)||20|
|Belgium (Ultratop 50 Wallonia)||9|
|Belgium Dance (Ultratop)||14|
|Finland (Suomen virallinen lista)||16|
|Iceland (Íslenski Listinn Topp 40)||5|
|Italy (Musica e dischi)||8|
|Netherlands (Single Top 100)||96|
|Scotland (Official Charts Company)||5|
|UK Singles (Official Charts Company)||7|
|US Bubbling Under Hot 100 Singles (Billboard)||8|
|US Dance Club Songs (Billboard)||1|
- Myers, Michele (19 August 2011). "The Big Beat Revolution: 11 Essential Songs". NPR Music. Retrieved 9 April 2018.
- Pitchfork Top 200 Tracks of the 90s
- Bush, C. (1997), Frog Rock, Muzik, IPC Magazines Ltd, London, Issue No.21 February 1997.
- James, Martin. French Connections: From Discotheque to Discovery. London, United Kingdom: Sanctuary Publishing Ltd., 2003. pg 273. (ISBN 1-8607-4449-4)
- Warner, Jennifer. "Interview with Daft Punk" Archived 2014-07-10 at the Wayback Machine. p. 3. DMA. About.com. Retrieved on 30 March 2007.
- "100 Best Songs Of The 1990s (10-1)". NME. Retrieved 3 October 2018.
- Strage, Fredrik. Daft Punk drömmer om Amerika Pop (Stockholm). - Stockholm, Sweden: Bonniers specialtidningsförlag, 1997 pg. 85 (ISSN 1103-8578).
- Kieran Grant, Who are those masked men? Archived 2012-06-29 at Archive.today canoe.ca. Retrieved on 15 April 2007.
- "Daft Punk - Da Funk". Australian Charts. Hung Medien. Retrieved on 22 May 2012.
- "Australian-charts.com – Daft Punk – Da Funk". ARIA Top 50 Singles. Retrieved 15 January 2012.
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- "Chart Track: Week 26, 1996". Irish Singles Chart. Retrieved 21 April 2013.
- "Top National Sellers" (PDF). Music & Media. Vol. 14 no. 18. 3 May 1997. p. 22. Retrieved 27 November 2019.
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- "Official Scottish Singles Sales Chart Top 100". Official Charts Company. Retrieved 13 June 2018.
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