Daffy Duck and the Dinosaur
|Daffy Duck and the Dinosaur|
|Produced by||Leon Schlesinger|
Herry Binder (uncredited)
|Story by||Dave Monahan|
Mel Blanc (uncredited)
Jack Lescoulie (uncredited)
|Music by||Musical direction:|
Carl W. Stalling
Milt Franklyn (uncredited)
|Animation by||Character animation artists:|
Ken Harris (uncredited)
Rudy Larriva (uncredited)
Robert McKimson (uncredited)
Rod Scribner (uncredited)
Character paint artist:
Martha Sigall (uncredited)
Effects animation artist:
|Backgrounds by||Background supervised by:|
Art Loomer (uncredited)
|Distributed by||Warner Bros. Pictures|
The Vitaphone Corporation
Daffy Duck and the Dinosaur is a 1939 Merrie Melodies animated cartoon short supervised by Chuck Jones and produced by Leon Schlesinger Productions for Warner Bros. Pictures. The cartoon is notably the first Daffy Duck cartoon supervised by Jones. Daffy Duck and the Dinosaur is set in the Stone Age and features Daffy Duck, a caveman named Casper (a caricature of Jack Benny), and his pet Apatosaurus, Fido. As usual, Mel Blanc provides the voice of Daffy here, while Casper is performed by Jack Lescoulie. This is the last cartoon with the Vitaphone intro, which was first used in The Phantom Ship in 1936.
The film is in the public domain and is available on several low-budget home video releases in an unrestored form. A restored and remastered version is available on DVD as part of Disc 4 in Volume 3 of the Looney Tunes Golden Collection.
The cartoon opens with a note in white letters on black:
- For no particular reason our story is laid in the "Stone Age" – millions and billions and trillions of years ago – probably before any of you people were even born.
Casper (a caveman) and Fido (an apatosaur) go duck hunting and find Daffy. Casper slingshots a rock at Daffy, but Daffy manages to avoid it by disguising himself as a traffic cop. When the rock realizes that it has been tricked, it backtracks towards Daffy but ends up hitting Fido. Fido proceeds to perform a dazed dance.
Daffy snatches Casper's slingshot and tricks Casper into thinking that swimming is not allowed to prevent him from pursuing him. Subsequently, Casper and Fido leave, but Daffy, knowing that Casper won't give up, paints himself on a nearby stone. Casper, holding a stone club, sees the painting and bashes it, but the force backfires and makes Casper dizzy. Daffy gives Casper a glass of water, which cures the dizziness and earns him Casper's trust. Daffy, however, gives Casper a card advertising a rare, gigantic duck living nearby, which Casper and Fido begin to hunt, following billboards (parodying advertising techniques of the era) planted by Daffy. They eventually reach the duck inflatable balloon pumped up by Daffy, terrifying Casper until Daffy gives Casper a knife with which to stab the duck. Casper does so, and the ensuing explosion kills them all.
The short ends showing the three in Heaven, sitting on clouds. Fido plays a harp while Daffy and Casper think about their mistakes (Daffy: "You know, maybe that wasn't such a hot idea after all!" Casper (invoking Benny's usual farewell): "Good night, folks!").
Most of Chuck Jones-directed cartoons from this era (such as the ones featuring Sniffles the Mouse) were very heavily inspired by Walt Disney's cartoon shorts, placing more emphasis on story and animation than gags. Daffy Duck and the Dinosaur shows the faintest hints of deviation from such cartoons, which eventually led to the fast-paced Jones cartoons of the 1940s, such as The Dover Boys and The Draft Horse.
This is also an important milestone in the evolution of Daffy Duck's personality. While Tex Avery and Bob Clampett had depicted Daffy as completely insane, irrational, and uncontrollable in their previous cartoons with the character, Jones depicted Daffy here as somewhat more thoughtful and calculating. Jones and Friz Freleng continued to develop Daffy's personality in this direction throughout the 1940s and 1950s.
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