Dangerous (Michael Jackson album)

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Dangerous is the eighth studio album by the American recording artist Michael Jackson, released on November 26, 1991 as his fourth studio album released under the Epic Records label. lt is Jackson's first album since 1975's Forever, Michael not to be produced by longtime collaborator Quincy Jones, who had agreed to split after the final recording sessions for Jackson's 1987 album, Bad. Dangerous has sold 32 million copies worldwide, 7 million albums were shipped in the United States alone, and has been cited as one of the best-selling albums of all time.[1][2] The album produced four top ten singles on the Billboard Hot 100, including the number-one hit "Black or White". Similar to the musician's previous material, the album's music features elements of R&B, pop and rock while also incorporating a newer genre, new jack swing, after the inclusion of producer Teddy Riley to the project in a bid to present Jackson to a younger urban audience.

Dangerous took over a year in production. Lyrical themes expressed in the album included racism, poverty, romance, the welfare of children and the world and self-improvement, topics Jackson had covered before. Nine singles were released from Dangerous between November 1991 and December 1993, with seven singles issued in the United States, and two others released only outside the US. The two singles released outside the United States were successful, charting within the top ten and top forty respectively. Dangerous peaked at number one in nine countries, while charting at the top ten in four other territories. The only songs not released were "Why You Wanna Trip on Me", "She Drives Me Wild", "Can't Let Her Get Away", "Keep the Faith" and "Dangerous"; a video and a single release for the latter song was said to have been planned but was postponed indefinitely due to the musician's tour and allegations of child sexual abuse.

Dangerous was the first album to be produced fully by Jackson, with additional production from his friend, Bill Bottrell, and Teddy Riley. Jackson wrote twelve of the fourteen songs on the album. Dangerous received several Grammy nominations, winning only one for Best Engineered Album (Non Classical) by Bruce Swedien and Riley.[3] The album also received three nominations at the American Music Awards of 1993 ultimately winning two awards, mainly: Favorite Soul/R&B Single for the single "Remember the Time" and Favorite Pop/Rock Album for the album itself. [4] According to Chicago Tribune journalist Kelley L. Carter, it is the most successful new jack swing album of all time.[5]

Background

Jackson in 1988

In January 1989, following the successful but gruelling world tour to support his Bad album, Jackson decided to focus on outside works, including a deal to promote L.A. Gear sneakers. He also planned to release two greatest hits packages, Decade 1979-1989 and Decade 1980-1990, comprising hits from his studio albums Off the Wall, Thriller, and Bad, plus unreleased demos and new songs including a cover of the Beatles song "Strawberry Fields Forever".

In 1988, CBS Records was acquired by Sony Music. Sony Music would now distribute records by artists who had recorded for CBS subsidiaries including Epic and Columbia. In March 1991, days after his sister Janet Jackson had signed a $32 million deal with Virgin Records, Jackson signed with Sony Music for a reported $50 million, the most lucrative contract in music history. Jackson's stipulations for the contract were that he must release at least three studio albums (Dangerous, the second disc of HIStory and Invincible respectively), a remix album (Blood on the Dance Floor: HIStory in the Mix), two greatest hits collections (the first disc of HIStory and Number Ones) and a box set (The Ultimate Collection).

Recording

Recording sessions for Dangerous took place at Ocean Way/Record One's Studio 2 in Los Angeles, starting on June 25, 1990, and ended at both Larrabee North and Ocean Way Studios on October 29, 1991, making it, at sixteen months, the most extensive recording of Jackson's career at the time, where before he usually took six months.

After Jackson and Bottrell began work on some songs including an early version of "Dangerous", he decided to recruit Teddy Riley to overlook some of the album's production. For the first time since 1979, Jackson was without longtime producer Quincy Jones, who had produced Off the Wall, Thriller, and Bad. According to Jones, he convinced Jackson to have Riley replace him in the production of Dangerous.

Some album sessions were put on hold due to Jackson's health problems as he had spent time in a L.A. hospital for weeks after complaining of chest pains. When he was released, he continued work on the album, desiring to take his music to a harder sound than in previous albums, inspired by his sister Janet's edgy sound in her album, Janet Jackson's Rhythm Nation 1814. Prior to working with Riley, Jackson had desired to work with producers Kenneth "Babyface" Edmonds and Antonio "L.A." Reid. Around the same time, his brother Jermaine Jackson, who had signed with La Face Records, was set to work with them and, since Jackson didn't tell his brother about it before, he considered it as an act of betrayal, though he later dismissed the notion. Jermaine's song, "Word to the Badd", was composed with lyrics aimed negatively at his brother, and were later revised to lyrics aimed at a bad relationship.

Songs that were recorded for the Dangerous album but were eventually left out included "Monkey Business"; "She Got It"; "Work That Body"; "Serious Effect" (which included rapper LL Cool J); "If You Don't Love Me"; the ballad "For All Time"; "Earth Song," which was initially recorded for the album but was later included on HIStory: Past, Present and Future, Book I; "Superfly Sister"; and "Blood on the Dance Floor", the latter two later issued on Jackson's remix compilation, Blood on the Dance Floor: HIStory in the Mix. Another song that didn't make Dangerous was the Riley produced "Joy" - the track would later be included on Blackstreet's 1994 self-titled debut where it was released as the third single.[6][7]

Composition

"Black or White"
The lead single from Dangerous, the danceable hard rock song "Black or White" was one of Jackson's most successful recordings.[8][9][10] It contains many features of Jackson's vocal style, including the vocal hiccup he is known for.

With Riley, Jackson recorded under the new jack swing genre, a genre Riley has been often credited with inventing. It was also the first album in which Jackson began rapping. The inclusion of the rap group Wreckx-n-Effect, Jackson's embrace of hip-hop rhythms and new jack swing were designed to give Jackson a new younger urban audience. In other recordings, with Bottrell, Jackson's sounds were more diverse as it had been in other albums with "Black or White" recorded under the pop rock genre while the Slash-featured "Give In to Me" was recorded as a hard rock ballad. The ballads, "Keep the Faith", composed by Jackson and his "Man in the Mirror" collaborators Siedah Garrett and Glen Ballard, and the self-composed "Will You Be There" both featured strong elements of gospel music while the other ballads "Heal the World" and "Gone Too Soon" were softer pop ballads. The smooth R&B number, "Remember the Time", featured elements of not only new jack swing but also funk, while "Who Is It" and "Jam" had stronger funk elements.

Lyrics for the songs' subject matter were more varied than in Jackson's previous records. Though he often talked of the subject of racial harmony in some of his songs with his brothers, The Jacksons, Dangerous was the first of these albums in which he talked openly of racism, which was the main topic with the hit song, "Black or White". Other social commentary topics that Jackson had never touched as a solo artist including poverty and inner city life were discussed in the song "Why You Wanna Trip on Me", in which he compared social ills to his own alleged publicized eccentricities that were covered in the press at the time asking critics and tabloid media why were they focusing on him when other more social problems were going on. He addressed similar issues in the album's opening track, "Jam", which included rapping from Heavy D. "In the Closet" had originally been set as a duet between Jackson and Madonna though this recording never happened and focused on two lovers carrying on a discreet affair without being open about the affair. The album also included songs of other personal nature especially in songs such as "She Drives Me Wild", "Remember the Time", "Can't Let Her Get Away", "Who Is It" and "Give In to Me". The social commentary "Heal the World" was in the middle of the number of personal songs. "Gone Too Soon", written by Larry Grossman and Buz Kohan, was written and recorded for Ryan White following White's death from AIDS in 1990. The title track's lyrics were compared to that of "Dirty Diana" with the song focusing on a seductress.

Release

The album was released on November 26, 1991. After its first week of release, it debuted at number-one on the Billboard 200, staying there for four weeks, spanning two different calendar years. Sales of the album were shipped for seven million under two months, making this the fastest-selling album ever for Jackson in the United States, breaking the sales record he had held for Bad, which had shipped seven million in four months. The album was certified seven-times platinum for sales of seven million copies alone in the United States, according to the Recording Industry Association of America (RIAA).[11]

Globally, Dangerous dominated worldwide charts debuting at number-one in the United Kingdom while also reaching number-one in seven other territories including Australia, France, Germany, the Netherlands and Spain. It was also a huge success in Asian countries. Sales of the album eventually reached over 32 million copies worldwide.[12][1][2][13][14][15]

Marketing

Similar to how Jackson's label had approached the Bad album, expectations again were raised high for the Dangerous album. In September 1991, Jackson netted a deal to have his videos air on the Fox TV network alongside regular music-video channels, MTV, BET and VH-1. The eleven-minute "Black or White" video debuted on November 14, 1991 and was seen in 27 countries and reportedly watched by a record 500 million viewers, said to be the most to ever watch a music video.[16] The airing and later controversy of the video helped the sales of Dangerous, as did the broadcasting of two other Jackson videos for "Remember the Time" and "In the Closet". Jackson's first HBO concert special, Michael Jackson: Live in Bucharest, also helped in the sales of Dangerous after it aired in October 1992, reviving sales of the album. After several weeks of tapering off again, Jackson made personal appearances in early 1993 including the American Music Awards and Grammy Awards, the latter in which he accepted the Grammy Legend Award from his sister Janet, and the much talked about interview with Oprah Winfrey, helping to return the album to the top ten.

Singles

The album's leading track, "Black or White", was an instant number-one hit upon its release that November, debuting at the top of the charts several weeks after it was released, staying there for seven weeks. It would be his only number-one single from the album on the pop charts. Jackson had four top ten singles in the United States from the album including "Remember the Time", which peaked at No. 3 but reached number-one on the R&B chart, his first R&B number-one since "Another Part of Me" nearly four years earlier; "In the Closet", which peaked at No. 6 on the Hot 100, but also reached number-one.

The last top ten single for the album was "Will You Be There", which reached number seven and was boosted by an appearance on the Free Willy soundtrack, helping to boost more sales from Dangerous. "Who Is It" peaked at number fourteen, while "Jam" and "Heal the World" would both peak at the top thirty on the Hot 100 respectively, Jackson's lowest pop showings since early 1979; and the overseas-only singles, "Give In to Me" and "Gone Too Soon" with "Give In to Me" reaching the top five in the UK, Netherlands, Australia and hitting the top of the charts in New Zealand, while "Gone Too Soon" was more moderately received, charting within the top forty.

The singles success of Dangerous was more successful overseas than in Jackson's native United States: in the UK alone, seven of the singles from the album all reached the UK top ten. This was a record for any studio album in the UK until Calvin Harris broke this in 2013.[17]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[18]
Encyclopedia of Popular Music[19]
Entertainment WeeklyB−[20]
Los Angeles Times[21]
MusicHound R&B3.5/5[22]
Pitchfork8.6/10[23]
Q[24]
Rolling Stone[25]
The Rolling Stone Album Guide[26]
The Village VoiceA−[27]

In a contemporary review for Rolling Stone, Alan Light wrote that Jackson was "a man, no longer a man-child, confronting his well-publicized demons and achieving transcendence through performance", on an album that rose to "the impossible challenge set by 'Thriller'" during moments when Riley's production dance rhythms "prove a perfect match for Jackson's clipped, breathy uptempo voice".[28] Robert Christgau of The Village Voice deemed it Jackson's "most consistent album since Off the Wall, a step up from Bad even if its hookcraft is invariably secondary and its vocal mannerisms occasionally annoying." While he felt Jackson was too insistent with the "faith-hope-and-charity" message songs, Christgau applauded the production's "abrasively unpredictable" rhythms and the "sex-and-romance" songs, calling them the most plausible of Jackson's career.[27] Jon Pareles was less receptive in The New York Times, calling it Jackson's "least confident" solo album yet. He believed the singer sounded anxious and out of place with Riley's electronic beats while panning the "dogmatically ordinary" lyrics of the love songs, writing that "they seem based on demographic research rather than experience or imagination."[29] Los Angeles Times critic Chris Willman found the record "relatively tame" and "wildly unfocused", being particularly critical of the songs not produced by Riley such as the embarrassingly oversentimental "Heal the World"; of the overtly "black" first half of songs, Willman found the music innovative although lacking in substantial themes.[21] Dangerous received four Grammy nominations including three for Jackson including Best Pop Vocal Performance for 'Black or White', as well as Best R&B Vocal Performance and Best R&B Song for 'Jam', while Teddy Riley and Bruce Swedien won the Grammy for Best Engineered Album - Non Classical.[3][30]

In a retrospective review for AllMusic, Stephen Thomas Erlewine believed Dangerous was "a much sharper, riskier album than 'Bad'."[31] Culture critic Joseph Vogel was of the opinion that it fulfilled Jackson's creative ambitions and was at once his most socially conscious record, "his most personally revealing", and "a dazzling musical odyssey", comparing it to Stevie Wonder's Songs in the Key of Life as "the work of an artist engaging with the world around him-and inside him-as never before."[32] Writing for PopMatters, Vogel argued that the R&B/New jack swing album's music was more groundbreaking than any other pop record of the time. "If indeed it is considered a pop album, Dangerous redefined the parameters of pop. How else to explain an album that mixes R&B, funk, gospel, hip-hop, rock, industrial, and classical; an album that introduces one song ('Will You Be There') with Beethoven’s Ninth Symphony and another ('Dangerous') with what sounds like the heart of a steel-city factory; an album that can alternately be paranoid, cryptic, sensual, vulnerable, idealistic, bleak, transcendent, and fearful?"[33] In 2007, the National Association of Recording Merchandisers (NARM) ranked Dangerous at number 115 on its list of the "Definitive 200 albums of all time developed by the NARM".[34] Chuck Eddy named it the eighth most essential New jack swing album in a list published by Spin.[35]

Track listing

No.TitleWriter(s)Producer(s)Length
1."Jam" (featuring Heavy D)Michael Jackson, René Moore, Bruce Swedien, Teddy RileyJackson, Riley, Swedien5:39
2."Why You Wanna Trip on Me"Riley, Bernard BelleJackson, Riley5:24
3."In the Closet" (featuring Princess Stéphanie of Monaco)Jackson, RileyJackson, Riley6:32
4."She Drives Me Wild" (featuring Wreckx-n-Effect)Jackson, Riley; rap lyrics by Aqil DavidsonJackson, Riley3:42
5."Remember the Time"Riley, Jackson, BelleJackson, Riley4:01
6."Can't Let Her Get Away"Jackson, RileyJackson, Riley4:59
7."Heal the World"JacksonJackson, Swedien[a]6:25
8."Black or White" (featuring L.T.B.)Jackson, Bill BottrellJackson, Bottrell4:16
9."Who Is It"JacksonJackson, Bottrell6:35
10."Give In to Me" (featuring Slash)Jackson, BottrellJackson, Bottrell5:30
11."Will You Be There" (Theme from Free Willy)JacksonJackson, Swedien[a]7:41
12."Keep the Faith" (featuring The Andraé Crouch Singers)Glen Ballard, Siedah Garrett, JacksonJackson, Swedien[a]5:57
13."Gone Too Soon"Larry Grossman, Buz KohanJackson, Swedien[a]3:22
14."Dangerous"Jackson, Bottrell, RileyJackson, Riley7:00
Notes
  • ^[a] signifies a co-producer

Personnel

Personnel as listed in the album's liner notes are:[36]

Charts

Weekly charts

Chart (1991-2010) Position
US Billboard 200 1
Norwegian Albums Chart
Australian ARIA Albums Chart
French Albums Chart
UK Albums Chart
Norwegian Albums Chart
Australian ARIA Albums Chart
German Albums Chart[37]
New Zealand Albums Chart
Czech Albums Chart[38] 2
Polish Albums Chart[39] 6
Mexican AMPROFON Top 100 Albums[40] 6
Brazilian Top 10 CD ABPD[41] 4
Czech Albums Chart[38] 39

End-of-decade charts

Chart (1990–1999) Position
Austrian Albums Chart[42] 8
US Billboard 200[43] 44

Singles chart positions

Year Single Peak chart positions
US US R&B US Dance CAN UK AUS AUT BEL FRA GER IRL ITA NED NOR NZ PL SPN SWI
1991 "Black or White" 1 3 2 1 1 1 1 1 1 2 1 1 2 1 1 1 1 1
1992 "Remember the Time" 3 1 2 2 3 6 16 2 5 8 3 8 3 10 1 2 2 4
"In the Closet" 6 1 1 16 8 5 23 14 9 15 4 2 9 10 5 7 2 25
"Jam" 26 3 4 29 12 11 28 10 8 18 5 11 12 ― 2 ― 1 22
"Who Is It" 14 6 1 6 10 34 5 5 8 9 6 18 13 10 6 3 9 14
"Heal the World" 27 62 ― 21 2 20 4 3 2 3 2 4 4 3 3 1 1 5
1993 "Give in to Me" ―* ―* ―* ―* 2 4 12 13 7 10 2 ― 3 7 1 1 6 7
"Will You Be There" 7 53 ― 3 8 42 10 3 29 12 6 ― 3 ― 2 4 ― 3
"Gone Too Soon" ―* ―* ―* ―* 33 76 ― 21 32 45 8 ― 20 ― 6 10 ― 33
"—" / "*" denotes songs that did not chart / songs that weren't released as a single

Sales and certifications

Region Certification Certified units/sales
Australia (ARIA)[44] 10× Platinum 700,000^
Austria (IFPI Austria)[45] 4× Platinum 200,000*
Brazil (Pro-Música Brasil)[47] Gold 350,000[46]
Canada (Music Canada)[48] 6× Platinum 600,000^
Chile (IFPI)[49] 5× Platinum 125,000 
Finland (Musiikkituottajat)[50] Platinum 61,896[50]
France (SNEP)[52] Diamond 2,000,000[51]
Germany (BVMI)[53] 4× Platinum 2,000,000^
Indonesia — 500,000[54]
Italy (FIMI)[56] Diamond 650,000[55]
Japan (RIAJ)[57] 2× Platinum 0^
Malaysia (RIM)[58] 7× Platinum 175,000 
Mexico (AMPROFON)[59] 2× Platinum+Gold 600,000^
Netherlands (NVPI)[60] 3× Platinum 300,000^
New Zealand (RMNZ)[61] 6× Platinum 90,000^
Spain (PROMUSICAE)[62] 6× Platinum 600,000^
Sweden (GLF)[63] 3× Platinum 300,000^
Switzerland (IFPI Switzerland)[64] 5× Platinum 250,000^
Thailand — 300,000[65]
United Kingdom (BPI)[67] 6× Platinum 2,010,069[66]
United States (RIAA)[68] 7× Platinum 7,000,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

See also

References

  1. ^ a b "Michael Jackson's Life & Legacy: The Eccentric King Of Pop (1986–1999)". MTV. MTV. July 6, 2010. Retrieved May 17, 2010.
  2. ^ a b "Michael Jackson: The Numbers, An Exclusive Look Into The Lifetime Sales Of The King Of POP". Retrieved July 9, 2013.
  3. ^ a b "Grammy for Bruce Swedien & Teddy Riley". Grammy. Retrieved February 25, 2009.
  4. ^ "Winners American Music Award of 1993". Rock On The Net. Retrieved June 9, 2016.
  5. ^ Carter, Kelley L. (August 11, 2008). "New jack swing". Chicago Tribune. Retrieved August 21, 2008.
  6. ^ Allah, Dasun. "When Heaven Can Wait: Teddy Riley Remembers Michael Jackson". hiphopwired.com. Retrieved July 27, 2015.
  7. ^ Ivory. "SoulBounce's Class Of 1994: Blackstreet 'Blackstreet'". soulbounce.com. Soul Bounce. Retrieved July 27, 2015.
  8. ^ Sony Music (2001). "Michael Jackson Dangerous Review". Sony Music Entertainment. Archived from the original on December 4, 2005. Retrieved August 27, 2008.
  9. ^ Jeans (1993). "Peligroso regreso". Michael Jackson: Un mito indescifrable (in Spanish). Revista Jeans. p. 7. En "Black or white" Michael Jackson solicitó la participación del guitarrista de Guns N' Roses, Slash, para darle a esta canción de hard rock una línea más agresiva, además cuenta con la participación de Tim Pierce en la guitarra heavy metal; y el resultado es una mezcla de hard rock, dance y rap {{cite book}}: |access-date= requires |url= (help)
  10. ^ Ramage, John D.; Bean, John C.; Johnson, June (2001). Writing arguments: a rhetoric with readings. Allyn and Bacon. p. 491. ISBN 0-205-31745-6. Retrieved July 14, 2009. 'Black or White', described by the record company as 'a rock 'n' roll dance song about racial harmony'
  11. ^ "Gold and Platinum". Recording Industry Association of America. Retrieved April 27, 2008.
  12. ^ "Michael Jackson Dangerous". Pitchfork.com. August 7, 2016. Retrieved August 19, 2016.
  13. ^ Levis, Mike: Asia Pacific: The Media at Large, page 68. Billboard magazine (May 20, 1995).
  14. ^ "Michael Jackson BBC Obituary". BBC.com. June 26, 2009. Retrieved July 3, 2009.
  15. ^ "Michael Jackson sulla sedia a rotelle". AffarItaliani.it. July 11, 2008. Retrieved May 10, 2009.
  16. ^ Phalen, Tom (November 16, 1991). "Living | Jackson Alters His New Video | Seattle Times Newspaper". Community.seattletimes.nwsource.com. Retrieved August 27, 2010.
  17. ^ Calvin Harris makes chart history with eight top 10s (23 April 2013) Newsbeat Retrieved January 14, 2016.
  18. ^ Stephen Thomas Erlewine. "Review: Michael Jackson's "Dangerous" Album". Allmusic. Retrieved January 14, 2016.
  19. ^ Larkin, Colin (2011). "Michael Jackson". The Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN 0857125958.
  20. ^ "Entertainment Weekly Reviews". Entertainment Weekly. November 29, 1991. Retrieved January 14, 2016.
  21. ^ a b Willman, Chris (November 24, 1991). "POP REVIEW : *** MICHAEL JACKSON "Dangerous" Epic : Dangerous? Hardly : Michael Jackson serves up something for everyone in his relatively tame--and wildly unfocused--new album". Los Angeles Times. Retrieved October 16, 2016.
  22. ^ Graff, Gary; du Lac, Josh Freedom; McFarlin, Jim, eds. (1998). "Michael Jackson". MusicHound R&B: The Essential Album Guide. Visible Ink Press. ISBN 1578590264. {{cite book}}: Unknown parameter |editorlink1= ignored (|editor-link1= suggested) (help)
  23. ^ "Michael Jackson: Dangerous Album Review - Pitchfork".
  24. ^ "Q Magazine Reviews". Q Magazine. Retrieved January 14, 2016.
  25. ^ "Rolling Stone Reviews". Rolling Stone. Retrieved January 14, 2016.
  26. ^ Pareles, Jon (2004). "Michael Jackson". In Brackett, Nathan; Hoard, Christian (eds.). The Rolling Stone Album Guide. Simon and Schuster. p. 414. ISBN 0743201698.
  27. ^ a b Christgau, Robert (January 28, 1992). "Consumer Guide". The Village Voice. Retrieved October 16, 2016.
  28. ^ "Dangerous". Rolling Stone. January 1, 1992. Retrieved June 11, 2012.
  29. ^ Pareles, Jon (November 24, 1991). "RECORDINGS VIEW; Michael Jackson in the Electronic Wilderness". The New York Times. Retrieved October 16, 2016.
  30. ^ "Grammy Awards 1993". Rock On The Net. Retrieved September 12, 2009.
  31. ^ "Dangerous - Michael Jackson : Songs, Reviews, Critics, Awards : AllMusic". Retrieved June 14, 2012.
  32. ^ Vogel, Joseph (2012). Man in the Music: The Creative Life and Work of Michael Jackson. New York: Sterling. ISBN 978-1-40277-938-1.
  33. ^ "Michael Jackson, Dangerous, and the Reinvention of Pop".
  34. ^ "Top 100 of the Definitive 200". TimePieces. Retrieved March 20, 2011.
  35. ^ Eddy, Chuck (March 2011). "Essentials". Spin. p. 84. Retrieved October 16, 2016.
  36. ^ Dangerous (booklet). Epic Records. 1991.
  37. ^ "Die ganze Musik im Internet: Charts, News, Neuerscheinungen, Tickets, Genres, Genresuche, Genrelexikon, Künstler-Suche, Musik-Suche, Track-Suche, Ticket-Suche". musicline.de. Retrieved January 10, 2012.
  38. ^ a b ds. "Čns Ifpi". Ifpicr.cz. Retrieved January 10, 2012.
  39. ^ "Oficjalna lista sprzedaży :: OLIS – Official Retail Sales Chart". OLIS. December 27, 2011. Retrieved January 10, 2012.
  40. ^ Mexican Albums Chart Week 29 – 2009 Retrieved January 14, 2016.
  41. ^ ds. "Charts July 6 – July 12, 2009". ABPD. Archived from the original on September 22, 2009. Retrieved January 10, 2012.
  42. ^ "Best-selling Albums". Austriancharts.at (in German). Hung Medien. Retrieved December 14, 2010. {{cite web}}: Italic or bold markup not allowed in: |work= (help)
  43. ^ Geoff Mayfield (December 25, 1999). 1999 The Year in Music Totally '90s: Diary of a Decade – The listing of Top Pop Albums of the '90s & Hot 100 Singles of the '90s. Billboard. Retrieved October 15, 2010. {{cite book}}: Italic or bold markup not allowed in: |publisher= (help)
  44. ^ "ARIA Charts – Accreditations – 2011 Albums" (PDF). Australian Recording Industry Association.
  45. ^ "Austrian album certifications – Michael Jackson – Dangerous" (in German). IFPI Austria.
  46. ^ "Na órbita dos astros" (in Portuguese). Veja. Archived from the original on January 1, 2010. Retrieved October 22, 2015.
  47. ^ "Brazilian album certifications – Michael Jackson – Dangerous" (in Portuguese). Pro-Música Brasil.
  48. ^ "Canadian album certifications – Michael Jackson – Dangerous". Music Canada.
  49. ^ "Récord de Ana Gabriel" (in Spanish). El Tiempo. Retrieved March 27, 2012.
  50. ^ a b "Michael Jackson" (in Finnish). Musiikkituottajat – IFPI Finland.
  51. ^ "Les Meilleures Ventes de CD/Albums depuis 1968 :" (in French). infodisc.fr. Retrieved March 10, 2012.
  52. ^ "French album certifications – Michael Jackson – Dangerous" (in French). Syndicat National de l'Édition Phonographique.
  53. ^ "Gold-/Platin-Datenbank (Michael Jackson; 'Dangerous')" (in German). Bundesverband Musikindustrie.
  54. ^ Krishna Sen and David T. Hill. Media,Culture and Politics indonesia. Retrieved March 22, 2012.
  55. ^ "E' Claudio Baglioni il Jackson italiano". La Stampa. Retrieved June 22, 2012.
  56. ^ "Italian album certifications – Michael Jackson – Dangerous" (in Italian). Federazione Industria Musicale Italiana. Select "Tutti gli anni" in the "Anno" drop-down menu. Select "Dangerous" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
  57. ^ "RIAJ > The Record > November 1996 > Highest Certified International Albums/Singles (Mar '89 - Sep '96)" (PDF). Recording Industry Association of Japan (in Japanese). Retrieved August 2, 2013.
  58. ^ "Michael Jackson award". Sony Music Entertainment. LiveAuctioneers. Retrieved May 12, 2012.
  59. ^ "Certificaciones" (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas. Type Michael Jackson in the box under the ARTISTA column heading and Dangerous in the box under the TÍTULO column heading.
  60. ^ "Dutch album certifications – Michael Jackson – Dangerous" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Enter Dangerous in the "Artiest of titel" box.
  61. ^ THE FIELD id (chart number) MUST BE PROVIDED for NEW ZEALAND CERTIFICATION.
  62. ^ Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
  63. ^ "Guld- och Platinacertifikat − År 1987−1998" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on May 17, 2011.
  64. ^ "The Official Swiss Charts and Music Community: Awards ('Dangerous')". IFPI Switzerland. Hung Medien.
  65. ^ Business Review. Retrieved March 22, 2012.
  66. ^ "Michael Jackson sales special". music week. Retrieved March 10, 2012.
  67. ^ "British album certifications – Michael Jackson – Dangerous". British Phonographic Industry. Select albums in the Format field. Select Platinum in the Certification field. Type Dangerous in the "Search BPI Awards" field and then press Enter.
  68. ^ "American album certifications – Michael Jackson – Dangerous". Recording Industry Association of America.
Preceded by US Billboard 200 number-one album
December 14, 1991 – January 10, 1992 		Succeeded by
Preceded by UK number one album
November 30, 1991 – December 6, 1991 		Succeeded by
Preceded by
Achtung Baby by U2
 Australian ARIA Albums Chart number-one album
December 8, 1991 – January 17, 1992 		Succeeded by
Preceded by Swiss Albums Chart number-one album
December 1, 1991 – December 21, 1991 		Succeeded by
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