Dattatreya painting by Raja Ravi Varma
|Affiliation||Avatar of Lord Vishnu/Trimurti|
|Abode||Varies per interpretation|
|Artifacts||Shankha, chakra, Trishula, Damaru|
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Dattatreya (IAST: Dattātreya, Sanskrit: दत्तात्रेय) or Dattā is a paradigmatic Sannyasi (monk) and one of the lords of Yoga in Hinduism. In many regions of India and Nepal, he is considered a deity. In Maharashtra, he is a syncretistic deity, considered to be an avatar (incarnation) of the three Hindu gods Brahma, Vishnu, and Shiva, collectively known as Trimurti. In other regions, and some versions of texts such as the Garuda Purana, Brahma Purana and Sattvata Samhita, he is an avatar of Vishnu.
His iconography varies regionally. In western Maharashtra, for example, he is typically shown with three heads and six hands, one head each for Brahma, Vishnu and Shiva, and one pair of hand holding the symbolic items associated with each of these gods: rosary and water pot of Brahma, conch and wheel of Visnu, trident and drum of Shiva. He is typically dressed as a simple monk or almost naked, situated in a forest or wilderness suggestive of his renunciation of worldly goods and pursuit of a meditative yogi lifestyle. In paintings and some large carvings, he is surrounded by four dogs and a cow, which is a symbolism for the four Vedas and mother earth that nourishes all living beings. In the temples of southern Maharashtra, Varanasi and in the Himalayas, his iconography shows him with one head and two hands with four dogs and a cow.
In the Nath tradition of Shaivism, Dattatreya is revered as the Adi-Guru (First Teacher) of the Adinath Sampradaya of the Nathas, the first "Lord of Yoga" with mastery of Tantra (techniques). His pursuit of simple life, kindness to all, sharing of his knowledge and the meaning of life during his travels is reverentially mentioned in the poems by Tukaram, a saint-poet of the Bhakti movement. Over time, Dattatreya has inspired many monastic movements in Shaivism, Vaishnavism and Shaktism, particularly in the Deccan region of India, south India, Gujarat, Rajasthan and Himalayan regions where Shiva tradition has been strong.
Several Upanishads are dedicated to him, as are texts of the Advaita Vedanta-Yoga tradition in Hinduism. One of the most important texts of Advaita Vedanta, namely Avadhuta Gita (literally, "song of the free") is attributed to Dattatreya. In Maharashtra, an annual festival in the Hindu calendar month of Mārgaśīrṣa (November/December) reveres Dattatreya and this is called Datta Jayanti.
The mythologies of Dattatreya are diverse and vary by region. In the Puranas, he was born in north Indian hermitage to Anusuya and her husband the Vedic sage Atri traditionally credited with making the largest contribution to the Rigveda. Another states his father lived in southern India, in the western Deccan region. A third claims he was born in Kashmir jungles near the sacred Amarnath. A fourth legend states he was born along his brothers were Durvasas and Chandra, to an unwed mother named Anusuya, after sage Atri saw her bathing, fantasized about her which caused her to become pregnant. In a fifth myth, sage Atri was very old when young Anusuya married him, and they sought the help of the trimurti gods for a child. The trinity were pleased with them for having brought light and knowledge to the world, simultaneously granted the boon, which led Dattatreya to be born with characteristics of all three.
While his origins are unclear and trace to inconsistent mythologies, stories about his life are more consistent. He is described in the Mahabharata as an exceptional Rishi (sage) with extraordinary insights and knowledge, who is adored and raised to a Guru and an Avatar of Vishnu in the Puranas. Dattatreya is stated in these texts to having renounced the world and leaving his home at an early age to lead a monastic life. One myth claims he meditated immersed in water for a long time, another has him wandering from childhood and the young Dattatreya footprints have been preserved on a lonely peak at Girnar (Junagadh, Gujarat). The Tripura-rahasya refers to the disciple Parasurama finding Dattatreya meditating on Gandhamadana mountain.
Self-education: the 24 Gurus of Dattatreya
The young Dattatreya is famous in the Hindu texts as the one who started with nothing and without teachers, yet reached self-awareness by observing nature during his Sannyasi wanderings, and treating these natural observations as his twenty four teachers. This legend has been emblematic in the Hindu belief, particularly among artists and Yogis, that ideas, teachings and practices come from all sources, that self effort is a means to learning. The 24 teachers of Dattatreya are:
|1.||Earth||Steadfastly productive, does its dharma, gets abused, heals and is steady in giving nourishment.||forebearance, remain undisturbed even if oppressed, keep healing even if others injure you|
|2.||Wind||Passes through everything and everyone, unchanged, unattached, like Truth; sometimes becomes a gale, disturbs and changes the world, like Truth.||be free like the wind, yet resolute true to your own force|
|3.||Sky||the highest has no boundaries, no limits, is unaffected even if clouds and thunderstorms come and go||the highest within oneself, the Atman (self, soul) has no limits, it is undifferentiated nondual no matter what, let the clouds of materiality pass, be one with your soul and the Universal Self|
|4.||Water||serves all without pride, discrimination; is transparent to everyone; purifies and gives life to everyone it touches||a saint discriminates against no one and is never arrogant, lets other give him impurity, yet he always remains pure and cleanses|
|5.||Fire||purifies and reforms everything it comes in contact with, its energy shapes things||the heat of knowledge reforms everything it comes in contact with, to shape oneself one needs the energy of learning|
|6.||Moon||waxes and wanes but its oneness doesn't change||birth, death, rebirth and the cycle of existence does not change the oneness of soul, like moon it is a continuous eternal reality|
|7.||Sun||source of light and gives its gift to all creatures as a sense of duty; in rain puddles it reflects and seems like distinct in each puddle, yet it is the same one Sun||the soul may appear different in different bodies, yet everyone is connected and the soul is same in all; like Sun, one must share one's gifts as a sense of duty|
|8.||Pigeons||they suffer losses in the hands of violent hunters, warn against obsessive attachments to anyone or to material things in this world||do not be obsessive, don't focus on transient things such as damage or personal loss, human life is a rare privilege to learn, discover one's soul and reach moksha|
|9.||Python||eats whatever comes its way, makes the most from what it consumes||be content with what you have, make the most from life's gifts|
|10.||Bumblebee||active, works hard to build and create its reserve by directly visiting the flowers, but is selective and uses discretion, harmonious with flowers and never kills or over consumes||be active, go directly to the sources of knowledge, seek wisdom from all sources but choose the nectar, be gentle, live harmoniously and leave others or other ideologies alone when you must|
|11.||Beekeeper||profits from honeybees||don't crave for material pleasures or in piling up treasures, neither the body nor material wealth ever lasts|
|12.||Hawk||picks up a large chunk of food, but other birds harass him, when it drops its food other birds leave him alone||take what you need, not more|
|13.||Ocean||lucid at the surface, but deep and undisturbed within; receives numerous rivers yet remains the same||let rivers of sensory input not bother who you are deep inside, know your depths, seek self-knowledge, be unperturbed by life, equipoise|
|14.||Moth||is deceived by its senses, it runs to the fire in misunderstanding which kills it||question your senses, question what others are telling you, question what you see, know senses can deceive, seek reason|
|15.||Elephant||is deceived by his lust, runs after the smell of a possible mate, and falls into a pit made by mahout's then fettered and used||don't lust after something or someone, don't fall into traps of others or of sensory gratification|
|16.||Deer||is deceived by his fear, by hunters who beat drums and scare him into a waiting net||fear not the noise, and do not succumb to pressure others design for you|
|17.||Fish||is deceived by bait and so lured to its death||greed not the crumbs someone places before you, there are plenty of healthy opportunities everywhere|
|18.||Courtesan||exchanges transient pleasure with body, but feels dejected with meaningless life, ultimately moves on||many prostitute their time, self-respect and principles for various reasons but feel dejected with their career and circumstances, seek meaning and spirituality in life, move on to doing things you love to do|
|19.||Child||lives a life of innocent bliss||be a child, curious, innocent, blissful|
|20.||Maiden||she is poor yet tries her best to feed her family and guest, as she cooks she avoids attracting attention to her kitchen and poverty, by breaking all her bangles except one on each wrist||don't seek attention, a yogi accomplishes and shares more through solitude|
|21.||Snake||lives in whatever hole that comes his way, willingly leaves bad skin and molts||a yogi can live in any place, must be ready to molt old ideas and body for rebirth of his spirit|
|22.||Arrowsmith||the best one was so lost in his work that he failed to notice the king's procession that passed his way||concentrate on what you love to do, intense concentration is the way to self-realization|
|23.||Spider||builds a beautiful web, destroys and abandons the web, then restarts again||don't get entangled by your own web, be ready to abandon it, go with your Atman|
|24.||Caterpillar||starts out closed in a tiny nest but ultimately becomes a wasp||long journeys start small, a disciple starts out as insignificant but ultimately becomes a spiritual master|
The appearance of Shri Dattatreya in pictures varies according to traditional beliefs. A typical icon for Dattatreya, particularly popular with Marathi-speaking people in India, has three heads corresponding to Brahma-Vishnu-Shiva, and six hands; the lowest two hands carry rosary (mala) and water pot (kamandalu), middle pair of hands hold hourglass mini-drum (damaru) and trident (trishul), and top two hands have conch (shankh) and spinning wheel (chakra).
Many older medieval temples of Dattatreya show him with just one head, such as the one in Mahur and another in Pandharpur, both in southern Maharashtra. Texts such as Agni Purana describe the architectural features for building murti, and for Dattatreya, it recommends him with one head and two hands. In Varanasi, Nepal, north Himalayan foothill states of India, 15th-century Nath temples of Dattatreya show him with just one face. In western parts of Maharashtra, the syncretic six armed and three faced iconography is more common.
Furthermore, the unfolding of the Dattātreya icon illustrates the development of Yoga as a synthetic and inclusive body of ideologies and practices. Although fundamentally a jñāna-mūrti, Dattātreya is a "honey bee" Yogin: one whose character and teachings are developed by gathering varieties of Yoga's flowers. For all religious groups whose propensity it is to include ideas, practices, and teaching from the ocean of traditions, Dattātreya is truly a paradigm.— Antonio Rigopoulos, Dattātreya: the immortal guru, yogin, and avatāra
Another distinctive aspect of Dattatreya iconography is that it includes four dogs and a cow. The four dogs represent the Vedas, as trustworthy all weather friends, company and guardians, while the cow is a metaphor for mother earth who silently and always provides nourishment.
Dattatreya's sculptures with alternate iconography have been identified in 1st millennium CE cave temples and archaeological sites related to Hinduism. For example, in the Badami temple (Karnataka), Dattatreya is shown to be with single head and four hands like Vishnu, but seated in a serene Yoga posture (padmasana). Carved with him are the emblems (lañchana) of the Trimurti, namely the swan of Brahma, the Garuda of Vishnu and the Nandi of Shiva. The right earlobe jewelry and hair decoration in this art work of Dattatreya is of Shiva, but on his left the details are those of Vishnu. Rigopoulos dates this Badami sculpture to be from the 10th to 12th century.
A sculpture similar to Badami, but with some differences, has been discovered in Ajmer (Rajasthan). The Ajmer art work is a free statue where Dattatreya is standing, has one head and four hands. In his various hands, he carries a Trishula of Shiva, a Chakra of Vishnu, a Kamandalu of Brahma, and a rosary common to all three. Like the Badami relief work, the Ajmer iconography of Dattatreya shows the swan of Brahma, the Garuda of Vishnu and the Nandi of Shiva carved on the pedestal with him.
Some scholars such as James Harle and TA Gopinatha Rao consider iconography that presents Brahma-Vishnu-Shiva together as Hari Hara Pitamaha to be synonymous with or equivalent to Dattatreya. Antonio Rigopoulos questions this identification, and suggests that Harihara Pitamaha iconography may have been a prelude to and something that evolved into Dattatreya iconography.
The historic Indian literature has interpreted the representation of Dattatreya symbolically. His three heads are symbols of the Gunas (qualities in Samkhya school of Hinduism). The three Gunas are Sattva, Rajas and Tamas. The six hands have ethical symbolism, namely Yamas, Niyama, Sama, Dama, Daya and Shanti (axiology in Yoga and Vedanta school of Hinduism).
The Kamadhenu cow is symbolic Panchabutas, the four dogs are inner forces of a human being: Iccha, Vasana, Asha and Trishna. In these interpretations, Dattatreya is that yogi Guru (teacher) who has perfected all these, rules them rather than is ruled by them, and is thus the Guru Dattatreya is beyond them.
The Dattatreya Upanishad (tantra-focussed), Darshana Upanishad (yoga-focussed) and particularly the Avadhuta Upanishad (advaita-focussed) present the philosophy of the Dattatreya tradition. Dattatreya is also mentioned in the classic text on Yoga, the Shandilya Upanishad.
Other Upanishads where Dattatreya's name appears in lists of ancient Hindu monks revered for their insights on renunciation are Jabala Upanishad, Naradaparivrajaka Upanishad, Bhikshuka Upanishad and Yajnavalkya Upanishad. Of these, his mention in the Jabala Upanishad is chronologically significant because this ancient text is dated to have been complete between 3rd-century BCE and 3rd-century CE.
Dattatreya is mentioned in the ancient chapter 9 of the Sattvata Samhita and chapter 5 of the Ahirbudhnya Samhita, both among the oldest layer of texts in the Vaishnava Agama tradition (Pancaratra). Schrader states these texts and the chronology of Dattatreya are older than the Mahabharata, but Rigopoulos disagrees with him on the chronology.
In the Hindu tradition, Dattatreya is the author of Avadhuta Gita, or the "Song of the free". The text's poetry is based on the principles of Advaita Vedanta, one of the subschools of Hindu philosophy.
The extant manuscripts have been dated to approximately the 9th or 10th century, but it may have existed earlier as part of an oral tradition. It consists of 289 shlokas (metered verses), divided into eight chapters.
Several Hindu monastic and yoga traditions are linked to Dattatreya:
- Nath sampradaya: The Nath yogis, that metamorphosed into a warrior ascetic group, consider Dattatreya as their theological founder. This group grew and became particularly prominent during the Islamic invasions and Hindu-Muslim wars in South Asia, from about the 14th to 18th century, although the Dattatreya roots of the peaceful Nath yogis go back to about the 10th century. The group was most active in Rajasthan, Gujarat, Maharashtra, Madhya Pradesh, Uttar Pradesh and Nepal. The tradition believes that the legendary Nath sampradaya yogi and Hatha Yoga innovator Gorakshanath was inspired and shaped by Dattatreya. Regional efforts and texts of the Nath tradition such as Yogi sampradaya vishkriti discussed Dattatreya.
- Avadhuta sampradaya: The nine Narayanas of the Avadhuta sampradaya are attributed to Dattatreya, an idea also found in the Natha sampradaya. A panth started by Pantmaharaj Balekundrikar of Balekundri near Belgaum is related to this.
- Dasanami sampradaya and Shakti pithas: Dattatreya is revered in Dasanami and goddess-oriented Shaktism traditions.
- Bhakti traditions: Dattatetreya's theology emphasizing simple life, kindness to all, questioning the status quo, self pursuit of knowledge and seeking spiritual meaning of life appealed to Bhakti sant-poets of Hinduism such as Tukaram and Eknath, during an era of political and social upheavel caused by Islamic invasion in the Deccan region of India. They reverentially mentioned Dattatreya in their poems. The use of his symbolism was one of the many syncretic themes of this period where the ideas of Vaishnavism and Shaivism holistically fused in popular imagination.
- Mahanubhav tradition: Along with Krishna, the Mahanubhav tradition considers Dattatreya as their divine inspiration. The Mahanubhav Panth, propagated by Sri Chakradhar Swami, has five Krishnas, of which Dattatreya is one as their Adi Guru (the original Guru), as well as the early teachers in their tradition (Chakradhar, Gundham, Cangdev). They worship Dattatreya as single headed with two arms. He has a temple dedicated in Mahur by this tradition.
- Shri Gurucharitra tradition: This tradition follows from Shripad Shrivallabha and Shri Narasimha Saraswati. Two major Datta traditions were started by Shri Swami Samarth of Akkalkot and Shri Vasudevananda Saraswati alias Tembe Swami.
- Lal Padris: another Hindu yogi group from western India with roots in the 10th-century and with ideas similar to Nath and Kanphata sampradaya, traces Dattatreya as the basis of their spiritual ideas.
- Around 1550 CE, Dattatreya Yogi taught the Dattatreya philosophy to his disciple Das Gosavi in Marathi. Das Gosavi then taught this philosophy to his two Telugu disciples Gopalbhatt and Sarvaved who studied and translated Das Gosavi's book of Vedantavyavaharsangraha into Telugu language. According to Prof. R. C. Dhere, Dattatreya Yogi and Das Gosavi are the original gurus in the Telugu Dattatreya tradition. Prof. Rao states that Dattatreya Shatakamu was written by Paramanandateertha who is equally important in his contributions to the Telugu tradition of Dattatreya. He was a proponent of Advaita philosophy and dedicated his two epics, Anubhavadarpanamu and Shivadnyanamanjari to Shri Dattatreya. His famous Vivekachintamani book was translated into Kannada by Nijashivagunayogi and Lingayat saint Shanatalingaswami translated this into Marathi.
Numerous Datta temples exists in Maharashtra. Mahur [Distric -Nanded]. Ek Mukhi Datta of Narayanpur features Dattatreya. There is a temple of Lord Dattatreya in Devgad (deogad) of Ahmednagar district.
There is a temple of lord Dattatreya, amidst the serene and quiet natural surroundings of Vanki river, at the village Pathari, 7 km from Valsad city (dist valsad) Gujarat, and 3 km from the Dharampur road highway.
Other temples of Dattatreya include:
- Sri Kalagnishamana Datta - Mysuru, Karnataka
- Sri Yogiraja Vallabha Datta - Prodduturu, Andhra Pradesh
- Sri Yogiraja Vallabha Datta - Bangalore, Karnataka
- Sri Gnana Sagara Datta - Anantapur, Andhra Pradesh
- Sri Syama Kamala Lochana Datta - Vijayawada, Andhra Pradesh
- Sri Atrivarada Datta - Machalipattanam, Andhra Pradesh
- Sri Sivaroopa Datta - Jayalakshmipuram, Andhra Pradesh
- Sri Jagadguru Datta - Guntur, Andhra Pradesh
- Sri Adiguru Datta - Chennai, Tamil Nadu
- Sri Digambara Datta - Rishikesh, Uttarakand
- Sri Viswambara Avadhoota Datta - Akiveedu, Andhra Pradesh
- Sri Deva Deva Datta - Nuzivedu, Andhra Pradesh
- Sri Avadhoota Datta - Hyderabad, Telangana
- Sri Digambara Datta - Gandigunta, Andhra Pradesh
- Sri Siddaraja datta - Cochin, Kerala
- Sri Mayamukta Avadhoota Datta - Acharapakkam, Tamil Nadu
- Sri Leela Viswambarava Datta - Surat, Gujrat
- Sri Kshetra Narada Gadde - Raichur, Karnataka
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