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David Friedrich Dallwitz (25 October 1914 – 23 March 2003) was a South Australian jazz and classical musician, bandleader, composer, painter, and art teacher whose work spanned almost seven decades. He led jazz, Dixieland, and ragtime bands, and performed with classical chamber music groups.
Dallwitz was born in Freeling, South Australia. He studied violin as a child. After moving with his family to Adelaide in 1930, he developed an aptitude for jazz piano. From 1933 to 1935 he studied concurrently at the South Australian School of Art and the North Adelaide School of Fine Art.
He led the Southern Jazz Group, a Dixieland band that performed at the first Australian Jazz Convention. He abandoned jazz for a period, during which he studied at the Elder Conservatorium of Music, composing symphonic and chamber music and taking up bassoon and cello. He became involved in composing and arranging music for revues, leading to the formation of the Flinders Street Revue Company, for which he also directed and played piano. He returned to jazz in 1970 and resumed recording shortly after.
Dallwitz died on 24 March 2003 in Adelaide after finishing the art work for his album The Dave Dallwitz Big Band live at Wollongong, December 1984. This album was the result of the band's second appearance at the Australian Jazz Convention in Wollongong in 1984 and was mastered and co-produced by trumpeter Greg Englert, who was lead trumpet for the concert.
In 1940 Dallwitz joined the Royal South Australian Society of Arts as an associate member, full membership being the preserve of followers of conservative styles. In July 1942 the associate members held an exhibition in the Society's gallery on North Terrace of modern art, which drew local and interstate interest. He then was involved in the formation in 1942 or 1943 of the South Australian branch of the Contemporary Art Society, which identified with progressive modes of art, becoming its foundation chairman.
Dallwitz taught technical drawing subjects (drafting, dimensioned sketching, lettering) at Adelaide Technical High School from around 1954 to 1964, then lectured in Art History at the School of Art until 1974. In 1974 he quit teaching and turned to painting and printmaking. His range of subjects was extensive (landscapes, portraits, still life) and he presented many one-man exhibitions.
Dallwitz married art student Joan Rowe on 14 April 1938. Their home became known as the Jazz House and as a gathering place for artists and musicians.
Awards and honors
In 1986 he received the Order of Australia for contributions to music, and the same year a plaque bearing his name was installed on North Terrace, Adelaide as part of the Jubilee 150 celebrations. In 1994 he was honoured by a retrospective exhibition at the Art Gallery of South Australia. His work hangs in the Art Gallery of South Australia and the National Gallery of Australia and the University of South Australia.
- Melbourne Suite (Swaggie, 1973)
- Ern Malley Suite (Swaggie, 1975)
- Creation Suite: In the Beginning
- Ragtime Fantasy No. 4
- Ned Kelly Suite: Dawn over Euroa – Bob Barnard
- Healey, John, ed. (2003). S.A.'s Greats: The Men and Women of the North Terrace Plaques (2 ed.). Adelaide: Historical Society of South Australia. ISBN 0957943008.
- Rye, Howard (2002). Kernfeld, Barry (ed.). The New Grove Dictionary of Jazz. 1 (2nd ed.). New York: Grove's Dictionaries. p. 172. ISBN 1-56159-284-6.
- Van Straten, Frank (2013). Her Majesty's Pleasure: A Centenary Celebration for Adelaide's Theatre of the Stars. Wakefield Press. pp. 63–. ISBN 978-1-74305-229-7. Retrieved 3 December 2018.
- Carr, Ian; Fairweather, Digby; Priestley, Brian (1995). Jazz: The Rough Guide (1 ed.). Rough Guides. p. 150. ISBN 1-85828-137-7.
- "Exhibition Of Contemporary Art". The Advertiser. Adelaide. 14 July 1942. p. 3. Retrieved 22 January 2013 – via National Library of Australia.
- McCulloch, Alan (1968). Encyclopedia of Australian Art. Hutchinson of London.