David Lamelas (born 1946, Buenos Aires) is an Argentinian artist. A pioneer of Conceptual art, he was involved in Argentina's avant-garde scene in the 1960s. Well known for his sculptures and films, Lamelas lives and works between Los Angeles, Buenos Aires, and Europe.
Education and Early Career
Lamelas graduated from the Academia Nacional de Bellas Artes in 1963. Early in his career he focused on sculpture and participated in exhibits in Buenos Aires. During the 1960s, he was one of the key members of the Instituto Torcuatro di Tella, an organization that promoted avant-garde and conceptual art. The contemporary art movement in Argentina met opposition from the government starting in June 1966 when President Arturo Umberto Illia was deposed. Newly appointed President Juan Carlos Onganía, a right-wing conservative, used the Argentine Armed Forces to suppress political opposition coming from universities and the youth. The government also began policing outspoken artists. By his own account, David Lamelas had been arrested and jailed four times by 1968.
In 1967, Lamelas exhibited at the 9th São Paulo Biennial. His installation, Dos Espacios Modificados - Two Modified Spaces, won top prize. Later the same year, his installation Situacion de Tiempo - Time Situation was on display in Buenos Aires.
In 1968 he left Argentina to study sculpture at Saint Martin's School of Art in London. Also in 1968, Lamelas was invited to represent Argentina in the 1968 Venice Biennial. His installation, The Office of Information about the Vietnam War at Three Levels: The Visual Image, Text and Audio, is representative of many of Lamelas' themes including media, communication, information, and critique of United States foreign policy.
Lamelas' interest in film began during his studies in London. Among his best-known films are "Film Script", "To Pour Milk Into a Glass", and "The Dictator". His films contain themes of time, space, surveillance, and popular culture.
|1965-1975: Reconsidering the Object of Art||1995||MoCA, Los Angeles|
|Above the Fold||2008||Kunstmuseum, Basel|
|The Death of the Audience||2009||Secession, Vienna|
|The Quick and the Dead||2009||Walker Arts Center, Minneapolis|
|How Many Billboards||2010||Los Angeles|
|Transmissions: Art in Eastern Europe and Latin America, 1960-1980||2015||MoMA|
|Fiction of a Production||2018||MSU Broad|
- A New Refutation of Time, 1997, Witte de With Center for Contemporary Art
- David Lamelas, Extranjero, Foreigner, Étranger, Ausländer, 2005. Museo Tamayo. Mexico City
- David Lamelas, 2006, Secession, Vienna
- Florian, Federico (June–July 2014). "Milan: David Lamelas". Art in America. Retrieved 5 June 2016.
- "New York Times". Art In Review. 22 June 2007.
- Gesualdo, Vicente (1988). Diccionario de Artistas Plasticos en la Argentina. Buenos Aires.
- Manzano, Valeria (2014). The Age of Youth in Argentina. University of North Carolina Press.
- Cotter, Holland. "New York Times". Review: "Transmissions" at MoMA explores an Era when Art Upended Tradition.
- "David Lamelas papers, Finding Aid". Getty Research Institute. Getty Research Institute.
- Martinez, Chus (2005). "More to the Picture". Afterall: A Journal of Art, Context and Enquiry.
- Hunt, A. (November 2007). "David Lamelas". Art Monthly.
- Comer, Stuart (2005). "David Lamelas: The Limits of Documentary". Afterall: A Journal of Art, Context and Enquiry: 106–14.
- Factory, Troop Software. "David Lamelas | Fundación Konex". www.fundacionkonex.org. Retrieved 21 June 2016.
- "John Simon Guggenheim Foundation | David Lamelas". www.gf.org. Retrieved 16 June 2016.