Mamet at the premiere of Redbelt at the Tribeca Film Festival, April 25, 2008
|Born||David Alan Mamet
November 30, 1947
Chicago, Illinois, United States
|Occupation||Author, playwright, screenwriter, film director|
|Alma mater||Goddard College|
|Notable works||The Duck Variations (1971)
Sexual Perversity in Chicago (1974)
American Buffalo (1975)
Glengarry Glen Ross (1983)
The Postman Always Rings Twice (1981)
House of Games (1987)
The Untouchables (1987)
The Unit (2006)
|Spouse||Lindsay Crouse (m. 1977–90)
Rebecca Pidgeon (m. 1991)
David Alan Mamet (//; born November 30, 1947) is an American playwright, essayist, screenwriter, and film director. As a playwright, Mamet has won a Pulitzer Prize and received Tony nominations for Glengarry Glen Ross (1984) and Speed-the-Plow (1988). Mamet first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. His play Race opened on Broadway on December 6, 2009.
As a screenwriter, Mamet has received Oscar nominations for The Verdict (1982) and Wag the Dog (1997). Mamet's books include: The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; Bambi vs. Godzilla, a commentary on the movie business; The Secret Knowledge: On the Dismantling of American Culture (2011), a commentary on cultural and political issues; and Three War Stories (2013), a trio of novellas about the physical and psychological effects of war.
Feature films that Mamet both wrote and directed include Redbelt (2008), The Spanish Prisoner (1997), House of Games (1987) (which won Best Film and Best Screenplay awards at the 1987 Venice Film Festival and "Film of the Year" for the 1989 London Critics Circle Film Awards), Spartan (2004), Heist (2001), State and Main (2000) (Winner of a Best Acting - Ensemble award from the National Board of Review), The Winslow Boy (1999), and Oleanna (1994). This was accompanied by Homicide (1991) (nominated for the Palme d'Or at 1991 Cannes Film Festival and won a "Screenwriter of the Year" award for Mamet from the London Critics Circle Film Awards and Best Cinematography for Roger Deakins from the Los Angeles Film Critics Association Awards), Things Change (1988) (which won the Volpi Cup for Best Actor at 1988 Venice Film Festival for Don Ameche and Joe Mantegna), and most recently the 2013 HBO film Phil Spector, starring Al Pacino as Spector with Helen Mirren and Jeffrey Tambor. His drama Glengarry Glen Ross, in 1992, was adapted by Mamet into a film version which also received an Academy Award nomination.
Mamet has also written the screenplays for such films as The Verdict (1982), directed by Sidney Lumet, The Postman Always Rings Twice (1981), directed by Bob Rafelson, The Untouchables (1987) directed by Brian De Palma, Hoffa (1992), Ronin (1998), Wag The Dog (1997), The Edge (1997), and Hannibal (2001). Mamet was also the executive producer and frequent writer for the TV show The Unit.
Mamet was born in 1947 in Chicago to Jewish parents, Lenore June (née Silver), a teacher, and Bernard Morris Mamet, an attorney. One of his first jobs was as a busboy at Chicago's The Second City. He was educated at the progressive Francis W. Parker School and at Goddard College in Plainfield, Vermont. At the Chicago Public Library Foundation 20th anniversary fundraiser in 2006, though, Mamet announced "My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign".
Mamet is a founding member of the Atlantic Theater Company; he first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. He was awarded the Pulitzer Prize in 1984 for Glengarry Glen Ross, which received its first Broadway revival in the summer of 2005. His play Race, which opened on Broadway on December 6, 2009 and featured James Spader, David Alan Grier, Kerry Washington, and Richard Thomas in the cast, received mixed reviews. His play The Anarchist, starring Patti LuPone and Debra Winger, in her Broadway debut, opened on Broadway on November 13, 2012 in previews and was scheduled to close on December 16, 2012.
In 2002, Mamet was inducted into the American Theatre Hall of Fame. Mamet later received the PEN/Laura Pels International Foundation for Theater Award for Grand Master of American Theater in 2010.
Mamet's feature films, which he both wrote and directed, include in chronological order: his feature directorial debut House of Games (1987) (which won Best Film and Best Screenplay awards at the 1987 Venice Film Festival and "Film of the Year" for the 1989 London Critics Circle Film Awards), Things Change (1988), Homicide (1991) (nominated for the Palme d'Or at 1991 Cannes Film Festival and won a "Screenwriter of the Year" award for Mamet from the London Critics Circle Film Awards and Best Cinematography from Roger Deakins from the Los Angeles Film Critics Association Awards), Oleanna (1994), The Spanish Prisoner (1997), The Winslow Boy (1999), State and Main (2000), Heist (2001), Spartan (2004), Redbelt (2008), and in 2012 a bio-pic TV movie Phil Spector about the American record producer and songwriter Phil Spector starring Al Pacino as Spector, as well as Helen Mirren and Jeffrey Tambor. His latest feature-length film, a thriller titled Blackbird, is slated for release in 2015. Blackbird will star James Badge Dale as “a military major who is trying to discover the truth about the political secrets of a woman’s grandfather who worked for the U.S. special ops during the 1960s,” according to Deadline.com. Mamet has also written the screenplays for such classic films as The Verdict (1982), directed by Sidney Lumet, The Postman Always Rings Twice (1981), The Untouchables (1987) directed by Brian De Palma, Hoffa (1992), The Edge (1997), Wag the Dog (1997), Ronin (1998), and Hannibal (2001).
Mamet's first produced screenplay was the 1981 production of The Postman Always Rings Twice (directed by Bob Rafelson), based upon James M. Cain's novel. He received an Academy Award nomination one year later for his first script, The Verdict, written in the late 1970s. He also wrote the screenplay for The Untouchables.
In 1987, Mamet made his film directing debut with House of Games, starring his then-wife, Lindsay Crouse, and a host of longtime stage associates. He uses friends as actors, especially in one early scene in the movie, which featured Vermont poker-playing friends. He is quoted as saying, "It was my first film as a director and I needed support, so I stacked the deck." Two of the four poker friends included in the film were fellow Goddard College graduates Allen Soule and Bob Silverstein. Three of Mamet's own films, House of Games, The Spanish Prisoner, and Heist, have involved the world of con artists.
Mamet remains a writer and director, and has assembled an informal repertory company for his films, including Crouse, William H. Macy, Joe Mantegna, Rebecca Pidgeon, and Ricky Jay, as well as some of the aforementioned poker associates. Mamet has funded his own films with payments he receives for credited and uncredited rewrites of typically big-budget films. For instance, Mamet did a rewrite of the script for Ronin under the pseudonym “Richard Weisz” and turned in an early version of a script for Malcolm X that director Spike Lee rejected. In 2000, Mamet directed a film version of Catastrophe, a one-act play by Samuel Beckett featuring Harold Pinter and John Gielgud (in his final screen performance). In 2008, he directed and wrote the mixed martial arts movie Redbelt, about a martial arts instructor tricked into fighting in a professional bout. Mamet teamed up with his wife Rebecca Pidgeon to adapt the novel Come Back to Sorrento as a screenplay. The film was in development during 2010. He is also director of the TV film Phil Spector.
In On Directing Film, Mamet asserts that directors should focus on getting the point of a scene across, rather than simply following a protagonist, or adding visually beautiful or intriguing shots. Films should create order from disorder in search of the objective.
In 1990 Mamet published The Hero Pony, a 55-page collection of poetry. He has also published a series of short plays, monologues and three novels, The Village (1994), The Old Religion (1997), and Wilson: A Consideration of the Sources (2000). He has written several non-fiction texts, and children's stories. In 2004 he published a lauded version of the classical Faust story, Faustus, however, the play, when staged in San Francisco during the spring of 2004, was not well received by critics. On May 1, 2010, Mamet released a graphic novel The Trials of Roderick Spode (The Human Ant).
On June 2, 2011, The Secret Knowledge: On the Dismantling of American Culture, Mamet's book detailing his conversion from modern liberalism to "a reformed liberal" was released.
Mamet published Three War Stories, a collection of novellas, on November 11, 2013. In an interview with Newsmax TV, Mamet said he wanted to write about war, despite never having served. Moreover, the book allowed Mamet to free characters that had occupied his mind for years. On the subject of characters as a reason for writing, Mamet told the host, “You want to get these guys out of your head. You just want them to stop talking to you."
Television and radio
Mamet wrote the "Wasted Weekend" episode of Hill Street Blues that aired in 1987. His then-wife, Lindsay Crouse, appeared in numerous episodes (including that one) as Officer McBride. Mamet is also the creator, producer and frequent writer of the television series The Unit, where he wrote a well-circulated memo to the writing staff. He directed a third-season episode of The Shield with Shawn Ryan. In 2007, Mamet directed two television commercials for Ford Motor Company. The two 30-second ads featured the Ford Edge and were filmed in Mamet's signature style of fast-paced dialogue and clear, simple imagery. Mamet's sister, Lynn, is a producer and writer for television shows, such as The Unit and Law & Order.
Mamet has contributed several dramas to BBC Radio through Jarvis & Ayres Productions, including an adaptation of Glengarry Glen Ross for BBC Radio 3 and new dramas for BBC Radio 4. The comedy Keep Your Pantheon (or On the Whole I'd Rather Be in Mesopotamia) was aired in 2007.
Other media and political views
Since May 2005 he has been a contributing blogger at The Huffington Post, drawing satirical cartoons with themes including political strife in Israel. In a 2008 article for the Village Voice headlined Why I Am No Longer a 'Brain-Dead Liberal' he revealed that he had gradually rejected political correctness and progressivism and embraced conservatism. Mamet has spoken in interviews of changes in his views, highlighting his agreement with free market theorists such as Friedrich Hayek the historian Paul Johnson, and economist Thomas Sowell, whom Mamet called "one of our greatest minds".
During promotion of a book, Mamet was criticized for claiming that the British people had "a taint of anti-semitism," claiming they "want to give [Israel] away." In the same interview, Mamet went on to say that "there are famous dramatists and novelists [in the UK] whose works are full of anti-Semitic filth," but that he could not specify to whom he was referring for fear of litigation. He is known for his pro-Israel positions; in his book The Secret Knowledge he claimed that "Israelis would like to live in peace within their borders; the Arabs would like to kill them all."
In an essay for Newsweek, published on 29 January 2013, Mamet argued against gun control laws: "It was intended to guard us against this inevitable decay of government that the Constitution was written. Its purpose was and is not to enthrone a Government superior to an imperfect and confused electorate, but to protect us from such a government."
Critical reception of Mamet
Mamet's style of writing dialogue, marked by a cynical, street-smart edge, precisely crafted for effect, is so distinctive that it has come to be called Mamet speak. Mamet has recognized an association of his edgy narrative style by noting his debt to Harold Pinter, to whom he dedicated Glengarry Glen Ross. He often uses italics and quotation marks to highlight particular words and to draw attention to his characters' frequent manipulation and deceitful use of language. His characters frequently interrupt one another, their sentences trail off unfinished, and their dialogue overlaps. Moreover, certain expressions and figures of speech are deliberately misrepresented to show that the character is not paying close attention to every detail of his dialogue (e.g., or so forth instead of and so forth). Mamet himself has criticized his (and other writers') tendency to write "pretty" at the expense of sound, logical plots.
When asked how he developed his style for writing dialogue, Mamet said, "In my family, in the days prior to television, we liked to while away the evenings by making ourselves miserable, based solely on our ability to speak the language viciously. That's probably where my ability was honed."
One instance of Mamet's dialogue style can be found in Glengarry Glen Ross, in which two down-on-their-luck real estate salesmen are considering stealing from their employer's office. George Aaronow and Dave Moss equivocate on the meaning of "talk" and "speak", turning language and meaning to deceptive purposes:
- Moss No. What do you mean? Have I talked to him about this [Pause]
- Aaronow Yes. I mean are you actually talking about this, or are we just...
- Moss No, we're just...
- Aaronow We're just "talking" about it.
- Moss We're just speaking about it. [Pause] As an idea.
- Aaronow As an idea.
- Moss Yes.
- Aaronow We're not actually talking about it.
- Moss No.
- Aaronow Talking about it as a...
- Moss No.
- Aaronow As a robbery.
- Moss As a "robbery?" No.
Mamet dedicated Glengarry Glen Ross to Harold Pinter, who was instrumental in its being first staged at the Royal National Theatre, (London) in 1983, and whom Mamet has acknowledged as an influence on its success, and on his other work.
Mamet and gender issues
Arthur Holmberg in his 2014 book David Mamet and Male Friendship, has reconsidered the gender issue in many of Mamet's plays throughout his career by asserting a prominent and recurrent reversed sexual orientation of portrayed male gender preferences.
Mamet and actress Lindsay Crouse were married in 1977 and divorced in 1990. He and Crouse have two children, Willa and Zosia. Willa is a professional photographer and Zosia is an actress. Mamet has been married to actress and singer-songwriter Rebecca Pidgeon since 1991. They have two children, Clara and Noah.
The papers of David Mamet were sold to the Harry Ransom Center at the University of Texas at Austin in 2007 and first opened for research in 2009. The growing collection consists mainly of manuscripts and related production materials for most of his plays, films, and other writings, but also includes his personal journals from 1966 to 2005. In 2015, the Ransom Center secured a second major addition to Mamet's papers that include more recent works. Additional materials relating to Mamet and his career can be found in the Ransom Center's collections of Robert De Niro, Mel Gussow, Tom Stoppard, Sam Shepard, Paul Schrader, Don DeLillo, and John Russell Brown.
Mamet is credited as writer of these works except where noted.
- Josh Ferri, "Expletives, Awards and Star Power: Why Glengarry Glen Ross Sells as a Modern American Classic | Broadway Buzz", Broadway.com, 23 October 2012. Retrieved 2013-05-24.
- Bendis, Brian Michael and Oeming, Michael Avon, Powers TPB Vol. 5 - Anarchy (Image, 2003), ISBN 1-58240-331-7
- "David Mamet Biography". FilmMakers Magazine. Retrieved 2007-01-18.
- "David Mamet Biography (1947-)". Filmreference.com. Retrieved 2013-10-18.
- Mamet, David (2006). "My Alma Mater". American Libraries: 44–46.
- "David Mamet Biography". FilmMakers Magazine. Retrieved 2007-01-18.
- "David Mamet's 'Race' on Broadway: What did the critics think?". Los Angeles Times. 2009-12-07. Retrieved 2009-12-09.
- Hetrick, Adam."David Mamet's 'The Anarchist', With Patti LuPone and Debra Winger, Will End Broadway Run Dec. 16" playbill.com, December 4, 2012
- "Blackbird (2015)". IMDb. November 24, 2013.
- "James Badge Dale Joins Cate Blanchett In David Mamet's 'Blackbird'". Deadline. November 24, 2013.
- Life magazine (Oct. 1987, V. 10 No. 11)
- Simpson, Janet (1992-03-16). "The Battle To Film Malcolm X". Time. Retrieved 2007-03-20.
- von Buchau, Stephanie. "Dr. Faustus". TheaterMania. Retrieved 2004-03-13.
- "CSPAN Video: The Secret Knowledge: On the Dismantling of American Culture".
- Bachman, John. "Author Mamet to Newsmax: New Stories Deal With Brutality of War". Newsmax. Retrieved 2013-11-24.
- "David Mamet – Politics on The Huffington Post". Huffingtonpost.com. Retrieved 2013-10-18.
- Benn, Aluf (2012-01-13). "An interview with David Mamet on Israel and Zionism Israel News". Haaretz. Retrieved 2013-10-18.
- "David Mamet," Freedom Watch with Judge Andrew Napolitano, Fox Business Network, June 8, 2011.
- Gapper, John (2011-06-10). "Lunch with the FT: David Mamet". FT.com. Retrieved 2013-10-18.
- "David Mamet launches tirade against 'antisemitism' of British writers", Vanessa Thorpe. The Guardian. June 12, 2011. Accessed June 12, 2011
- "A liberal recants". The Economist. June 16, 2011.
- Mamet, David (2012-11-01). "The final Obama/Romney showdown: A note to a stiff-necked people | Opinion". Jewish Journal. Retrieved 2013-10-18.
- Arellano, Jennifer (2012-11-05). "David Mamet implores fellow Jews to vote for Mitt Romney | PopWatch | EW.com". Popwatch.ew.com. Retrieved 2013-10-18.
- Gun Laws and the Fools of Chelm. Mamet, David. Newsweek / The Daily Beast. 29 January 2013.
- A Companion to Twentieth-century American Drama, David Krasner, Blackwell Publishing, 2005, p. 410
- Mamet, David. Writing in Restaurants.
- Stephen Randall, ed. (2006). "David Mamet: April 1996, interviewed by Geoffrey Norman and John Rezek". The Playboy Interviews: The Directors. M Press. p. 276.
- "Landmarks," on Night Waves BBC Radio, March 3, 2005, accessed January 17, 2007.
- Arthur Holmberg, David Mamet and Male Friendship, Hardcover: 276 pages, Palgrave Macmillan (April 2, 2014), ISBN 978-1137305183.
- "David Mamet: An Inventory of His Papers in the Manuscript Collection at the Harry Ransom Humanities Research Center". norman.hrc.utexas.edu. Retrieved 2016-04-09.
- David Mamet (2007-02-12). "David Mamet: Bambi vs. Godzilla". The Leonard Lopate Show (Interview). Interview with Leonard Lopate. New York: WNYC. Retrieved 2008-12-23.
- Radavich, David. "Man among Men: David Mamet's Homosocial Order." American Drama 1:1 (Fall 1991): 46-60.
- Radavich, David. "Rabe, Mamet, Shepard, and Wilson: Mid-American Male Dramatists of the 1970s and '80s." The Midwest Quarterly XLVIII: 3 (Spring 2007): 342-58.
|Wikimedia Commons has media related to David Mamet.|
|Wikiquote has quotations related to: David Mamet|
- David Mamet Papers at the Harry Ransom Center, University of Texas at Austin
- David Mamet at the Internet Broadway Database
- David Mamet at the Internet Movie Database
- David Mamet at the Internet Off-Broadway Database
- Works by or about David Mamet in libraries (WorldCat catalog)
- Works by David Mamet at Open Library
- David Mamet on Charlie Rose
- John Lahr (Spring 1997). "David Mamet, The Art of Theater No. 11". The Paris Review.
- Mamet: Why I Am No Longer a 'Brain-Dead Liberal' (Village Voice)
- David Mamet's writings and cartoons on the Huffington Post
- Interview at salon.com (copy)
- "Prickly Ideals: encountering David Mamet’s new book", ArtsEditor.com, 2010
- Interview by Cathy Pryor in the London 'Independent on Sunday'
- David Mamet's Master Class Memo to the Writers of The Unit - Movieline
- David Mamet on the Playbill Vault
- David Mamet at Doollee